My kind of sound: popular music and audiovisual culture
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne, UK
Cambridge Scholars Publishing
2021
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | x, 187 Seiten Illustrationen, Notenbeispiele, Tabellen |
| ISBN: | 9781527561649 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV047194769 | ||
| 003 | DE-604 | ||
| 005 | 20211216 | ||
| 007 | t | ||
| 008 | 210315s2021 adgl b||| 00||| eng d | ||
| 020 | |a 9781527561649 |c hardcover |9 978-1-5275-6164-9 | ||
| 035 | |a (OCoLC)1249680582 | ||
| 035 | |a (DE-599)BVBBV047194769 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-11 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 084 | |a LS 48015 |0 (DE-625)110539: |2 rvk | ||
| 100 | 1 | |a Encabo, Enrique |d 1979- |0 (DE-588)1033850063 |4 edt | |
| 245 | 1 | 0 | |a My kind of sound |b popular music and audiovisual culture |c edited by Enrique Encabo |
| 264 | 1 | |a Newcastle upon Tyne, UK |b Cambridge Scholars Publishing |c 2021 | |
| 264 | 4 | |c © 2021 | |
| 300 | |a x, 187 Seiten |b Illustrationen, Notenbeispiele, Tabellen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 650 | 0 | 7 | |a Popmusik |0 (DE-588)4046781-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikproduktion |0 (DE-588)4235850-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Audiovisuelle Medien |0 (DE-588)4068939-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikwirtschaft |0 (DE-588)4268614-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Soziale Identität |0 (DE-588)4077567-7 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Popular music / Social aspects | |
| 653 | 0 | |a Popular music / Psychological aspects | |
| 653 | 0 | |a Music and identity politics | |
| 653 | 0 | |a Music and identity politics | |
| 653 | 0 | |a Popular music / Psychological aspects | |
| 653 | 0 | |a Popular music / Social aspects | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Popmusik |0 (DE-588)4046781-8 |D s |
| 689 | 0 | 1 | |a Musikwirtschaft |0 (DE-588)4268614-3 |D s |
| 689 | 0 | 2 | |a Audiovisuelle Medien |0 (DE-588)4068939-6 |D s |
| 689 | 0 | 3 | |a Musikproduktion |0 (DE-588)4235850-4 |D s |
| 689 | 0 | 4 | |a Soziale Identität |0 (DE-588)4077567-7 |D s |
| 689 | 0 | |5 DE-604 | |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032599891&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |q BSB_NED_20210430 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032599891 | ||
| 942 | 1 | 1 | |c 781.66 |e 22/bsb |f 0905 |
| 942 | 1 | 1 | |c 070.9 |e 22/bsb |f 0904 |
| 942 | 1 | 1 | |c 780.1 |e 22/bsb |f 0905 |
| 942 | 1 | 1 | |c 780.1 |e 22/bsb |f 0904 |
| 942 | 1 | 1 | |c 781.66 |e 22/bsb |f 0904 |
| 942 | 1 | 1 | |c 070.9 |e 22/bsb |f 0905 |
Datensatz im Suchindex
| _version_ | 1804182296067047424 |
|---|---|
| adam_text | Table of Contents Preface..............................................................................................................vii Chapter 1............................................................................................................ 1 Sounds Similar! Reflections on Music Identity and Recognition Franco Fabbri Part 1 : Decoding Music Icons Chapter 2......................................................................................................... 20 Nirvana’s Nevermind: Exploring the Audiovisual Mosaic Christopher Vezza Chapter 3......................................................................................................... 36 The Legacy of Oskar Schlemmer and the Bauhaus in the Aesthetics of David Bowie Zuleyma Guillen González Chapter 4..........................................................................................................50 Sound Travesty and Music Reversed: Miley Cyms’s Parody on the Web Annick Girard Part 2: Music Industry Trends Chapter 5..........................................................................................................60 Re-conceptualizing the Record Industry: Audio-Visual Nexus in an Evolving Digital Environment Jim Rogers Chapter 6.......................................................................................................... 79 We Move to the Rhythm of ‘Pumping Dance’: Sidechain Compression as a Creative Resource in Electronic Dance Music Marco Antonio Juan de Dios Cuartas
