Some theoretical persepctives on African cinema: culture, identity and diaspora
Gespeichert in:
1. Verfasser: | |
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Format: | Artikel |
Sprache: | English |
Veröffentlicht: |
1995
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Beschreibung: | Deuxième partie/Second part. Langage et perceptions du cinéma Africain - The language and appreciations of African cinema. I. Langage et Esthétique - Language and aesthetics |
ISBN: | 2-7087-0588-1 |
Internformat
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spelling | Tomaselli, Keyan G. 1948- (DE-588)134057791 aut Some theoretical persepctives on African cinema culture, identity and diaspora Keyan G. Tomaselli 1995 txt rdacontent n rdamedia nc rdacarrier Deuxième partie/Second part. Langage et perceptions du cinéma Africain - The language and appreciations of African cinema. I. Langage et Esthétique - Language and aesthetics pages:105-136 L' Afrique et le centenaire du cinéma / FEPACI, Fédération Panafricaine des Cinéastes Paris [u.a.], 1995 Seite 105-136 (DE-604)BV010760359 2-7087-0588-1 |
spellingShingle | Tomaselli, Keyan G. 1948- Some theoretical persepctives on African cinema culture, identity and diaspora |
title | Some theoretical persepctives on African cinema culture, identity and diaspora |
title_auth | Some theoretical persepctives on African cinema culture, identity and diaspora |
title_exact_search | Some theoretical persepctives on African cinema culture, identity and diaspora |
title_exact_search_txtP | Some theoretical persepctives on African cinema culture, identity and diaspora |
title_full | Some theoretical persepctives on African cinema culture, identity and diaspora Keyan G. Tomaselli |
title_fullStr | Some theoretical persepctives on African cinema culture, identity and diaspora Keyan G. Tomaselli |
title_full_unstemmed | Some theoretical persepctives on African cinema culture, identity and diaspora Keyan G. Tomaselli |
title_short | Some theoretical persepctives on African cinema |
title_sort | some theoretical persepctives on african cinema culture identity and diaspora |
title_sub | culture, identity and diaspora |
work_keys_str_mv | AT tomasellikeyang sometheoreticalpersepctivesonafricancinemacultureidentityanddiaspora |