The culture of the sound image in prewar Japan:
This collection of essays explores the development of electronic sound recording in Japanese cinema, radio, and popular music to illuminate the interrelationship of aesthetics, technology, and cultural modernity in prewar Japan. Putting the cinema at the center of a ?culture of the sound image?, it...
Gespeichert in:
Weitere Verfasser: | , |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2020]
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | This collection of essays explores the development of electronic sound recording in Japanese cinema, radio, and popular music to illuminate the interrelationship of aesthetics, technology, and cultural modernity in prewar Japan. Putting the cinema at the center of a ?culture of the sound image?, it restores complexity to a media transition that is often described simply as slow and reluctant. In that vibrant sound culture, the talkie was introduced on the radio before it could be heard in the cinema, and pop music adaptations substituted for musicals even as cinema musicians and live narrators resisted the introduction of recorded sound. Taken together, the essays show that the development of sound technology shaped the economic structure of the film industry and its labour practices, the intermedial relation between cinema, radio, and popular music, as well as the architecture of cinemas and the visual style of individual Japanese films and filmmakers. |
Beschreibung: | 227 Seiten Illustrationen |
ISBN: | 9789089647733 |
Internformat
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520 | 3 | |a This collection of essays explores the development of electronic sound recording in Japanese cinema, radio, and popular music to illuminate the interrelationship of aesthetics, technology, and cultural modernity in prewar Japan. Putting the cinema at the center of a ?culture of the sound image?, it restores complexity to a media transition that is often described simply as slow and reluctant. In that vibrant sound culture, the talkie was introduced on the radio before it could be heard in the cinema, and pop music adaptations substituted for musicals even as cinema musicians and live narrators resisted the introduction of recorded sound. Taken together, the essays show that the development of sound technology shaped the economic structure of the film industry and its labour practices, the intermedial relation between cinema, radio, and popular music, as well as the architecture of cinemas and the visual style of individual Japanese films and filmmakers. | |
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Datensatz im Suchindex
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adam_text | Table of Contents Introduction Michael Raine andJohan Nordström 9 1 41 A Genealogy of Kouta eiga Silent Moving Pictures with Sound Sasagawa Keiko 2 Katsutarďs Trilogy Popular Song and Film in the Transitional Era from Silent Film to the Talkie Hosokawa Shuhei 65 3 Japanese Cinema and the Radio The Sound Space of Unseen Cinema Niita Chie 89 4 Architecture of Sound The Modernization of Cinematic Space in Japan Ueda Manabu 111 5 No Interpreter, Full Volume The benshi and the sound transition in 1930s Japan Michael Raine 127 6 The Image of the Modern Talkie FilmStudio Aesthetics and Technology at P.C.L. Johan Nordstrom 157 7 The Dawn of the Talkies in Japan Mizoguchi Kenji’s Hometown Nagato Yohei 183 8 The Early talkie frame in Japanese cinema Itakura Fumiaki 201 Index 223
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adam_txt |
Table of Contents Introduction Michael Raine andJohan Nordström 9 1 41 A Genealogy of Kouta eiga Silent Moving Pictures with Sound Sasagawa Keiko 2 Katsutarďs Trilogy Popular Song and Film in the Transitional Era from Silent Film to the Talkie Hosokawa Shuhei 65 3 Japanese Cinema and the Radio The Sound Space of Unseen Cinema Niita Chie 89 4 Architecture of Sound The Modernization of Cinematic Space in Japan Ueda Manabu 111 5 No Interpreter, Full Volume The benshi and the sound transition in 1930s Japan Michael Raine 127 6 The Image of the Modern Talkie FilmStudio Aesthetics and Technology at P.C.L. Johan Nordstrom 157 7 The Dawn of the Talkies in Japan Mizoguchi Kenji’s Hometown Nagato Yohei 183 8 The Early talkie frame in Japanese cinema Itakura Fumiaki 201 Index 223 |
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spelling | The culture of the sound image in prewar Japan edited by Michael Raine and Johan Nordström Amsterdam Amsterdam University Press [2020] 227 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier This collection of essays explores the development of electronic sound recording in Japanese cinema, radio, and popular music to illuminate the interrelationship of aesthetics, technology, and cultural modernity in prewar Japan. Putting the cinema at the center of a ?culture of the sound image?, it restores complexity to a media transition that is often described simply as slow and reluctant. In that vibrant sound culture, the talkie was introduced on the radio before it could be heard in the cinema, and pop music adaptations substituted for musicals even as cinema musicians and live narrators resisted the introduction of recorded sound. Taken together, the essays show that the development of sound technology shaped the economic structure of the film industry and its labour practices, the intermedial relation between cinema, radio, and popular music, as well as the architecture of cinemas and the visual style of individual Japanese films and filmmakers. Geschichte 1930-1939 gnd rswk-swf Tonfilm (DE-588)4185670-3 gnd rswk-swf Japan (DE-588)4028495-5 gnd rswk-swf Motion pictures / Japan / History / 20th century Motion pictures Japan 1900-1999 History (DE-588)4143413-4 Aufsatzsammlung gnd-content Japan (DE-588)4028495-5 g Tonfilm (DE-588)4185670-3 s Geschichte 1930-1939 z DE-604 Raine, Michael (DE-588)1228369976 edt Nordström, Johan (DE-588)1233072862 edt Erscheint auch als Online-Ausgabe 978-90-4852-566-9 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032577246&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | The culture of the sound image in prewar Japan Tonfilm (DE-588)4185670-3 gnd |
subject_GND | (DE-588)4185670-3 (DE-588)4028495-5 (DE-588)4143413-4 |
title | The culture of the sound image in prewar Japan |
title_auth | The culture of the sound image in prewar Japan |
title_exact_search | The culture of the sound image in prewar Japan |
title_exact_search_txtP | The culture of the sound image in prewar Japan |
title_full | The culture of the sound image in prewar Japan edited by Michael Raine and Johan Nordström |
title_fullStr | The culture of the sound image in prewar Japan edited by Michael Raine and Johan Nordström |
title_full_unstemmed | The culture of the sound image in prewar Japan edited by Michael Raine and Johan Nordström |
title_short | The culture of the sound image in prewar Japan |
title_sort | the culture of the sound image in prewar japan |
topic | Tonfilm (DE-588)4185670-3 gnd |
topic_facet | Tonfilm Japan Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032577246&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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