Literary circles in Byzantine iconoclasm: patrons, politics and saints
The Stoudite Milieu : The foundations of the literature of Iconoclasm -- The Methodian Milieu : Literature conceived in the patriarchate after the iconoclast crisis -- The Dekapolitan Milieu : The integration of the Third Way after the restoration of icons -- Secular Milieux and their rewriting of t...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York ; Port Melbourne ; New Delhi ; Sydney
Cambridge University Press
2020
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | The Stoudite Milieu : The foundations of the literature of Iconoclasm -- The Methodian Milieu : Literature conceived in the patriarchate after the iconoclast crisis -- The Dekapolitan Milieu : The integration of the Third Way after the restoration of icons -- Secular Milieux and their rewriting of the Second Iconoclasm : the aristocracy, the army, the court and the imperial family -- The Ignatian Milieu : The management of inherited iconodule literature -- The Photian Milieu: rewriting and updating of the iconodule literature -- Mobility between milieu : The hagiographer Sabas, from the Bithynian Olympos to the Constantinopolitan Milieux -- Final remarks "Iconoclasm was the name given to the stance of that portion of Eastern Christianity that rejected worshipping God through images (eikones ) representing Christ, the Virgin or the saints and was the official doctrine of the Byzantine Empire for most of the period between 726 and 843. It was a period marked by violent passions on either side. This is the first comprehensive account of the extant contemporary texts relating to this phenomenon and their impact on society, politics and identity. By examining the literary circles emerging both during the time of persecution and immediately after the restoration of icons in 843, the volume casts new light on the striking (re)construction of Byzantine society, whose iconophile identity was biasedly redefined by the political parties led by Theodoros Stoudites, Gregorios Dekapolites and Empress Theodora or the patriarchs Methodios, Ignatios and Photios. It thereby offers an innovative paradigm for approaching Byzantine literature"-- |
| Beschreibung: | Literaturverzeichnis: Seiten 448-524 |
| Beschreibung: | xiv, 542 Seiten Illustration, Karten |
| ISBN: | 9781108491303 9781108811828 |
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| 520 | 3 | |a The Stoudite Milieu : The foundations of the literature of Iconoclasm -- The Methodian Milieu : Literature conceived in the patriarchate after the iconoclast crisis -- The Dekapolitan Milieu : The integration of the Third Way after the restoration of icons -- Secular Milieux and their rewriting of the Second Iconoclasm : the aristocracy, the army, the court and the imperial family -- The Ignatian Milieu : The management of inherited iconodule literature -- The Photian Milieu: rewriting and updating of the iconodule literature -- Mobility between milieu : The hagiographer Sabas, from the Bithynian Olympos to the Constantinopolitan Milieux -- Final remarks | |
| 520 | 3 | |a "Iconoclasm was the name given to the stance of that portion of Eastern Christianity that rejected worshipping God through images (eikones ) representing Christ, the Virgin or the saints and was the official doctrine of the Byzantine Empire for most of the period between 726 and 843. It was a period marked by violent passions on either side. This is the first comprehensive account of the extant contemporary texts relating to this phenomenon and their impact on society, politics and identity. By examining the literary circles emerging both during the time of persecution and immediately after the restoration of icons in 843, the volume casts new light on the striking (re)construction of Byzantine society, whose iconophile identity was biasedly redefined by the political parties led by Theodoros Stoudites, Gregorios Dekapolites and Empress Theodora or the patriarchs Methodios, Ignatios and Photios. It thereby offers an innovative paradigm for approaching Byzantine literature"-- | |
