Screening queer memory: LGBTQ pasts in contemporary film and television
"In Screening Queer Memory, Anamarija Horvat examines how LGBTQ history has been represented on-screen, and interrogates the specificity of queer memory. She poses several questions: How are the pasts of LGBTQ people and communities visualised and commemorated on screen? How do these representa...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
Bloomsbury Academic
2021
|
| Schriftenreihe: | Library of gender and popular culture
|
| Schlagworte: | |
| Online-Zugang: | DE-12 DE-355 DE-703 URL des Erstveröffentlichers |
| Zusammenfassung: | "In Screening Queer Memory, Anamarija Horvat examines how LGBTQ history has been represented on-screen, and interrogates the specificity of queer memory. She poses several questions: How are the pasts of LGBTQ people and communities visualised and commemorated on screen? How do these representations comment on the influence of film and television on the construction of queer memory? How do they present the passage of memory from one generation of LGBTQ people to another? Finally, which narratives of the queer past, particularly of the activist past, are being commemorated, and which obscured? Horvat exemplifies how contemporary British and American cinema and television have commented on the specificity of queer memory - how they have reflected aspects of its construction, as well as participated in its creation. In doing so, she adds to an under-examined area of queer film and television research which has privileged concepts of nostalgia, history, temporality and the archive over memory. Films and television shows explored include Cheryl Dunye’s The Watermelon Woman (1996), Todd Haynes’ Velvet Goldmine (1998), Jill Soloway’s Transparent (2014-2019), Matthew Warchus’ Pride (2014) and Tom Rob Smith’s London Spy (2015)." |
| Beschreibung: | 1 Online-Ressource (xii, 188 Seiten) Illustrationen |
| ISBN: | 9781350187689 9781350187665 9781350187672 |
| DOI: | 10.5040/9781350187689 |
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| id | DE-604.BV047171772 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:43:17Z |
| indexdate | 2024-09-24T00:25:26Z |
| institution | BVB |
| isbn | 9781350187689 9781350187665 9781350187672 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032577223 |
| oclc_num | 1249671369 |
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| owner | DE-703 DE-12 DE-355 DE-BY-UBR DE-11 DE-Po75 |
| owner_facet | DE-703 DE-12 DE-355 DE-BY-UBR DE-11 DE-Po75 |
| physical | 1 Online-Ressource (xii, 188 Seiten) Illustrationen |
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| publishDate | 2021 |
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| publisher | Bloomsbury Academic |
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| spelling | Horvat, Anamarija Verfasser (DE-588)1236216989 aut Screening queer memory LGBTQ pasts in contemporary film and television Anamarija Horvat London Bloomsbury Academic 2021 1 Online-Ressource (xii, 188 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Library of gender and popular culture "In Screening Queer Memory, Anamarija Horvat examines how LGBTQ history has been represented on-screen, and interrogates the specificity of queer memory. She poses several questions: How are the pasts of LGBTQ people and communities visualised and commemorated on screen? How do these representations comment on the influence of film and television on the construction of queer memory? How do they present the passage of memory from one generation of LGBTQ people to another? Finally, which narratives of the queer past, particularly of the activist past, are being commemorated, and which obscured? Horvat exemplifies how contemporary British and American cinema and television have commented on the specificity of queer memory - how they have reflected aspects of its construction, as well as participated in its creation. In doing so, she adds to an under-examined area of queer film and television research which has privileged concepts of nostalgia, history, temporality and the archive over memory. Films and television shows explored include Cheryl Dunye’s The Watermelon Woman (1996), Todd Haynes’ Velvet Goldmine (1998), Jill Soloway’s Transparent (2014-2019), Matthew Warchus’ Pride (2014) and Tom Rob Smith’s London Spy (2015)." Homosexuality in motion pictures Sexual minorities in motion pictures Homosexuality on television Sexual minorities on television Sex role in motion pictures Sex role on television Queer theory Kollektives Gedächtnis (DE-588)4200793-8 gnd rswk-swf LGBT Motiv (DE-588)1058351885 gnd rswk-swf Fernsehfilm (DE-588)4154054-2 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Repräsentation Soziologie (DE-588)4202023-2 gnd rswk-swf Film (DE-588)4017102-4 s Fernsehfilm (DE-588)4154054-2 s LGBT Motiv (DE-588)1058351885 s Kollektives Gedächtnis (DE-588)4200793-8 s Repräsentation Soziologie (DE-588)4202023-2 s DE-188 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-350-18765-8 https://doi.org/10.5040/9781350187689?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Horvat, Anamarija Screening queer memory LGBTQ pasts in contemporary film and television Homosexuality in motion pictures Sexual minorities in motion pictures Homosexuality on television Sexual minorities on television Sex role in motion pictures Sex role on television Queer theory Kollektives Gedächtnis (DE-588)4200793-8 gnd LGBT Motiv (DE-588)1058351885 gnd Fernsehfilm (DE-588)4154054-2 gnd Film (DE-588)4017102-4 gnd Repräsentation Soziologie (DE-588)4202023-2 gnd |
| subject_GND | (DE-588)4200793-8 (DE-588)1058351885 (DE-588)4154054-2 (DE-588)4017102-4 (DE-588)4202023-2 |
| title | Screening queer memory LGBTQ pasts in contemporary film and television |
| title_auth | Screening queer memory LGBTQ pasts in contemporary film and television |
| title_exact_search | Screening queer memory LGBTQ pasts in contemporary film and television |
| title_exact_search_txtP | Screening queer memory LGBTQ pasts in contemporary film and television |
| title_full | Screening queer memory LGBTQ pasts in contemporary film and television Anamarija Horvat |
| title_fullStr | Screening queer memory LGBTQ pasts in contemporary film and television Anamarija Horvat |
| title_full_unstemmed | Screening queer memory LGBTQ pasts in contemporary film and television Anamarija Horvat |
| title_short | Screening queer memory |
| title_sort | screening queer memory lgbtq pasts in contemporary film and television |
| title_sub | LGBTQ pasts in contemporary film and television |
| topic | Homosexuality in motion pictures Sexual minorities in motion pictures Homosexuality on television Sexual minorities on television Sex role in motion pictures Sex role on television Queer theory Kollektives Gedächtnis (DE-588)4200793-8 gnd LGBT Motiv (DE-588)1058351885 gnd Fernsehfilm (DE-588)4154054-2 gnd Film (DE-588)4017102-4 gnd Repräsentation Soziologie (DE-588)4202023-2 gnd |
| topic_facet | Homosexuality in motion pictures Sexual minorities in motion pictures Homosexuality on television Sexual minorities on television Sex role in motion pictures Sex role on television Queer theory Kollektives Gedächtnis LGBT Motiv Fernsehfilm Film Repräsentation Soziologie |
| url | https://doi.org/10.5040/9781350187689?locatt=label:secondary_bloomsburyCollections |
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