Next generation adaptation: spectatorship and process
"Contributions by Zoe Bursztajn-Illingworth, Marc DiPaolo, Emine Akkülah Doğan, Caroline Eades, Noelle Hedgcock, Rashmila Maiti, Tina Olsin Lent, Jack Ryan, Larry T. Shillock, Richard Vela, and Geoffrey Wilson In Next Generation Adaptation: Spectatorship and Process, editor Allen H. Redmon brin...
Gespeichert in:
Weitere Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Jackson
University Press of Mississippi
2021
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Schlagworte: | |
Zusammenfassung: | "Contributions by Zoe Bursztajn-Illingworth, Marc DiPaolo, Emine Akkülah Doğan, Caroline Eades, Noelle Hedgcock, Rashmila Maiti, Tina Olsin Lent, Jack Ryan, Larry T. Shillock, Richard Vela, and Geoffrey Wilson In Next Generation Adaptation: Spectatorship and Process, editor Allen H. Redmon brings together eleven essays from a range of voices in adaptation studies. This anthology explores the political and ethical contexts of specific adaptations and, by extension, the act of adaptation itself. Grounded in questions of gender, genre, and race, these investigations focus on the ways attention to these categories renegotiates the rules of power, privilege, and principle that shape the contexts that seemingly produce and reproduce them. Contributors to the volume examine such adaptations as Quentin Tarantino's Death Proof, Jacques Tourneur's Out of the Past, Taylor Sheridan's Sicario and Sicario: Day of the Soldado, Jean-Jacques Annaud's Wolf Totem, Spike Lee's He's Got Game, and Jim Jarmusch's Paterson. Each chapter considers the expansive dialogue adaptations accelerate when they realize their capacity to bring together two or more texts, two or more peoples, two or more ideologies without allowing one expression to erase another. Building on the growing trends in adaptation studies, these essays explore the ways filmic texts experienced as adaptations highlight ethical or political concerns and argue that spectators are empowered to explore implications being raised by the adaptations"-- |
Beschreibung: | XXIII, 221 Seiten Notenbeispiele |
ISBN: | 9781496832610 9781496832603 |
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505 | 8 | |a Introduction: introducing the next generation of adaptation / Allen H. Redmon -- Jim Jarmusch's Paterson: poetry, place, and cinematic form / Jack Ryan -- Carnivalized adaptations of Oscar Wilde's The Picture of Dorian Gray on screen / Emine Akkülah Doǧan -- Into the future from Out of the Past: double binds, double crosses, and ethical choice / Larry T. Shillock -- "Acting Victorian": marketing stars and reimagining the victorian in classical Hollywood / Noelle Hedgcock -- Ruthless Ram and sexual Sita: alternate readings of the Ramayana / Rashmila Maiti -- "Both in and out of the game, and watching and wondering at it: "Whitmanic currents and complications in He Got Game and "I, Too" / Zoe Bursztajn-Illingworth -- Wolf Totem by Jean-Jacques Annaud: turning a Chinese novel into a transnational film / Caroline Eades -- Adaptation, authenticity, and ethics in Carl Davis's score to The Thief of Bagdad / Geoffrey Wilson -- Sicarios and the Latin American assassin on film / Richard Vela -- Media portrayals of the woman suffrage movement: reconstructing a usable past / Tina Olsin Lent -- #MeToo and the filmmaker as monster: John Landis, Quentin Tarantino, and the allegorically confessional horror film / Marc Dipaolo | |
520 | 3 | |a "Contributions by Zoe Bursztajn-Illingworth, Marc DiPaolo, Emine Akkülah Doğan, Caroline Eades, Noelle Hedgcock, Rashmila Maiti, Tina Olsin Lent, Jack Ryan, Larry T. Shillock, Richard Vela, and Geoffrey Wilson In Next Generation Adaptation: Spectatorship and Process, editor Allen H. Redmon brings together eleven essays from a range of voices in adaptation studies. This anthology explores the political and ethical contexts of specific adaptations and, by extension, the act of adaptation itself. Grounded in questions of gender, genre, and race, these investigations focus on the ways attention to these categories renegotiates the rules of power, privilege, and principle that shape the contexts that seemingly produce and reproduce them. Contributors to the volume examine such adaptations as Quentin Tarantino's Death