"This book investigates Jimmie Durham's community-building process of making and display in four of his projects in Europe: Something ... Perhaps a Fugue, or an Elegy (2005); two Neapolitan nativities (2016 and ongoing); The Middle Earth (with Maria Thereza Alves, 2018); and God's Poe...

Ausführliche Beschreibung

Bibliographische Detailangaben

1. Verfasser:	Feeser, Andrea (VerfasserIn)
Weitere Verfasser:	Durham, Jimmie 1940-2021 (IllustratorIn)
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	New York ; London Routledge, Taylor & Francis Group 2021
Schriftenreihe:	Routledge focus on art history and visual studies 6
Schlagworte:	Durham, Jimmie > 1940-2021 Durham, Jimmie / Criticism and interpretation
Online-Zugang:	DE-12 URL des Erstveröffentlichers
Zusammenfassung:	"This book investigates Jimmie Durham's community-building process of making and display in four of his projects in Europe: Something ... Perhaps a Fugue, or an Elegy (2005); two Neapolitan nativities (2016 and ongoing); The Middle Earth (with Maria Thereza Alves, 2018); and God's Poems, God's Children (2017). Andrea Feeser explores these artworks in the context of ideas about connection set forth by writers Ann Lauterbach, Franz Rosenzweig, Pamela Sue Anderson, Vinciane Despret, and Hirokazu Miyazaki, among others. Feeser argues that the materials in Durham's artworks; the method of their construction; how Durham writes about his pieces; how they exist with respect to one another; and how they address viewers, demonstrate that we can create alongside others a world that embraces and sustains what has been diminished. The book will be of interest to scholars working in contemporary art, animal studies, new materialism research, and eco-criticism"--
Beschreibung:	1 Online-Ressource (xiv, 110 Seiten) Illustrationen
ISBN:	9780429356230
DOI:	10.4324/9780429356230