Martin Scorsese's Raging bull:
Raging Bull (1980) represents American film making at its best. Since its initial release, the film has been called the greatest film of the 1980s, the greatest boxing film ever made, the greatest sports film ever made, and, indeed, one of the greatest films of all time. Raging Bull: A Cambridge Fil...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
2005
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Schriftenreihe: | Cambridge film handbooks
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Schlagworte: | |
Online-Zugang: | KUBA1 KUBA2 KUBA3 KUBA4 |
Zusammenfassung: | Raging Bull (1980) represents American film making at its best. Since its initial release, the film has been called the greatest film of the 1980s, the greatest boxing film ever made, the greatest sports film ever made, and, indeed, one of the greatest films of all time. Raging Bull: A Cambridge Film Handbook presents the fullest critical appreciation of Scorsese's film available. The introduction tells the story of how the film came about, examining its inspirations and positioning Raging Bull within the history of cinema. Subsequent chapters, each written by contributors from different disciplines - film studies, literary history, theater history - discuss the film from a variety of perspectives. Though primarily directed toward undergraduate and graduate film courses, this collection should enhance appreciation of Raging Bull for all readers. Contributors to this volume have been issued a challenge: to write chapters that contain fundamental information for students, to include new information and ideas for seasoned film scholars, and to write in a jargon-free style that all readers can appreciate |
Beschreibung: | Filmography: p. 149-156. Includes bibliographical references (p. 157-158) and index |
Beschreibung: | 1 Online-Ressource (xi, 164 Seiten) |
ISBN: | 9780511614347 |
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520 | |a Raging Bull (1980) represents American film making at its best. Since its initial release, the film has been called the greatest film of the 1980s, the greatest boxing film ever made, the greatest sports film ever made, and, indeed, one of the greatest films of all time. Raging Bull: A Cambridge Film Handbook presents the fullest critical appreciation of Scorsese's film available. The introduction tells the story of how the film came about, examining its inspirations and positioning Raging Bull within the history of cinema. Subsequent chapters, each written by contributors from different disciplines - film studies, literary history, theater history - discuss the film from a variety of perspectives. Though primarily directed toward undergraduate and graduate film courses, this collection should enhance appreciation of Raging Bull for all readers. Contributors to this volume have been issued a challenge: to write chapters that contain fundamental information for students, to include new information and ideas for seasoned film scholars, and to write in a jargon-free style that all readers can appreciate | ||
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contents | Introduction: the heritage and legacy of Raging bull / Kevin J. Hayes -- Art and genre in Raging bull / Leger Grindon -- Visual absurdity in Raging bull / Todd Berliner -- Raging bull and the idea of performance / Michael Peterson -- Women in Raging bull: Scorsese's use of determinist, objective, and subjective techniques / Peggy McCormack -- My victims, my melancholia: Raging bull and Vincente Minnelli's The bad and the beautiful / Mark Nicholls -- Reviews of Raging bull |
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spelling | Martin Scorsese's Raging bull edited by Kevin J. Hayes Raging bull Cambridge Cambridge University Press 2005 1 Online-Ressource (xi, 164 Seiten) txt rdacontent c rdamedia cr rdacarrier Cambridge film handbooks Filmography: p. 149-156. Includes bibliographical references (p. 157-158) and index Introduction: the heritage and legacy of Raging bull / Kevin J. Hayes -- Art and genre in Raging bull / Leger Grindon -- Visual absurdity in Raging bull / Todd Berliner -- Raging bull and the idea of performance / Michael Peterson -- Women in Raging bull: Scorsese's use of determinist, objective, and subjective techniques / Peggy McCormack -- My victims, my melancholia: Raging bull and Vincente Minnelli's The bad and the beautiful / Mark Nicholls -- Reviews of Raging bull Raging Bull (1980) represents American film making at its best. Since its initial release, the film has been called the greatest film of the 1980s, the greatest boxing film ever made, the greatest sports film ever made, and, indeed, one of the greatest films of all time. Raging Bull: A Cambridge Film Handbook presents the fullest critical appreciation of Scorsese's film available. The introduction tells the story of how the film came about, examining its inspirations and positioning Raging Bull within the history of cinema. Subsequent chapters, each written by contributors from different disciplines - film studies, literary history, theater history - discuss the film from a variety of perspectives. Though primarily directed toward undergraduate and graduate film courses, this collection should enhance appreciation of Raging Bull for all readers. Contributors to this volume have been issued a challenge: to write chapters that contain fundamental information for students, to include new information and ideas for seasoned film scholars, and to write in a jargon-free style that all readers can appreciate Scorsese, Martin 1942- (DE-588)118811991 gnd rswk-swf Raging bull (DE-588)4846504-5 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Raging bull (DE-588)4846504-5 u DE-604 Scorsese, Martin 1942- (DE-588)118811991 p Hayes, Kevin J. 1959- (DE-588)133186555 edt Erscheint auch als Druck-Ausgabe, Hardcover 978-0-521-82915-1 (DE-604)BV019846423 Erscheint auch als Druck-Ausgabe, Paperback 978-0-521-53604-2 |
spellingShingle | Martin Scorsese's Raging bull Introduction: the heritage and legacy of Raging bull / Kevin J. Hayes -- Art and genre in Raging bull / Leger Grindon -- Visual absurdity in Raging bull / Todd Berliner -- Raging bull and the idea of performance / Michael Peterson -- Women in Raging bull: Scorsese's use of determinist, objective, and subjective techniques / Peggy McCormack -- My victims, my melancholia: Raging bull and Vincente Minnelli's The bad and the beautiful / Mark Nicholls -- Reviews of Raging bull Scorsese, Martin 1942- (DE-588)118811991 gnd Raging bull (DE-588)4846504-5 gnd |
subject_GND | (DE-588)118811991 (DE-588)4846504-5 (DE-588)4143413-4 |
title | Martin Scorsese's Raging bull |
title_alt | Raging bull |
title_auth | Martin Scorsese's Raging bull |
title_exact_search | Martin Scorsese's Raging bull |
title_exact_search_txtP | Martin Scorsese's Raging bull |
title_full | Martin Scorsese's Raging bull edited by Kevin J. Hayes |
title_fullStr | Martin Scorsese's Raging bull edited by Kevin J. Hayes |
title_full_unstemmed | Martin Scorsese's Raging bull edited by Kevin J. Hayes |
title_short | Martin Scorsese's Raging bull |
title_sort | martin scorsese s raging bull |
topic | Scorsese, Martin 1942- (DE-588)118811991 gnd Raging bull (DE-588)4846504-5 gnd |
topic_facet | Scorsese, Martin 1942- Raging bull Aufsatzsammlung |
work_keys_str_mv | AT hayeskevinj martinscorsesesragingbull AT hayeskevinj ragingbull |