A cultural history of color in the age of industry:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2021
|
| Schriftenreihe: | A cultural history of color
volume 5 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xiii, 267 Seiten, 16 ungezählte Seiten Tafeln Illustrationen |
| ISBN: | 9781474273350 |
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Datensatz im Suchindex
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| adam_text |
CONTENTS List of Illustrations vii Series Preface xi Editor’s Acknowledgments xii Introduction Alexandra Loske 1 Philosophy and Science Georges Roque 1 33 2 Technology and Trade: Chemistry, Capitalism, and the Materialities of Modern Color Theory Laura Anne Kalba 53 3 Power and Identity Dominique Grisard 75 4 Religion and Ritual Charlotte Ribeyrol 89 5 Body and Clothing Charlotte C. Nicklas 111 6 Language and Psychology Nicholas Gaskill 131
ILLUSTRATIONS 0.11 An example of Emily Noyes Vanderpoel’s color analyses in Color Problems (1902) 1.1 A plate from Johann Wolfgang von Goethe’s Zur Farbenlehre (1810), showing two of his color wheels 1.2 First chromatic circle containing pure hues, from M. E. Chevreul’s Cercles chromatiques (1861) 2.1 “Analogous scales,” plate from George Field’s Chromatics (1817) 2.2 Plate 3 from D.R. Hay’s A Nomenclature of Colours, Applicable to the Arts and Natural Sciences, to Manufactures, and Other Purposes of General Utility (1846) 2.3 A plate from A Grammar of Color: Arrangements of Strathmore Papers in a Variety of Printed Color Combinations According to the Munsell Color System (1921) 4.1 Simeon Solomon’s Jerusalem panel, from William Burges’s “Great Bookcase” (1859-62) 4.2 Title page from A.W. Pugin’s Glossary of Ecclesiastical Ornament and Costume (1844) 5.1 “The Glengary Habit,” fashion plate from Rudolph Ackermann’s Repository of Arts, Literature, Commerce, Manufactures, Fashions and Politics (1817) 5.2 “Dinner Dress,” fashion plate from World of Fashion (1825) 5.3 Silk dress dyed with Sir William Henry Perkin’s original mauve aniline dye, c. 1862 5.4 Silk ribbon, second half of the nineteenth century 6.1 The Colour Triangle, based on Hermann von Helmholtz’s barycentric curve for expressing principles of color mixing. From Christine Ladd-Franklin’s Colour and Colour Theories (1929) 6.2 Frontispiece from Christine Ladd-Franklin’s Colour and Colour Theories (1929) 8.1 J.M.W. Turner, The Fighting Temeraire, 1839 8.2 James McNeill Whistler, Nocturne: Blue and Gold-Southampton
Water, 1872 8.3 Vincent Van Gogh, Bedroom, 1888/9
ILLUSTRATIONS b¡ 9.1 The Music Room of the Royal Pavilion, Brighton. From John Nash’s The Royal Pavilion at Brighton (1826) 9.2 The Banqueting Room of the Royal Pavilion, Brighton. From John Nash’s The Royal Pavilion at Brighton (1826) 9.3 A plate showing Arabian designs, from Owen Jones’s Grammar of Ornament (1868) 9.4 Plate IV from John Dibblee Crace’s The Art of Colour Decoration (1912) 10.1 In the late nineteenth century puzzles like this Dissected Map used seductive color to lure children into learning their geography FIGURES 0.1 Title page of The Art Journal Illustrated Catalogue (1851) 2 0.2 Francesco Bartolozzi (engr.) after Angelica Kauffman, “Colouring,” 1778 9 0.3 “Theory of Colours,” published by Charles Taylor (1785) 0.4 Vignette accompanying Mary Merrifield’s essay “The Harmony of Colours .” in The Art Journal Illustrated Catalogue (1851) 1.1 1.2 1.3 1.4 2.1 4.1 Illustration of the contrast of brightness; from M. E. Chevreul, De la loi du contraste simultané des couleurs (1839) Illustration of the three wavelengths to which the “fibers” of the retina are sensitive, from an English translation of Hermann von Helmholtz’s Handbuch der physiologischen Optik (1867) 10 29 43 48 Spinning disk, detail of plate VI, from J.C. Maxwell’s “Experiments on Colour as Perceived by the Eye, with Remarks on Colour Blindness” (1857) 50 Color diagram, detail of plate VI, from J.C. Maxwell’s “Experiments on Colour as Perceived by the Eye, with Remarks on Colour Blindness” (1857) 51 “Interior view of the Great Exhibition, Main Avenue West,” from The Art Journal Illustrated
Catalogue (1851) 57 “Height of Fashion,” cartoon from Punch(1866) 5.1 James Gillray, “Les Invisibles,” 1810 106 112 |
| adam_txt |
CONTENTS List of Illustrations vii Series Preface xi Editor’s Acknowledgments xii Introduction Alexandra Loske 1 Philosophy and Science Georges Roque 1 33 2 Technology and Trade: Chemistry, Capitalism, and the Materialities of Modern Color Theory Laura Anne Kalba 53 3 Power and Identity Dominique Grisard 75 4 Religion and Ritual Charlotte Ribeyrol 89 5 Body and Clothing Charlotte C. Nicklas 111 6 Language and Psychology Nicholas Gaskill 131
