Musicology and difference: gender and sexuality in music scholarship
Gespeichert in:
Format: | Elektronisch E-Book |
---|---|
Sprache: | English |
Veröffentlicht: |
Berkeley
University of California Press
1995, c1993
|
Schriftenreihe: | ACLS Humanities E-Book
|
Schlagworte: | |
Online-Zugang: | KUBA1 KUBA3 KUBA4 |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | 1 Online-Ressource (xi, 355 Seiten) |
ISBN: | 0520201469 9780520201460 |
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245 | 1 | 0 | |a Musicology and difference |b gender and sexuality in music scholarship |c edited by Ruth A. Solie |
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490 | 0 | |a ACLS Humanities E-Book | |
500 | |a Includes bibliographical references and index | ||
505 | 0 | |a Gender and other dualities of music history -- Difference and power in music -- Loving it : music and criticism in Roland Barthes -- Charles Ives and gender ideology -- Ethnomusicologist as midwife -- Women as musicians : a question of class -- Miriam sings her song -- Lesbian fugue -- Reading as an opera queen -- Schwarze Gredel and the engendered minor mode in Mozart's operas -- Opera -- Britten's dream -- Of women, music, and power : a model from Seicento Florence -- Carnaval, cross-dressing, and the woman in the mirror -- Narrative agendas in "absolute" music : identity and difference in Brahms's Third Symphony | |
650 | 4 | |a Sex in music | |
650 | 4 | |a Music |x Psychological aspects | |
650 | 4 | |a Musicology | |
700 | 1 | |a Solie, Ruth A. |e Sonstige |4 oth | |
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contents | Gender and other dualities of music history -- Difference and power in music -- Loving it : music and criticism in Roland Barthes -- Charles Ives and gender ideology -- Ethnomusicologist as midwife -- Women as musicians : a question of class -- Miriam sings her song -- Lesbian fugue -- Reading as an opera queen -- Schwarze Gredel and the engendered minor mode in Mozart's operas -- Opera -- Britten's dream -- Of women, music, and power : a model from Seicento Florence -- Carnaval, cross-dressing, and the woman in the mirror -- Narrative agendas in "absolute" music : identity and difference in Brahms's Third Symphony |
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id | DE-604.BV047183657 |
illustrated | Not Illustrated |
index_date | 2024-07-03T16:46:01Z |
indexdate | 2024-07-10T09:04:58Z |
institution | BVB |
isbn | 0520201469 9780520201460 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032588941 |
oclc_num | 1241670290 |
open_access_boolean | |
owner | DE-Y3 DE-Y7 DE-Y2 |
owner_facet | DE-Y3 DE-Y7 DE-Y2 |
physical | 1 Online-Ressource (xi, 355 Seiten) |
psigel | ZDB-17-ACL ZDB-17-ACL KHI ZDB-17-ACL DFK ZDB-17-ACL BHR |
publishDate | 1995 |
publishDateSearch | 1995 |
publishDateSort | 1995 |
publisher | University of California Press |
record_format | marc |
series2 | ACLS Humanities E-Book |
spelling | Musicology and difference gender and sexuality in music scholarship edited by Ruth A. Solie Berkeley University of California Press 1995, c1993 1 Online-Ressource (xi, 355 Seiten) txt rdacontent c rdamedia cr rdacarrier ACLS Humanities E-Book Includes bibliographical references and index Gender and other dualities of music history -- Difference and power in music -- Loving it : music and criticism in Roland Barthes -- Charles Ives and gender ideology -- Ethnomusicologist as midwife -- Women as musicians : a question of class -- Miriam sings her song -- Lesbian fugue -- Reading as an opera queen -- Schwarze Gredel and the engendered minor mode in Mozart's operas -- Opera -- Britten's dream -- Of women, music, and power : a model from Seicento Florence -- Carnaval, cross-dressing, and the woman in the mirror -- Narrative agendas in "absolute" music : identity and difference in Brahms's Third Symphony Sex in music Music Psychological aspects Musicology Solie, Ruth A. Sonstige oth American Council of Learned Societies Sonstige oth |
spellingShingle | Musicology and difference gender and sexuality in music scholarship Gender and other dualities of music history -- Difference and power in music -- Loving it : music and criticism in Roland Barthes -- Charles Ives and gender ideology -- Ethnomusicologist as midwife -- Women as musicians : a question of class -- Miriam sings her song -- Lesbian fugue -- Reading as an opera queen -- Schwarze Gredel and the engendered minor mode in Mozart's operas -- Opera -- Britten's dream -- Of women, music, and power : a model from Seicento Florence -- Carnaval, cross-dressing, and the woman in the mirror -- Narrative agendas in "absolute" music : identity and difference in Brahms's Third Symphony Sex in music Music Psychological aspects Musicology |
title | Musicology and difference gender and sexuality in music scholarship |
title_auth | Musicology and difference gender and sexuality in music scholarship |
title_exact_search | Musicology and difference gender and sexuality in music scholarship |
title_exact_search_txtP | Musicology and difference gender and sexuality in music scholarship |
title_full | Musicology and difference gender and sexuality in music scholarship edited by Ruth A. Solie |
title_fullStr | Musicology and difference gender and sexuality in music scholarship edited by Ruth A. Solie |
title_full_unstemmed | Musicology and difference gender and sexuality in music scholarship edited by Ruth A. Solie |
title_short | Musicology and difference |
title_sort | musicology and difference gender and sexuality in music scholarship |
title_sub | gender and sexuality in music scholarship |
topic | Sex in music Music Psychological aspects Musicology |
topic_facet | Sex in music Music Psychological aspects Musicology |
work_keys_str_mv | AT solierutha musicologyanddifferencegenderandsexualityinmusicscholarship AT americancounciloflearnedsocieties musicologyanddifferencegenderandsexualityinmusicscholarship |