Genealogies of music and memory: Gluck in the nineteenth-century Parisian imagination
"The history of music is most often written as a sequence of composers and works. But a richer understanding of the music of the past may be obtained by also considering the afterlives of a composer's works. Genealogies of Music and Memory asks how the stage works of Christoph Willibald Gl...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2021]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The history of music is most often written as a sequence of composers and works. But a richer understanding of the music of the past may be obtained by also considering the afterlives of a composer's works. Genealogies of Music and Memory asks how the stage works of Christoph Willibald Gluck (1714-1787) were cultivated in nineteenth-century Paris, and concludes that although the composer was not represented formally on the stage until 1859, his music was known from a wide range of musical and literary environments. Received opinion has Hector Berlioz as the sole guardian of the Gluckian flame from the 1820s onwards, and responsible-together with the soprano Pauline Viardot-for the 'revival' of the composer's Orfeo in 1859. The picture is much clarified by looking at the concert performances of Gluck during the first two thirds of the nineteenth century, and the ways in which they were received and the literary discourses they engendered. Coupled to questions of music publication, pedagogy, and the institutional status of the composer, such a study reveals a wide range of individual agents active in the promotion of Gluck's music for the Parisian stage. The 'revival' of Orfeo is contextualized among other attempts at reviving Gluck's works in the 1860s, and the role of Berlioz, Viardot, and a host of others re-examined"-- |
| Beschreibung: | Abw. Titel vom Buchrücken entnommen Rezensiert in: Music & letters, volume 105, number 2, (2024), Seite 255-260 (Barry Cooper) |
| Beschreibung: | viii, 210 Seiten Illustrationen, Notenbeispiele, Portraits |
| ISBN: | 9780197546000 |
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| 505 | 8 | |a Introduction. Gluck Reception and Cultural Exchange -- Gluck in Performance, c1770 to c1870 -- Paris Imagines Gluck -- Towards 'Rediscovery' -- Gluck in the Theatre | |
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Datensatz im Suchindex
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| adam_text |
Contents Illustrations Music Examples Tables Introduction: Gluck Reception and Cultural Exchange 1. Gluck in Performance: Paris, Cİ770 to Cİ870 1.1 1.2 1.3 1.4 1.5 Concerts Historiques Concertseries Freely Promoted Concerts Imagining Dramatic Performance: François Delsarte Repertory: Structure and Permutation 2. Paris Imagines Gluck 2.1 2.2 2.3 2.4 Impresarios Publishers Vocal Artists The Literary and Material Imagination 3. Towards ‘Rediscovery’ 3.1 3.2 3.3 3.4 The Challenge of the Theatre Early Plans The Classical Politics and the Pamphlet 4. Gluck in the Theatre 4.1 Gluck in the Theatre: The Second Empire 4.2 Staged Performance and Memory 4.3 Success or Failure: Consequence and Effect xi xiii xv 1 9 11 15 23 27 39 43 44 46 63 71 94 94 97 106 118 126 126 149 157 Conclusion: Opera Studies’ and the Study of Cultures 164 Appendix Bibliography Index 167 175 189 |
| adam_txt |
Contents Illustrations Music Examples Tables Introduction: Gluck Reception and Cultural Exchange 1. Gluck in Performance: Paris, Cİ770 to Cİ870 1.1 1.2 1.3 1.4 1.5 Concerts Historiques Concertseries Freely Promoted Concerts Imagining Dramatic Performance: François Delsarte Repertory: Structure and Permutation 2. Paris Imagines Gluck 2.1 2.2 2.3 2.4 Impresarios Publishers Vocal Artists The Literary and Material Imagination 3. Towards ‘Rediscovery’ 3.1 3.2 3.3 3.4 The Challenge of the Theatre Early Plans The Classical Politics and the Pamphlet 4. Gluck in the Theatre 4.1 Gluck in the Theatre: The Second Empire 4.2 Staged Performance and Memory 4.3 Success or Failure: Consequence and Effect xi xiii xv 1 9 11 15 23 27 39 43 44 46 63 71 94 94 97 106 118 126 126 149 157 Conclusion: Opera Studies’ and the Study of Cultures 164 Appendix Bibliography Index 167 175 189 |
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| contents | Introduction. Gluck Reception and Cultural Exchange -- Gluck in Performance, c1770 to c1870 -- Paris Imagines Gluck -- Towards 'Rediscovery' -- Gluck in the Theatre |
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| discipline | Musikwissenschaft |
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| era_facet | Geschichte 1820-1859 Geschichte 1770-1870 |
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| publisher | Oxford University Press |
| record_format | marc |
