The critical nexus: tone-system, mode, and notation in early medieval music
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Oxford [U.K.]
Oxford University Press
2009
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Schriftenreihe: | AMS studies in music
ACLS Humanities E-Book |
Schlagworte: | |
Online-Zugang: | KUBA1 KUBA3 KUBA4 |
Beschreibung: | Includes bibliographical references (p. [259]-291) and indexes |
Beschreibung: | 1 Online-Ressource (xiii, 306 Seiten) |
ISBN: | 9780195148886 |
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650 | 4 | |a Music theory |x History |y 500-1400 | |
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author | Atkinson, Charles M. 1941- |
author_facet | Atkinson, Charles M. 1941- |
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contents | The heritage of antiquity -- The eighth and ninth centuries. The reception of ancient texts in the Carolingian era ; The heritage of the church -- The synthesis of ancient Greek theory and medieval practice. Hucbald of St. Amand and Regino of Prüm ; Alia musica ; Pseudo-Bernelinus, Bern of Reichenau, pseudo-Odo, and Guido d'Arezzo |
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isbn | 9780195148886 |
language | English |
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physical | 1 Online-Ressource (xiii, 306 Seiten) |
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publishDate | 2009 |
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publisher | Oxford University Press |
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spelling | Atkinson, Charles M. 1941- Verfasser aut The critical nexus tone-system, mode, and notation in early medieval music Charles M. Atkinson Oxford [U.K.] Oxford University Press 2009 1 Online-Ressource (xiii, 306 Seiten) txt rdacontent c rdamedia cr rdacarrier AMS studies in music ACLS Humanities E-Book Includes bibliographical references (p. [259]-291) and indexes The heritage of antiquity -- The eighth and ninth centuries. The reception of ancient texts in the Carolingian era ; The heritage of the church -- The synthesis of ancient Greek theory and medieval practice. Hucbald of St. Amand and Regino of Prüm ; Alia musica ; Pseudo-Bernelinus, Bern of Reichenau, pseudo-Odo, and Guido d'Arezzo Music theory History 500-1400 Music theory To 500 Influence American Council of Learned Societies Sonstige oth |
spellingShingle | Atkinson, Charles M. 1941- The critical nexus tone-system, mode, and notation in early medieval music The heritage of antiquity -- The eighth and ninth centuries. The reception of ancient texts in the Carolingian era ; The heritage of the church -- The synthesis of ancient Greek theory and medieval practice. Hucbald of St. Amand and Regino of Prüm ; Alia musica ; Pseudo-Bernelinus, Bern of Reichenau, pseudo-Odo, and Guido d'Arezzo Music theory History 500-1400 Music theory To 500 Influence |
title | The critical nexus tone-system, mode, and notation in early medieval music |
title_auth | The critical nexus tone-system, mode, and notation in early medieval music |
title_exact_search | The critical nexus tone-system, mode, and notation in early medieval music |
title_exact_search_txtP | The critical nexus tone-system, mode, and notation in early medieval music |
title_full | The critical nexus tone-system, mode, and notation in early medieval music Charles M. Atkinson |
title_fullStr | The critical nexus tone-system, mode, and notation in early medieval music Charles M. Atkinson |
title_full_unstemmed | The critical nexus tone-system, mode, and notation in early medieval music Charles M. Atkinson |
title_short | The critical nexus |
title_sort | the critical nexus tone system mode and notation in early medieval music |
title_sub | tone-system, mode, and notation in early medieval music |
topic | Music theory History 500-1400 Music theory To 500 Influence |
topic_facet | Music theory History 500-1400 Music theory To 500 Influence |
work_keys_str_mv | AT atkinsoncharlesm thecriticalnexustonesystemmodeandnotationinearlymedievalmusic AT americancounciloflearnedsocieties thecriticalnexustonesystemmodeandnotationinearlymedievalmusic |