Proof, Jacques Tourneur's Out of the Past, Taylor Sheridan's Sicario and Sicario: Day of the Soldado, Jean-Jacques Annaud's Wolf Totem, Spike Lee's He's Got Game, and Jim Jarmusch's Paterson. Each chapter considers the expansive dialogue adaptations accelerate when they realize their capacity to bring together two or more texts, two or more peoples, two or more ideologies without allowing one expression to erase another. Building on the growing trends in adaptation studies, these essays explore the ways filmic texts experienced as adaptations highlight ethical or political concerns and argue that spectators are empowered to explore implications being raised by the adaptations"-- | |
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Datensatz im Suchindex
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building | Verbundindex |
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classification_rvk | AP 53000 |
contents | Introduction: introducing the next generation of adaptation / Allen H. Redmon -- Jim Jarmusch's Paterson: poetry, place, and cinematic form / Jack Ryan -- Carnivalized adaptations of Oscar Wilde's The Picture of Dorian Gray on screen / Emine Akkülah Doǧan -- Into the future from Out of the Past: double binds, double crosses, and ethical choice / Larry T. Shillock -- "Acting Victorian": marketing stars and reimagining the victorian in classical Hollywood / Noelle Hedgcock -- Ruthless Ram and sexual Sita: alternate readings of the Ramayana / Rashmila Maiti -- "Both in and out of the game, and watching and wondering at it: "Whitmanic currents and complications in He Got Game and "I, Too" / Zoe Bursztajn-Illingworth -- Wolf Totem by Jean-Jacques Annaud: turning a Chinese novel into a transnational film / Caroline Eades -- Adaptation, authenticity, and ethics in Carl Davis's score to The Thief of Bagdad / Geoffrey Wilson -- Sicarios and the Latin American assassin on film / Richard Vela -- Media portrayals of the woman suffrage movement: reconstructing a usable past / Tina Olsin Lent -- #MeToo and the filmmaker as monster: John Landis, Quentin Tarantino, and the allegorically confessional horror film / Marc Dipaolo |
ctrlnum | (OCoLC)1249678588 (DE-599)BVBBV047171098 |
discipline | Allgemeines |
discipline_str_mv | Allgemeines |
format | Book |
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id | DE-604.BV047171098 |
illustrated | Illustrated |
index_date | 2024-07-03T16:43:05Z |
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institution | BVB |
isbn | 9781496832610 9781496832603 |
language | English |
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physical | XXIII, 221 Seiten Notenbeispiele |
publishDate | 2021 |
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publisher | University Press of Mississippi |
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spelling | Next generation adaptation spectatorship and process edited by Allen H. Redmon Jackson University Press of Mississippi 2021 XXIII, 221 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Introduction: introducing the next generation of adaptation / Allen H. Redmon -- Jim Jarmusch's Paterson: poetry, place, and cinematic form / Jack Ryan -- Carnivalized adaptations of Oscar Wilde's The Picture of Dorian Gray on screen / Emine Akkülah Doǧan -- Into the future from Out of the Past: double binds, double crosses, and ethical choice / Larry T. Shillock -- "Acting Victorian": marketing stars and reimagining the victorian in classical Hollywood / Noelle Hedgcock -- Ruthless Ram and sexual Sita: alternate readings of the Ramayana / Rashmila Maiti -- "Both in and out of the game, and watching and wondering at it: "Whitmanic currents and complications in He Got Game and "I, Too" / Zoe Bursztajn-Illingworth -- Wolf Totem by Jean-Jacques Annaud: turning a Chinese novel into a transnational film / Caroline Eades -- Adaptation, authenticity, and ethics in Carl Davis's score to The Thief of Bagdad / Geoffrey Wilson -- Sicarios and the Latin American assassin on film / Richard Vela -- Media portrayals of the woman suffrage movement: reconstructing a usable past / Tina Olsin Lent -- #MeToo and the filmmaker as monster: John Landis, Quentin Tarantino, and the allegorically confessional horror film / Marc Dipaolo "Contributions by Zoe