Reading the modernist long poem: John Cage, Charles Olson and the indeterminacy of longform poetics
"Outlines the role of 'indeterminacy' in reading modernist long poems by way of the longform poetry of John Cage and Charles Olson"--
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2021
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "Outlines the role of 'indeterminacy' in reading modernist long poems by way of the longform poetry of John Cage and Charles Olson"-- |
| Beschreibung: | 229 Seiten |
| ISBN: | 9781501363788 9781501371899 |
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Datensatz im Suchindex
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| adam_text | Contents Acknowledgements viii Introduction: Indeterminacy 1 Olsons ‘Projective Verse’ 2 Poetics of speed: Mediation in Maximus 3 Mycopoetics: Cages Mushroom Book 4 Olson, lists and archives 5 Ideas in Cages I-VI 6 Models and mereology 7 Typos Conclusion: Nonunderstanding 1 21 41 67 93 121 149 177 205 Bibliography Discography Index 209 224 225
Ίη this brilliant study, Brendan Gillott comprehensively recalibrates our ways of reading two of the most challenging and generative long poems of the past century: The Maximus Poems of Charles Olson and John Cage’s I-VI. By following out all the ramifications of indeterminacy for the making and receiving of these works, Gillott demonstrates the artistic, philosophical and basic human demands and opportunities these books place before their writers and readers. Not just a theoretical watchword, “indeterminacy” is here made into a subtle tool for reckoning the vital stakes in the modern long poem.’ Stephen Fredman. Emeritus Professor of English. University of Notre Dame. USA ‘Brendan Gillott wonderfully adumbrates the centrality of indeterminacy in the works of John Cage and - more surprisingly - Charles Olson. By showing how structures and strategies of indeterminacy are not merely fundamental to Olson’s and Cage’s compositional practices, but are necessary elements of readers’ approaches to their work, Gillott sets out a new and provocative framework for reading these writers’ important long poems.’ Mark Scroggins, Professor of English, Florida Atlantic University. USA ‘Reading the Modernist Long Poem provides a valuable consideration of longform and indeterminate poetry of the postwar period. Gillott’s focus on reading protocols for John Cage and Charles Olson opens new territory for our understanding of these writers and their contemporaries.’ Peter Jaeger, Professor of Poetics. University of Roehampton, UK ‘An exceptionally lucid and theoretically well informed study of
the long poem, which Gillott puts in conversation with Marjorie Perloffs “Other Tradition”, with Pound, Stein and Beckett. Gillott’s special interest is in indeterminacy as it operates in, and is generated by, long forms, something that he studies with great clarity and richness in the contexts of John Cage and Charles Olson, whose works are discussed philosophically, critically, culturally and historically. This is a book of major importance for anyone interested in contemporary poetry and the “longform”.’ Herman Rapaport, Reynolds Professor of English, Wake Forest University, USA How do readers approach the enigmatic and unnavigable modernist long poem? Taking as the form’s exemplars the highly influential but critically contentious poetries of John Cage and Charles Olson, this book considers indeterminacy - the fundamental feature of the long poem - byway of its analogues in musicology, mycology, cybernetics and philosophy. It addresses features of these works that figure broadly in the long poem tradition, such as listing, typography, archives, mediation and mereology, while articulating how both poets broke with the longform poetic traditions of the early 1900s. Brendan C. Gillott argues for Cage’s and Olson’s centrality to these traditions ֊ in developing, critiquing and innovating on the longform poetics of the past, their work revolutionized the longform poetry of the 20th and 21st centuries.