| spelling | Everist, Mark 1956- Verfasser (DE-588)131421085 aut Genealogies of music and memory Gluck in the nineteenth-century Parisian imagination Mark Everist Genealogies of music & memory New York, NY Oxford University Press [2021] © 2021 viii, 210 Seiten Illustrationen, Notenbeispiele, Portraits txt rdacontent n rdamedia nc rdacarrier Abw. Titel vom Buchrücken entnommen Rezensiert in: Music & letters, volume 105, number 2, (2024), Seite 255-260 (Barry Cooper) Introduction. Gluck Reception and Cultural Exchange -- Gluck in Performance, c1770 to c1870 -- Paris Imagines Gluck -- Towards 'Rediscovery' -- Gluck in the Theatre "The history of music is most often written as a sequence of composers and works. But a richer understanding of the music of the past may be obtained by also considering the afterlives of a composer's works. Genealogies of Music and Memory asks how the stage works of Christoph Willibald Gluck (1714-1787) were cultivated in nineteenth-century Paris, and concludes that although the composer was not represented formally on the stage until 1859, his music was known from a wide range of musical and literary environments. Received opinion has Hector Berlioz as the sole guardian of the Gluckian flame from the 1820s onwards, and responsible-together with the soprano Pauline Viardot-for the 'revival' of the composer's Orfeo in 1859. The picture is much clarified by looking at the concert performances of Gluck during the first two thirds of the nineteenth century, and the ways in which they were received and the literary discourses they engendered. Coupled to questions of music publication, pedagogy, and the institutional status of the composer, such a study reveals a wide range of individual agents active in the promotion of Gluck's music for the Parisian stage. The 'revival' of Orfeo is contextualized among other attempts at reviving Gluck's works in the 1860s, and the role of Berlioz, Viardot, and a host of others re-examined"-- Gluck, Christoph Willibald 1714-1787 (DE-588)118539841 gnd rswk-swf Geschichte 1820-1859 gnd rswk-swf Geschichte 1770-1870 gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Paris (DE-588)4044660-8 gnd rswk-swf Gluck, Christoph Willibald / Ritter von / 1714-1787 / Operas Gluck, Christoph Willibald / Ritter von / 1714-1787 / Performances / France / Paris / History / 19th century Gluck, Christoph Willibald / Ritter von / 1714-1787 / Appreciation / France / Paris / History / 19th century Opera / France / Paris / 19th century Gluck, Christoph Willibald / Ritter von / 1714-1787 Operas (Gluck, Christoph Willibald, Ritter von) Art appreciation Opera Performances France / Paris 1800-1899 History Gluck, Christoph Willibald 1714-1787 (DE-588)118539841 p Oper (DE-588)4043582-9 s Aufführung (DE-588)4143388-9 s Paris (DE-588)4044660-8 g Geschichte 1820-1859 z DE-604 Rezeption (DE-588)4049716-1 s Geschichte 1770-1870 z Erscheint auch als Online-Ausgabe, EPUB 978-0-19-754602-4 (DE-604)BV047245989 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032599794&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Everist, Mark 1956- Genealogies of music and memory Gluck in the nineteenth-century Parisian imagination Introduction. Gluck Reception and Cultural Exchange -- Gluck in Performance, c1770 to c1870 -- Paris Imagines Gluck -- Towards 'Rediscovery' -- Gluck in the Theatre Gluck, Christoph Willibald 1714-1787 (DE-588)118539841 gnd Oper (DE-588)4043582-9 gnd Rezeption (DE-588)4049716-1 gnd Aufführung (DE-588)4143388-9 gnd |
| subject_GND | (DE-588)118539841 (DE-588)4043582-9 (DE-588)4049716-1 (DE-588)4143388-9 (DE-588)4044660-8 |
| title | Genealogies of music and memory Gluck in the nineteenth-century Parisian imagination |
| title_alt | Genealogies of music & memory |
| title_auth | Genealogies of music and memory Gluck in the nineteenth-century Parisian imagination |
| title_exact_search | Genealogies of music and memory Gluck in the nineteenth-century Parisian imagination |
| title_exact_search_txtP | Genealogies of music and memory Gluck in the nineteenth-century Parisian imagination |
| title_full | Genealogies of music and memory Gluck in the nineteenth-century Parisian imagination Mark Everist |
| title_fullStr | Genealogies of music and memory Gluck in the nineteenth-century Parisian imagination Mark Everist |
| title_full_unstemmed | Genealogies of music and memory Gluck in the nineteenth-century Parisian imagination Mark Everist |
| title_short | Genealogies of music and memory |
| title_sort | genealogies of music and memory gluck in the nineteenth century parisian imagination |
| title_sub | Gluck in the nineteenth-century Parisian imagination |
| topic | Gluck, Christoph Willibald 1714-1787 (DE-588)118539841 gnd Oper (DE-588)4043582-9 gnd Rezeption (DE-588)4049716-1 gnd Aufführung (DE-588)4143388-9 gnd |
| topic_facet | Gluck, Christoph Willibald 1714-1787 Oper Rezeption Aufführung Paris |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032599794&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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