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| adam_text | Contents page vii viii ix x List ofFigures and Maps Acknowledgements Note to the Reader List ofAbbreviations Introduction i շ 3 4 5 6 7 8 I The Stoudite Milieu: The Foundations of the Literature of Iconoclasm 4i The Methodian Milieu: Literature Conceived in the Patriarchate after the Iconoclastic Crisis 99 The Dekapolitan Milieu: The Integration of the Third Way after the Restoration of Icons 168 The Secular Milieux and Their Rewriting of the Second Iconoclasm: The Aristocracy, the Army, the Court and the Imperial Family 225 The Ignatian Milieu: The Management of Inherited Iconodule Literature 273 The Photian Milieu: Rewriting and Updating Iconodule Literature 330 Mobility between Milieux: The Hagiographer Sabas, from the Bithynian Olympos to the Constantinopolitan Milieux 391 Final Remarks 428 У
VI Contents Appendix A Chronology of the Patriarchs, Emperors, Popes and Hegoumenoi of Stoudios from y8j to896 Appendix В Network Chart of Writers and Their Literary Rektions under Iconoclasm and in Its Afiermath Bibliography General Index Index ofManuscripts 441 446 448 525 541
Iconoclasm was the name given to the stance of that portion of Eastern Christianity that rejected worshipping God through images (eikones) representing Christ, the Virgin or the saints and was the official doctrine of the Byzantine Empire for most of the period between 726 and 843. It was a period marked by violent passions on either side. Tiris is the first comprehensive account of the extant contemporary texts relating to this phenomenon and their impact on society, politics and identit}՛. By examining the literary circles emerging both during the time of persecution and immediately after the restoration of icons in 843, the volume casts new light on the striking (re)construction of Byzantine society, whose ieonophile identit) was biasedly redefined by the political parties led by Theodores Stoudites, Gregorios Dekapolites and Empress Theodora or the patriarchs Methodios, Ignatios and Photios. It thereby offers an innovative paradigm for approaching Byzantine literature.
|
| adam_txt |
Contents page vii viii ix x List ofFigures and Maps Acknowledgements Note to the Reader List ofAbbreviations Introduction i շ 3 4 5 6 7 8 I The Stoudite Milieu: The Foundations of the Literature of Iconoclasm 4i The Methodian Milieu: Literature Conceived in the Patriarchate after the Iconoclastic Crisis 99 The Dekapolitan Milieu: The Integration of the Third Way after the Restoration of Icons 168 The Secular Milieux and Their Rewriting of the Second Iconoclasm: The Aristocracy, the Army, the Court and the Imperial Family 225 The Ignatian Milieu: The Management of Inherited Iconodule Literature 273 The Photian Milieu: Rewriting and Updating Iconodule Literature 330 Mobility between Milieux: The Hagiographer Sabas, from the Bithynian Olympos to the Constantinopolitan Milieux 391 Final Remarks 428 У
VI Contents Appendix A Chronology of the Patriarchs, Emperors, Popes and Hegoumenoi of Stoudios from y8j to896 Appendix В Network Chart of Writers and Their Literary Rektions under Iconoclasm and in Its Afiermath Bibliography General Index Index ofManuscripts 441 446 448 525 541
Iconoclasm was the name given to the stance of that portion of Eastern Christianity that rejected worshipping God through images (eikones) representing Christ, the Virgin or the saints and was the official doctrine of the Byzantine Empire for most of the period between 726 and 843. It was a period marked by violent passions on either side. Tiris is the first comprehensive account of the extant contemporary texts relating to this phenomenon and their impact on society, politics and identit}՛. By examining the literary circles emerging both during the time of persecution and immediately after the restoration of icons in 843, the volume casts new light on the striking (re)construction of Byzantine society, whose ieonophile identit) was biasedly redefined by the political parties led by Theodores Stoudites, Gregorios Dekapolites and Empress Theodora or the patriarchs Methodios, Ignatios and Photios. It thereby offers an innovative paradigm for approaching Byzantine literature. |
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| discipline | Geschichte Philologie / Byzantinistik / Neulatein |
| discipline_str_mv | Geschichte Philologie / Byzantinistik / Neulatein |
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| publisher | Cambridge University Press |