VI Table of Contents Chapter 7....................................................................................................... 103 Reggaeton in Medellin: A New Focus of International Aesthetic-Sound Production Carlos Andrés Caballero Parra Part 3 : Music on the Screen Chapter 8.........................................................................................................130 Politics, Crime and Music: Babylon Berlin (TV series, 2017) as a Postmodern Reading on Babylon Berlin {Der Nasse Fisch, 2007) by Volker Kutscher Pompeyo Pérez Díaz Chapter 9.........................................................................................................146 Huh! Medievalism(s), TV and Musical Authenticity in Vikings (Hirst, 2013) Arturo Tello Ruiz-Pérez Chapter 10.......................................................................................................172 Constructing an Audiovisual Language through (Social) Media Convergence: Ghost in the Shell, Musical Codes and Networked Meaning André Malhado
|
| adam_txt |
Table of Contents Preface.vii Chapter 1. 1 Sounds Similar! Reflections on Music Identity and Recognition Franco Fabbri Part 1 : Decoding Music Icons Chapter 2. 20 Nirvana’s Nevermind: Exploring the Audiovisual Mosaic Christopher Vezza Chapter 3. 36 The Legacy of Oskar Schlemmer and the Bauhaus in the Aesthetics of David Bowie Zuleyma Guillen González Chapter 4.50 Sound Travesty and Music Reversed: Miley Cyms’s Parody on the Web Annick Girard Part 2: Music Industry Trends Chapter 5.60 Re-conceptualizing the Record Industry: Audio-Visual Nexus in an Evolving Digital Environment Jim Rogers Chapter 6. 79 We Move to the Rhythm of ‘Pumping Dance’: Sidechain Compression as a Creative Resource in Electronic Dance Music Marco Antonio Juan de Dios Cuartas
VI Table of Contents Chapter 7. 103 Reggaeton in Medellin: A New Focus of International Aesthetic-Sound Production Carlos Andrés Caballero Parra Part 3 : Music on the Screen Chapter 8.130 Politics, Crime and Music: Babylon Berlin (TV series, 2017) as a Postmodern Reading on Babylon Berlin {Der Nasse Fisch, 2007) by Volker Kutscher Pompeyo Pérez Díaz Chapter 9.146 Huh! Medievalism(s), TV and Musical Authenticity in Vikings (Hirst, 2013) Arturo Tello Ruiz-Pérez Chapter 10.172 Constructing an Audiovisual Language through (Social) Media Convergence: Ghost in the Shell, Musical Codes and Networked Meaning André Malhado |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author2 | Encabo, Enrique 1979- |
| author2_role | edt |
| author2_variant | e e ee |
| author_GND | (DE-588)1033850063 |
| author_facet | Encabo, Enrique 1979- |
| building | Verbundindex |
| bvnumber | BV047194769 |
| classification_rvk | LS 48015 |
| ctrlnum | (OCoLC)1249680582 (DE-599)BVBBV047194769 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02451nam a2200601 c 4500</leader><controlfield tag="001">BV047194769</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20211216 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">210315s2021 adgl b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781527561649</subfield><subfield code="c">hardcover</subfield><subfield code="9">978-1-5275-6164-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1249680582</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047194769</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LS 48015</subfield><subfield code="0">(DE-625)110539:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Encabo, Enrique</subfield><subfield code="d">1979-</subfield><subfield code="0">(DE-588)1033850063</subfield><subfield code="4">edt</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">My kind of sound</subfield><subfield code="b">popular music and audiovisual culture</subfield><subfield code="c">edited by Enrique Encabo</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Newcastle upon Tyne, UK</subfield><subfield code="b">Cambridge Scholars Publishing</subfield><subfield code="c">2021</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">x, 187 Seiten</subfield><subfield code="b">Illustrationen, Notenbeispiele, Tabellen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Popmusik</subfield><subfield code="0">(DE-588)4046781-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikproduktion</subfield><subfield code="0">(DE-588)4235850-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Audiovisuelle Medien</subfield><subfield code="0">(DE-588)4068939-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikwirtschaft</subfield><subfield code="0">(DE-588)4268614-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Soziale Identität</subfield><subfield code="0">(DE-588)4077567-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Popular music / Social aspects</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Popular