ILLUSTRATIONS 0.11 An example of Emily Noyes Vanderpoel’s color analyses in Color Problems (1902) 1.1 A plate from Johann Wolfgang von Goethe’s Zur Farbenlehre (1810), showing two of his color wheels 1.2 First chromatic circle containing pure hues, from M. E. Chevreul’s Cercles chromatiques (1861) 2.1 “Analogous scales,” plate from George Field’s Chromatics (1817) 2.2 Plate 3 from D.R. Hay’s A Nomenclature of Colours, Applicable to the Arts and Natural Sciences, to Manufactures, and Other Purposes of General Utility (1846) 2.3 A plate from A Grammar of Color: Arrangements of Strathmore Papers in a Variety of Printed Color Combinations According to the Munsell Color System (1921) 4.1 Simeon Solomon’s Jerusalem panel, from William Burges’s “Great Bookcase” (1859-62) 4.2 Title page from A.W. Pugin’s Glossary of Ecclesiastical Ornament and Costume (1844) 5.1 “The Glengary Habit,” fashion plate from Rudolph Ackermann’s Repository of Arts, Literature, Commerce, Manufactures, Fashions and Politics (1817) 5.2 “Dinner Dress,” fashion plate from World of Fashion (1825) 5.3 Silk dress dyed with Sir William Henry Perkin’s original mauve aniline dye, c. 1862 5.4 Silk ribbon, second half of the nineteenth century 6.1 The Colour Triangle, based on Hermann von Helmholtz’s barycentric curve for expressing principles of color mixing. From Christine Ladd-Franklin’s Colour and Colour Theories (1929) 6.2 Frontispiece from Christine Ladd-Franklin’s Colour and Colour Theories (1929) 8.1 J.M.W. Turner, The Fighting Temeraire, 1839 8.2 James McNeill Whistler, Nocturne: Blue and Gold-Southampton
Water, 1872 8.3 Vincent Van Gogh, Bedroom, 1888/9
ILLUSTRATIONS b¡ 9.1 The Music Room of the Royal Pavilion, Brighton. From John Nash’s The Royal Pavilion at Brighton (1826) 9.2 The Banqueting Room of the Royal Pavilion, Brighton. From John Nash’s The Royal Pavilion at Brighton (1826) 9.3 A plate showing Arabian designs, from Owen Jones’s Grammar of Ornament (1868) 9.4 Plate IV from John Dibblee Crace’s The Art of Colour Decoration (1912) 10.1 In the late nineteenth century puzzles like this Dissected Map used seductive color to lure children into learning their geography FIGURES 0.1 Title page of The Art Journal Illustrated Catalogue (1851) 2 0.2 Francesco Bartolozzi (engr.) after Angelica Kauffman, “Colouring,” 1778 9 0.3 “Theory of Colours,” published by Charles Taylor (1785) 0.4 Vignette accompanying Mary Merrifield’s essay “The Harmony of Colours .” in The Art Journal Illustrated Catalogue (1851) 1.1 1.2 1.3 1.4 2.1 4.1 Illustration of the contrast of brightness; from M. E. Chevreul, De la loi du contraste simultané des couleurs (1839) Illustration of the three wavelengths to which the “fibers” of the retina are sensitive, from an English translation of Hermann von Helmholtz’s Handbuch der physiologischen Optik (1867) 10 29 43 48 Spinning disk, detail of plate VI, from J.C. Maxwell’s “Experiments on Colour as Perceived by the Eye, with Remarks on Colour Blindness” (1857) 50 Color diagram, detail of plate VI, from J.C. Maxwell’s “Experiments on Colour as Perceived by the Eye, with Remarks on Colour Blindness” (1857) 51 “Interior view of the Great Exhibition, Main Avenue West,” from The Art Journal Illustrated
Catalogue (1851) 57 “Height of Fashion,” cartoon from Punch(1866) 5.1 James Gillray, “Les Invisibles,” 1810 106 112 |
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| spelling | A cultural history of color in the age of industry edited by Alexandra Loske In the age of industry London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2021 xiii, 267 Seiten, 16 ungezählte Seiten Tafeln Illustrationen txt rdacontent n rdamedia nc rdacarrier A cultural history of color volume 5 Geschichte 1800-1920 gnd rswk-swf Farbe (DE-588)4016443-3 gnd rswk-swf Antike (DE-588)4068754-5 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Farbe (DE-588)4016443-3 s Antike (DE-588)4068754-5 s Geschichte 1800-1920 z DE-604 Loske, Alexandra 1969- (DE-588)1162358211 edt Erscheint auch als Online-Ausgabe 978-1-4742-0621-1 A cultural history of color volume 5 (DE-604)BV046642167 5 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032601961&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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