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| spelling | Prieto Domínguez, Óscar 1981- Verfasser (DE-588)1138046965 aut Literary circles in Byzantine iconoclasm patrons, politics and saints Óscar Prieto Domínguez (Universidad de Salamanca, Spain) Cambridge ; New York ; Port Melbourne ; New Delhi ; Sydney Cambridge University Press 2020 xiv, 542 Seiten Illustration, Karten txt rdacontent n rdamedia nc rdacarrier Literaturverzeichnis: Seiten 448-524 The Stoudite Milieu : The foundations of the literature of Iconoclasm -- The Methodian Milieu : Literature conceived in the patriarchate after the iconoclast crisis -- The Dekapolitan Milieu : The integration of the Third Way after the restoration of icons -- Secular Milieux and their rewriting of the Second Iconoclasm : the aristocracy, the army, the court and the imperial family -- The Ignatian Milieu : The management of inherited iconodule literature -- The Photian Milieu: rewriting and updating of the iconodule literature -- Mobility between milieu : The hagiographer Sabas, from the Bithynian Olympos to the Constantinopolitan Milieux -- Final remarks "Iconoclasm was the name given to the stance of that portion of Eastern Christianity that rejected worshipping God through images (eikones ) representing Christ, the Virgin or the saints and was the official doctrine of the Byzantine Empire for most of the period between 726 and 843. It was a period marked by violent passions on either side. This is the first comprehensive account of the extant contemporary texts relating to this phenomenon and their impact on society, politics and identity. By examining the literary circles emerging both during the time of persecution and immediately after the restoration of icons in 843, the volume casts new light on the striking (re)construction of Byzantine society, whose iconophile identity was biasedly redefined by the political parties led by Theodoros Stoudites, Gregorios Dekapolites and Empress Theodora or the patriarchs Methodios, Ignatios and Photios. It thereby offers an innovative paradigm for approaching Byzantine literature"-- Geschichte 726-886 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Ikonoklasmus (DE-588)7682171-7 gnd rswk-swf Schriftstellergruppe (DE-588)4233535-8 gnd rswk-swf Byzantinisches Reich (DE-588)4009256-2 gnd rswk-swf Byzantine literature / History and criticism Iconoclasm in literature Literature and society / Byzantine Empire Byzantine Empire / Politics and government Byzantinische Literatur (DE-2581)TH000005767 gbd Byzantinisches Reich (DE-588)4009256-2 g Literatur (DE-588)4035964-5 s Ikonoklasmus (DE-588)7682171-7 s DE-604 Schriftstellergruppe (DE-588)4233535-8 s Geschichte 726-886 z Erscheint auch als Online-Ausgabe, EPUB 978-1-108-86812-9 (DE-604)BV047204894 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032583295&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032583295&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Prieto Domínguez, Óscar 1981- Literary circles in Byzantine iconoclasm patrons, politics and saints Literatur (DE-588)4035964-5 gnd Ikonoklasmus (DE-588)7682171-7 gnd Schriftstellergruppe (DE-588)4233535-8 gnd |
| subject_GND | (DE-588)4035964-5 (DE-588)7682171-7 (DE-588)4233535-8 (DE-588)4009256-2 |
| title | Literary circles in Byzantine iconoclasm patrons, politics and saints |
| title_auth | Literary circles in Byzantine iconoclasm patrons, politics and saints |
| title_exact_search | Literary circles in Byzantine iconoclasm patrons, politics and saints |
| title_exact_search_txtP | Literary circles in Byzantine iconoclasm patrons, politics and saints |
| title_full | Literary circles in Byzantine iconoclasm patrons, politics and saints Óscar Prieto Domínguez (Universidad de Salamanca, Spain) |
| title_fullStr | Literary circles in Byzantine iconoclasm patrons, politics and saints Óscar Prieto Domínguez (Universidad de Salamanca, Spain) |
| title_full_unstemmed | Literary circles in Byzantine iconoclasm patrons, politics and saints Óscar Prieto Domínguez (Universidad de Salamanca, Spain) |
| title_short | Literary circles in Byzantine iconoclasm |
| title_sort | literary circles in byzantine iconoclasm patrons politics and saints |
| title_sub | patrons, politics and saints |
| topic | Literatur (DE-588)4035964-5 gnd Ikonoklasmus (DE-588)7682171-7 gnd Schriftstellergruppe (DE-588)4233535-8 gnd |
| topic_facet | Literatur Ikonoklasmus Schriftstellergruppe Byzantinisches Reich |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032583295&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032583295&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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