Whose lives are they anyway?: the biopic as contemporary film genre
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Brunswick, N.J.
Rutgers University Press
c2010
|
| Schriftenreihe: | ACLS Humanities E-Book
|
| Schlagworte: | |
| Online-Zugang: | KUBA1 KUBA3 KUBA4 |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 1 Online-Ressource (xi, 432 Seiten) |
| ISBN: | 9780813546575 |
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| 505 | 0 | |a Introduction: a respectable genre of very low repute -- Book one: the great (White) man biopic and its discontents. Strachey's way, or all's well that ends Welles -- Rembrandt (1936) -- Citizen Kane and the biopic -- Lawrence of Arabia: "but does he really deserve a place in here?" -- Nixon, Oliver Stone, and the unmaking of the self-made man -- P.S.: W. -- Thirty two short films about Glenn Gould: ghost picture: -- Ed Wood: the biopic of someone undeserving -- Spike Lee's Malcolm X: appropriation or assimilation? -- Raoul Peck's Lumumba: drama, documentary, and the postcolonial appropriation -- Book two: a woman's life is never done: female biopics. Prologue -- Superstar: The Karen Carpenter story: toying with the genre -- I want to live!: criminal woman, male discourses -- Barbra and Julie at the dawning of the Age of Aquarius -- Funny girl -- Star! -- Hacked: Gorillas in the mist and other female biopics in the 1980s -- An angel at my table: re-framing the female biography -- Erin Brockovich: Hollywood feminist revisionism, after a fashion -- Twenty-first-century women -- The notorious Bettie Page: free will, and God's will -- Marie Antoinette: the female biopic gets the guillotine -- I'm not there: some conclusions on a book concerning biopics | |
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Datensatz im Suchindex
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| contents | Introduction: a respectable genre of very low repute -- Book one: the great (White) man biopic and its discontents. Strachey's way, or all's well that ends Welles -- Rembrandt (1936) -- Citizen Kane and the biopic -- Lawrence of Arabia: "but does he really deserve a place in here?" -- Nixon, Oliver Stone, and the unmaking of the self-made man -- P.S.: W. -- Thirty two short films about Glenn Gould: ghost picture: -- Ed Wood: the biopic of someone undeserving -- Spike Lee's Malcolm X: appropriation or assimilation? -- Raoul Peck's Lumumba: drama, documentary, and the postcolonial appropriation -- Book two: a woman's life is never done: female biopics. Prologue -- Superstar: The Karen Carpenter story: toying with the genre -- I want to live!: criminal woman, male discourses -- Barbra and Julie at the dawning of the Age of Aquarius -- Funny girl -- Star! -- Hacked: Gorillas in the mist and other female biopics in the 1980s -- An angel at my table: re-framing the female biography -- Erin Brockovich: Hollywood feminist revisionism, after a fashion -- Twenty-first-century women -- The notorious Bettie Page: free will, and God's will -- Marie Antoinette: the female biopic gets the guillotine -- I'm not there: some conclusions on a book concerning biopics |
| ctrlnum | (ZDB-17-ACL)MIU01000000000000011609334 (OCoLC)1075903393 (DE-599)BVBBV047184365 |
| format | Electronic eBook |
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| id | DE-604.BV047184365 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:46:02Z |
| indexdate | 2024-07-10T09:04:59Z |
| institution | BVB |
| isbn | 9780813546575 |
| language | English |
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| oclc_num | 1075903393 |
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| physical | 1 Online-Ressource (xi, 432 Seiten) |
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| publishDate | 2010 |
| publishDateSearch | 2010 |
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| publisher | Rutgers University Press |
| record_format | marc |
| series2 | ACLS Humanities E-Book |
