Recycled culture in contemporary art and film: the uses of nostalgia
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge, UK
Cambridge University Press
c2003
|
Schriftenreihe: | Cambridge studies in film
ACLS Humanities E-Book |
Schlagworte: | |
Online-Zugang: | KUBA1 KUBA3 KUBA4 |
Beschreibung: | Includes bibliographical references (p. 231-235) and index |
Beschreibung: | 1 Online-Ressource (xi, 241 Seiten) |
ISBN: | 0521815681 0521016312 |
Internformat
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490 | 0 | |a Cambridge studies in film | |
490 | 0 | |a ACLS Humanities E-Book | |
500 | |a Includes bibliographical references (p. 231-235) and index | ||
505 | 0 | |a The returned image -- Art and film: New York City in the late 1970s: Jack Goldstein, Two fencers, Robert Longo, Cindy Sherman, Amos Poe -- Generic returns - The dream has ended: Badlands, Texas Chainsaw Massacre, The Shootist, The Last Waltz -- Re-considering the nostalgia film: American Graffiti, The Conformist, Rocky Horror Picture Show -- A return to the 1950s - the dangers in Utopia: Grease, Utopia rejected, Last Exit to Brooklyn -- Coppola and Scorsese - authorial views: Apocalypse Now, One From the Heart, The Last Temptation of Christ -- To destroy the sign: The loss of the real, Serialized forms, The return of the classical film Genres, The stalker film, The Western, The gangster/crime film | |
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Datensatz im Suchindex
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author | Dika, Vera 1951- |
author_facet | Dika, Vera 1951- |
author_role | aut |
author_sort | Dika, Vera 1951- |
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contents | The returned image -- Art and film: New York City in the late 1970s: Jack Goldstein, Two fencers, Robert Longo, Cindy Sherman, Amos Poe -- Generic returns - The dream has ended: Badlands, Texas Chainsaw Massacre, The Shootist, The Last Waltz -- Re-considering the nostalgia film: American Graffiti, The Conformist, Rocky Horror Picture Show -- A return to the 1950s - the dangers in Utopia: Grease, Utopia rejected, Last Exit to Brooklyn -- Coppola and Scorsese - authorial views: Apocalypse Now, One From the Heart, The Last Temptation of Christ -- To destroy the sign: The loss of the real, Serialized forms, The return of the classical film Genres, The stalker film, The Western, The gangster/crime film |
ctrlnum | (ZDB-17-ACL)MIU01000000000000007427714 (OCoLC)1241667586 (DE-599)BVBBV047183960 |
format | Electronic eBook |
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institution | BVB |
isbn | 0521815681 0521016312 |
language | English |
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spelling | Dika, Vera 1951- Verfasser aut Recycled culture in contemporary art and film the uses of nostalgia Vera Dika Cambridge, UK Cambridge University Press c2003 1 Online-Ressource (xi, 241 Seiten) txt rdacontent c rdamedia cr rdacarrier Cambridge studies in film ACLS Humanities E-Book Includes bibliographical references (p. 231-235) and index The returned image -- Art and film: New York City in the late 1970s: Jack Goldstein, Two fencers, Robert Longo, Cindy Sherman, Amos Poe -- Generic returns - The dream has ended: Badlands, Texas Chainsaw Massacre, The Shootist, The Last Waltz -- Re-considering the nostalgia film: American Graffiti, The Conformist, Rocky Horror Picture Show -- A return to the 1950s - the dangers in Utopia: Grease, Utopia rejected, Last Exit to Brooklyn -- Coppola and Scorsese - authorial views: Apocalypse Now, One From the Heart, The Last Temptation of Christ -- To destroy the sign: The loss of the real, Serialized forms, The return of the classical film Genres, The stalker film, The Western, The gangster/crime film Nostalgia in motion pictures Nostalgia in art Art, American 20th century Kunst (DE-588)4114333-4 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Nostalgie (DE-588)4131814-6 gnd rswk-swf Film (DE-588)4017102-4 s Nostalgie (DE-588)4131814-6 s DE-604 Kunst (DE-588)4114333-4 s American Council of Learned Societies Sonstige oth |
spellingShingle | Dika, Vera 1951- Recycled culture in contemporary art and film the uses of nostalgia The returned image -- Art and film: New York City in the late 1970s: Jack Goldstein, Two fencers, Robert Longo, Cindy Sherman, Amos Poe -- Generic returns - The dream has ended: Badlands, Texas Chainsaw Massacre, The Shootist, The Last Waltz -- Re-considering the nostalgia film: American Graffiti, The Conformist, Rocky Horror Picture Show -- A return to the 1950s - the dangers in Utopia: Grease, Utopia rejected, Last Exit to Brooklyn -- Coppola and Scorsese - authorial views: Apocalypse Now, One From the Heart, The Last Temptation of Christ -- To destroy the sign: The loss of the real, Serialized forms, The return of the classical film Genres, The stalker film, The Western, The gangster/crime film Nostalgia in motion pictures Nostalgia in art Art, American 20th century Kunst (DE-588)4114333-4 gnd Film (DE-588)4017102-4 gnd Nostalgie (DE-588)4131814-6 gnd |
subject_GND | (DE-588)4114333-4 (DE-588)4017102-4 (DE-588)4131814-6 |
title | Recycled culture in contemporary art and film the uses of nostalgia |
title_auth | Recycled culture in contemporary art and film the uses of nostalgia |
title_exact_search | Recycled culture in contemporary art and film the uses of nostalgia |
title_exact_search_txtP | Recycled culture in contemporary art and film the uses of nostalgia |
title_full | Recycled culture in contemporary art and film the uses of nostalgia Vera Dika |
title_fullStr | Recycled culture in contemporary art and film the uses of nostalgia Vera Dika |
title_full_unstemmed | Recycled culture in contemporary art and film the uses of nostalgia Vera Dika |
title_short | Recycled culture in contemporary art and film |
title_sort | recycled culture in contemporary art and film the uses of nostalgia |
title_sub | the uses of nostalgia |
topic | Nostalgia in motion pictures Nostalgia in art Art, American 20th century Kunst (DE-588)4114333-4 gnd Film (DE-588)4017102-4 gnd Nostalgie (DE-588)4131814-6 gnd |
topic_facet | Nostalgia in motion pictures Nostalgia in art Art, American 20th century Kunst Film Nostalgie |
work_keys_str_mv | AT dikavera recycledcultureincontemporaryartandfilmtheusesofnostalgia AT americancounciloflearnedsocieties recycledcultureincontemporaryartandfilmtheusesofnostalgia |