Bursztajn-Illingworth, Marc DiPaolo, Emine Akkülah Doğan, Caroline Eades, Noelle Hedgcock, Rashmila Maiti, Tina Olsin Lent, Jack Ryan, Larry T. Shillock, Richard Vela, and Geoffrey Wilson In Next Generation Adaptation: Spectatorship and Process, editor Allen H. Redmon brings together eleven essays from a range of voices in adaptation studies. This anthology explores the political and ethical contexts of specific adaptations and, by extension, the act of adaptation itself. Grounded in questions of gender, genre, and race, these investigations focus on the ways attention to these categories renegotiates the rules of power, privilege, and principle that shape the contexts that seemingly produce and reproduce them. Contributors to the volume examine such adaptations as Quentin Tarantino's Death Proof, Jacques Tourneur's Out of the Past, Taylor Sheridan's Sicario and Sicario: Day of the Soldado, Jean-Jacques Annaud's Wolf Totem, Spike Lee's He's Got Game, and Jim Jarmusch's Paterson. Each chapter considers the expansive dialogue adaptations accelerate when they realize their capacity to bring together two or more texts, two or more peoples, two or more ideologies without allowing one expression to erase another. Building on the growing trends in adaptation studies, these essays explore the ways filmic texts experienced as adaptations highlight ethical or political concerns and argue that spectators are empowered to explore implications being raised by the adaptations"-- Ethik (DE-588)4015602-3 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Politik (DE-588)4046514-7 gnd rswk-swf Film adaptations Cultural fusion in popular culture Stereotypes (Social psychology) in motion pictures Politik (DE-588)4046514-7 s Ethik (DE-588)4015602-3 s Film (DE-588)4017102-4 s DE-604 Redmon, Allen H. 1972- (DE-588)1069223832 edt Erscheint auch als Online-Ausgabe, EPUB 978-1-4968-3262-7 |
spellingShingle | Next generation adaptation spectatorship and process Introduction: introducing the next generation of adaptation / Allen H. Redmon -- Jim Jarmusch's Paterson: poetry, place, and cinematic form / Jack Ryan -- Carnivalized adaptations of Oscar Wilde's The Picture of Dorian Gray on screen / Emine Akkülah Doǧan -- Into the future from Out of the Past: double binds, double crosses, and ethical choice / Larry T. Shillock -- "Acting Victorian": marketing stars and reimagining the victorian in classical Hollywood / Noelle Hedgcock -- Ruthless Ram and sexual Sita: alternate readings of the Ramayana / Rashmila Maiti -- "Both in and out of the game, and watching and wondering at it: "Whitmanic currents and complications in He Got Game and "I, Too" / Zoe Bursztajn-Illingworth -- Wolf Totem by Jean-Jacques Annaud: turning a Chinese novel into a transnational film / Caroline Eades -- Adaptation, authenticity, and ethics in Carl Davis's score to The Thief of Bagdad / Geoffrey Wilson -- Sicarios and the Latin American assassin on film / Richard Vela -- Media portrayals of the woman suffrage movement: reconstructing a usable past / Tina Olsin Lent -- #MeToo and the filmmaker as monster: John Landis, Quentin Tarantino, and the allegorically confessional horror film / Marc Dipaolo Ethik (DE-588)4015602-3 gnd Film (DE-588)4017102-4 gnd Politik (DE-588)4046514-7 gnd |
subject_GND | (DE-588)4015602-3 (DE-588)4017102-4 (DE-588)4046514-7 |
title | Next generation adaptation spectatorship and process |
title_auth | Next generation adaptation spectatorship and process |
title_exact_search | Next generation adaptation spectatorship and process |
title_exact_search_txtP | Next generation adaptation spectatorship and process |
title_full | Next generation adaptation spectatorship and process edited by Allen H. Redmon |
title_fullStr | Next generation adaptation spectatorship and process edited by Allen H. Redmon |
title_full_unstemmed | Next generation adaptation spectatorship and process edited by Allen H. Redmon |
title_short | Next generation adaptation |
title_sort | next generation adaptation spectatorship and process |
title_sub | spectatorship and process |
topic | Ethik (DE-588)4015602-3 gnd Film (DE-588)4017102-4 gnd Politik (DE-588)4046514-7 gnd |
topic_facet | Ethik Film Politik |
work_keys_str_mv | AT redmonallenh nextgenerationadaptationspectatorshipandprocess |