| spelling | Bingham, Dennis 1954- Verfasser aut Whose lives are they anyway? the biopic as contemporary film genre Dennis Bingham New Brunswick, N.J. Rutgers University Press c2010 1 Online-Ressource (xi, 432 Seiten) txt rdacontent c rdamedia cr rdacarrier ACLS Humanities E-Book Includes bibliographical references and index Introduction: a respectable genre of very low repute -- Book one: the great (White) man biopic and its discontents. Strachey's way, or all's well that ends Welles -- Rembrandt (1936) -- Citizen Kane and the biopic -- Lawrence of Arabia: "but does he really deserve a place in here?" -- Nixon, Oliver Stone, and the unmaking of the self-made man -- P.S.: W. -- Thirty two short films about Glenn Gould: ghost picture: -- Ed Wood: the biopic of someone undeserving -- Spike Lee's Malcolm X: appropriation or assimilation? -- Raoul Peck's Lumumba: drama, documentary, and the postcolonial appropriation -- Book two: a woman's life is never done: female biopics. Prologue -- Superstar: The Karen Carpenter story: toying with the genre -- I want to live!: criminal woman, male discourses -- Barbra and Julie at the dawning of the Age of Aquarius -- Funny girl -- Star! -- Hacked: Gorillas in the mist and other female biopics in the 1980s -- An angel at my table: re-framing the female biography -- Erin Brockovich: Hollywood feminist revisionism, after a fashion -- Twenty-first-century women -- The notorious Bettie Page: free will, and God's will -- Marie Antoinette: the female biopic gets the guillotine -- I'm not there: some conclusions on a book concerning biopics Biographical films History and criticism Biografischer Film (DE-588)4373947-7 gnd rswk-swf Biografischer Film (DE-588)4373947-7 s DE-604 American Council of Learned Societies Sonstige oth |
| spellingShingle | Bingham, Dennis 1954- Whose lives are they anyway? the biopic as contemporary film genre Introduction: a respectable genre of very low repute -- Book one: the great (White) man biopic and its discontents. Strachey's way, or all's well that ends Welles -- Rembrandt (1936) -- Citizen Kane and the biopic -- Lawrence of Arabia: "but does he really deserve a place in here?" -- Nixon, Oliver Stone, and the unmaking of the self-made man -- P.S.: W. -- Thirty two short films about Glenn Gould: ghost picture: -- Ed Wood: the biopic of someone undeserving -- Spike Lee's Malcolm X: appropriation or assimilation? -- Raoul Peck's Lumumba: drama, documentary, and the postcolonial appropriation -- Book two: a woman's life is never done: female biopics. Prologue -- Superstar: The Karen Carpenter story: toying with the genre -- I want to live!: criminal woman, male discourses -- Barbra and Julie at the dawning of the Age of Aquarius -- Funny girl -- Star! -- Hacked: Gorillas in the mist and other female biopics in the 1980s -- An angel at my table: re-framing the female biography -- Erin Brockovich: Hollywood feminist revisionism, after a fashion -- Twenty-first-century women -- The notorious Bettie Page: free will, and God's will -- Marie Antoinette: the female biopic gets the guillotine -- I'm not there: some conclusions on a book concerning biopics Biographical films History and criticism Biografischer Film (DE-588)4373947-7 gnd |
| subject_GND | (DE-588)4373947-7 |
| title | Whose lives are they anyway? the biopic as contemporary film genre |
| title_auth | Whose lives are they anyway? the biopic as contemporary film genre |
| title_exact_search | Whose lives are they anyway? the biopic as contemporary film genre |
| title_exact_search_txtP | Whose lives are they anyway? the biopic as contemporary film genre |
| title_full | Whose lives are they anyway? the biopic as contemporary film genre Dennis Bingham |
| title_fullStr | Whose lives are they anyway? the biopic as contemporary film genre Dennis Bingham |
| title_full_unstemmed | Whose lives are they anyway? the biopic as contemporary film genre Dennis Bingham |
| title_short | Whose lives are they anyway? |
| title_sort | whose lives are they anyway the biopic as contemporary film genre |
| title_sub | the biopic as contemporary film genre |
| topic | Biographical films History and criticism Biografischer Film (DE-588)4373947-7 gnd |
| topic_facet | Biographical films History and criticism Biografischer Film |
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