music / Psychological aspects</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music and identity politics</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music and identity politics</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Popular music / Psychological aspects</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Popular music / Social aspects</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Popmusik</subfield><subfield code="0">(DE-588)4046781-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Musikwirtschaft</subfield><subfield code="0">(DE-588)4268614-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Audiovisuelle Medien</subfield><subfield code="0">(DE-588)4068939-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Musikproduktion</subfield><subfield code="0">(DE-588)4235850-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Soziale Identität</subfield><subfield code="0">(DE-588)4077567-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032599891&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20210430</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032599891</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">070.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.1</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.1</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">070.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV047194769 |
| illustrated | Illustrated |
| index_date | 2024-07-03T16:49:21Z |
| indexdate | 2024-07-10T09:05:17Z |
| institution | BVB |
| isbn | 9781527561649 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032599891 |
| oclc_num | 1249680582 |
| open_access_boolean | |
| owner | DE-12 DE-11 |
| owner_facet | DE-12 DE-11 |
| physical | x, 187 Seiten Illustrationen, Notenbeispiele, Tabellen |
| psigel | BSB_NED_20210430 |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Cambridge Scholars Publishing |
| record_format | marc |
| spelling | Encabo, Enrique 1979- (DE-588)1033850063 edt My kind of sound popular music and audiovisual culture edited by Enrique Encabo Newcastle upon Tyne, UK Cambridge Scholars Publishing 2021 © 2021 x, 187 Seiten Illustrationen, Notenbeispiele, Tabellen txt rdacontent n rdamedia nc rdacarrier Popmusik (DE-588)4046781-8 gnd rswk-swf Musikproduktion (DE-588)4235850-4 gnd rswk-swf Audiovisuelle Medien (DE-588)4068939-6 gnd rswk-swf Musikwirtschaft (DE-588)4268614-3 gnd rswk-swf Soziale Identität (DE-588)4077567-7 gnd rswk-swf Popular music / Social aspects Popular music / Psychological aspects Music and identity politics (DE-588)4143413-4 Aufsatzsammlung gnd-content Popmusik (DE-588)4046781-8 s Musikwirtschaft (DE-588)4268614-3 s Audiovisuelle Medien (DE-588)4068939-6 s Musikproduktion (DE-588)4235850-4 s Soziale Identität (DE-588)4077567-7 s DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032599891&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | My kind of sound popular music and audiovisual culture Popmusik (DE-588)4046781-8 gnd Musikproduktion (DE-588)4235850-4 gnd Audiovisuelle Medien (DE-588)4068939-6 gnd Musikwirtschaft (DE-588)4268614-3 gnd Soziale Identität (DE-588)4077567-7 gnd |
| subject_GND | (DE-588)4046781-8 (DE-588)4235850-4 (DE-588)4068939-6 (DE-588)4268614-3 (DE-588)4077567-7 (DE-588)4143413-4 |
| title | My kind of sound popular music and audiovisual culture |
| title_auth | My kind of sound popular music and audiovisual culture |
| title_exact_search | My kind of sound popular music and audiovisual culture |
| title_exact_search_txtP | My kind of sound popular music and audiovisual culture |
| title_full | My kind of sound popular music and audiovisual culture edited by Enrique Encabo |
| title_fullStr | My kind of sound popular music and audiovisual culture edited by Enrique Encabo |
| title_full_unstemmed | My kind of sound popular music and audiovisual culture edited by Enrique Encabo |
| title_short | My kind of sound |
| title_sort | my kind of sound popular music and audiovisual culture |
| title_sub | popular music and audiovisual culture |
| topic | Popmusik (DE-588)4046781-8 gnd Musikproduktion (DE-588)4235850-4 gnd Audiovisuelle Medien (DE-588)4068939-6 gnd Musikwirtschaft (DE-588)4268614-3 gnd Soziale Identität (DE-588)4077567-7 gnd |
| topic_facet | Popmusik Musikproduktion Audiovisuelle Medien Musikwirtschaft Soziale Identität Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032599891&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT encaboenrique mykindofsoundpopularmusicandaudiovisualculture |