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Contents Acknowledgements viii Introduction: Indeterminacy 1 Olsons ‘Projective Verse’ 2 Poetics of speed: Mediation in Maximus 3 Mycopoetics: Cages Mushroom Book 4 Olson, lists and archives 5 Ideas in Cages I-VI 6 Models and mereology 7 Typos Conclusion: Nonunderstanding 1 21 41 67 93 121 149 177 205 Bibliography Discography Index 209 224 225
Ίη this brilliant study, Brendan Gillott comprehensively recalibrates our ways of reading two of the most challenging and generative long poems of the past century: The Maximus Poems of Charles Olson and John Cage’s I-VI. By following out all the ramifications of indeterminacy for the making and receiving of these works, Gillott demonstrates the artistic, philosophical and basic human demands and opportunities these books place before their writers and readers. Not just a theoretical watchword, “indeterminacy” is here made into a subtle tool for reckoning the vital stakes in the modern long poem.’ Stephen Fredman. Emeritus Professor of English. University of Notre Dame. USA ‘Brendan Gillott wonderfully adumbrates the centrality of indeterminacy in the works of John Cage and - more surprisingly - Charles Olson. By showing how structures and strategies of indeterminacy are not merely fundamental to Olson’s and Cage’s compositional practices, but are necessary elements of readers’ approaches to their work, Gillott sets out a new and provocative framework for reading these writers’ important long poems.’ Mark Scroggins, Professor of English, Florida Atlantic University. USA ‘Reading the Modernist Long Poem provides a valuable consideration of longform and indeterminate poetry of the postwar period. Gillott’s focus on reading protocols for John Cage and Charles Olson opens new territory for our understanding of these writers and their contemporaries.’ Peter Jaeger, Professor of Poetics. University of Roehampton, UK ‘An exceptionally lucid and theoretically well informed study of
the long poem, which Gillott puts in conversation with Marjorie Perloffs “Other Tradition”, with Pound, Stein and Beckett. Gillott’s special interest is in indeterminacy as it operates in, and is generated by, long forms, something that he studies with great clarity and richness in the contexts of John Cage and Charles Olson, whose works are discussed philosophically, critically, culturally and historically. This is a book of major importance for anyone interested in contemporary poetry and the “longform”.’ Herman Rapaport, Reynolds Professor of English, Wake Forest University, USA How do readers approach the enigmatic and unnavigable modernist long poem? Taking as the form’s exemplars the highly influential but critically contentious poetries of John Cage and Charles Olson, this book considers indeterminacy - the fundamental feature of the long poem - byway of its analogues in musicology, mycology, cybernetics and philosophy. It addresses features of these works that figure broadly in the long poem tradition, such as listing, typography, archives, mediation and mereology, while articulating how both poets broke with the longform poetic traditions of the early 1900s. Brendan C. Gillott argues for Cage’s and Olson’s centrality to these traditions ֊ in developing, critiquing and innovating on the longform poetics of the past, their work revolutionized the longform poetry of the 20th and 21st centuries. |
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| spelling | Gillot, Brendan C. Verfasser (DE-588)1231839260 aut Reading the modernist long poem John Cage, Charles Olson and the indeterminacy of longform poetics Brendan C. Gillott New York ; London ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2021 229 Seiten txt rdacontent n rdamedia nc rdacarrier "Outlines the role of 'indeterminacy' in reading modernist long poems by way of the longform poetry of John Cage and Charles Olson"-- Olson, Charles 1910-1970 (DE-588)118787071 gnd rswk-swf Cage, John 1912-1992 (DE-588)118518291 gnd rswk-swf Amerikanisches Englisch (DE-588)4094804-3 gnd rswk-swf Langgedicht (DE-588)4378285-1 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf American poetry / 20th century / History and criticism Modernism (Literature) / United States Cage, John / Criticism and interpretation Olson, Charles / 1910-1970 / Criticism and interpretation Cage, John Olson, Charles / 1910-1970 American poetry Modernism (Literature) United States 1900-1999 Criticism, interpretation, etc Cage, John 1912-1992 (DE-588)118518291 p Olson, Charles 1910-1970 (DE-588)118787071 p USA (DE-588)4078704-7 g Amerikanisches Englisch (DE-588)4094804-3 s Langgedicht (DE-588)4378285-1 s DE-604 Erscheint auch als Online-Ausgabe, pdf 978-1-5013-6380-1 Erscheint auch als Online-Ausgabe, ebk 978-1-5013-6379-5 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032601070&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032601070&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Gillot, Brendan C. Reading the modernist long poem John Cage, Charles Olson and the indeterminacy of longform poetics Olson, Charles 1910-1970 (DE-588)118787071 gnd Cage, John 1912-1992 (DE-588)118518291 gnd Amerikanisches Englisch (DE-588)4094804-3 gnd Langgedicht (DE-588)4378285-1 gnd |
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| title | Reading the modernist long poem John Cage, Charles Olson and the indeterminacy of longform poetics |
| title_auth | Reading the modernist long poem John Cage, Charles Olson and the indeterminacy of longform poetics |
| title_exact_search | Reading the modernist long poem John Cage, Charles Olson and the indeterminacy of longform poetics |
| title_exact_search_txtP | Reading the modernist long poem John Cage, Charles Olson and the indeterminacy of longform poetics |
| title_full | Reading the modernist long poem John Cage, Charles Olson and the indeterminacy of longform poetics Brendan C. Gillott |
| title_fullStr | Reading the modernist long poem John Cage, Charles Olson and the indeterminacy of longform poetics Brendan C. Gillott |
| title_full_unstemmed | Reading the modernist long poem John Cage, Charles Olson and the indeterminacy of longform poetics Brendan C. Gillott |
| title_short | Reading the modernist long poem |
| title_sort | reading the modernist long poem john cage charles olson and the indeterminacy of longform poetics |
| title_sub | John Cage, Charles Olson and the indeterminacy of longform poetics |
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