The musical heritage of Al-Andalus:
"The Musical Heritage of Al-Andalus is a critical account of the history of Andalusian music in Iberia from the Islamic conquest of 711 to the final expulsion of the Moriscos (Spanish Muslims converted to Christianity) in the early 17th century. This volume presents the documentation that has c...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2021
|
| Schriftenreihe: | SOAS studies in music
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The Musical Heritage of Al-Andalus is a critical account of the history of Andalusian music in Iberia from the Islamic conquest of 711 to the final expulsion of the Moriscos (Spanish Muslims converted to Christianity) in the early 17th century. This volume presents the documentation that has come down to us, accompanied by critical and detailed analyses of the sources written in Arabic, Old Catalan, Castilian, Hebrew, and Latin. It is also informed by research the author has conducted on modern Andalusian musical traditions in Morocco, Algeria, Tunisia, Egypt, Lebanon and Syria. While the cultural achievements of medieval Muslim Spain have been the topic of a large number of scholarly and popular publications in recent decades, what may arguably be its most enduring contribution – music – has been almost entirely neglected. The overarching purpose of this work is to elucidate as clearly as possible the many different types of musical interactions that took place in medieval Iberia and the complexity of the various borrowings, adaptations, hybridizations, and appropriations involved"-- |
| Beschreibung: | xiii, 260 Seiten Illustrationen |
| ISBN: | 9780367243142 |
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| 505 | 8 | |a Section One: Music in Iberia and the Mashriq up to 711 -- Chapter 1: Music in Iberia to 711 -- Chapter 2: Arab music to 711 -- Section Two: Andalusi Music to the Fall of the Umayyad Caliphate, 711–1031 -- Chapter 3: From the conquest to the reign of ‘Abd al-Raḥmān II, 711–822 -- Chapter 4: ‘Abd al-Raḥmān II and Ziryāb, 822–852 -- Chapter 5: The final years of the Caliphate, 858–1031 -- Section Three: Music in the Medieval Mediterranean -- Chapter 6: Instrumentarium -- Chapter 7: Music Theory and Performance Practices -- Section Four: The Musical Revolution in al-Andalus -- Chapter 8: From Ṣawt to Muwashshaḥ -- Chapter 9: Hebrew Muwashshaḥāt -- Section Five: Post-Umayyad Iberia (11th–17th c.) -- Chapter 10: The Era of the "Petty Kings," Almoravids, and Almohads (11th–12th c.) -- Chapter 11: The Age of Minstrels (13th –15th c.) -- Chapter 12: Music of the Moriscos (16th–17th c.) | |
| 520 | 3 | |a "The Musical Heritage of Al-Andalus is a critical account of the history of Andalusian music in Iberia from the Islamic conquest of 711 to the final expulsion of the Moriscos (Spanish Muslims converted to Christianity) in the early 17th century. This volume presents the documentation that has come down to us, accompanied by critical and detailed analyses of the sources written in Arabic, Old Catalan, Castilian, Hebrew, and Latin. It is also informed by research the author has conducted on modern Andalusian musical traditions in Morocco, Algeria, Tunisia, Egypt, Lebanon and Syria. While the cultural achievements of medieval Muslim Spain have been the topic of a large number of scholarly and popular publications in recent decades, what may arguably be its most enduring contribution – music – has been almost entirely neglected. The overarching purpose of this work is to elucidate as clearly as possible the many different types of musical interactions that took place in medieval Iberia and the complexity of the various borrowings, adaptations, hybridizations, and appropriations involved"-- | |
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Datensatz im Suchindex
| _version_ | 1808865955805134848 |
|---|---|
| adam_text |
Contents List of illustrations Acknowledgments Introduction SECTION ONE Music in Iberia and the Mashriq up to 711 1 Music in Iberia to 711 x xi 1 11 17 Jewish communities in Iberia 21 2 Arab music to 711 24 The Great Book of Songs 26 Arab music before Islam 29 Musicians in the early Islamic period 33 Patronage 35 Conclusion 37 SECTION TWO Andalusi music to the fall of the Umayyad Caliphate, 711-1031 3 From the conquest to the reign of ‘Abd al-Rahmān II, 711-822 43 45 Music in the household of al-Mughira 54 4 Abd al-Rahmān II and Ziryab, 822-852 Ziryab in the court of ‘Abd al-Rahmān II 62 Ziryab: the early sources 62 Rivalries in the court 67 Eastern echoes 71 59
viii Contents The emergence of the legend 73 The author of Kitãb Akhbãr Ziryäb 75 Thefinal transformation: al-Maqqarī 77 Ziryab’s musical legacy 80 An aggregate summary 81 5 The final years of the Caliphate, 858-1031 SECTION THREE Music in the medieval Mediterranean “Mutual intelligibility” 101 6 Instrumentarium The Arab lute 106 Bowed string instruments 110 Musical instruments of al-Andalus 116 Other instruments of al-Andalus 121 7 Music theory and performance practices Music as mathematics 127 The music of the spheres 129 Melodic modes 129 The effect of modes 131 Music theory in al-Andalus 132 Rhythm 138 Performance practices 139 Summary: musical mutual intelligibility 141 SECTION FOUR The musical revolution in al-Andalus 8 From şawt to muwashshah The musical structure of the medieval şawt 149 The muwashshah/zajal song-form 156 The kharja 160 Muwashshah versus zajal 161 The musical structure of the medieval muwashshah 163 Ibn Sana al֊Mulk and Där al-Tirāz 163 9 Hebrew muwashshahãt Conclusion 184
Contents ix SECTION FIVE Post-Umayyad Iberia (lltb-17th c.) 10 The era of the “petty kings,” Almoravids, and Almohads (llth֊12thc.) Qiyãn as captives and gifts 198 Dance and puppetry 203 Music among the elite 204 Al-Tīfāslū’s description of Andalusi song 205 189 191 11 The “Age of Minstrels” (13th֊ 15th c.) Las Cantigas de Santa Maria 214 Andalusi musicians in Christian courts 216 Church and municipal musicians 221 213 12 Music of the Moriscos (16th֊17th c.) The final expulsions 231 226 Epilogue Bibliography Index 233 236 255 |
| adam_txt |
Contents List of illustrations Acknowledgments Introduction SECTION ONE Music in Iberia and the Mashriq up to 711 1 Music in Iberia to 711 x xi 1 11 17 Jewish communities in Iberia 21 2 Arab music to 711 24 The Great Book of Songs 26 Arab music before Islam 29 Musicians in the early Islamic period 33 Patronage 35 Conclusion 37 SECTION TWO Andalusi music to the fall of the Umayyad Caliphate, 711-1031 3 From the conquest to the reign of ‘Abd al-Rahmān II, 711-822 43 45 Music in the household of al-Mughira 54 4 Abd al-Rahmān II and Ziryab, 822-852 Ziryab in the court of ‘Abd al-Rahmān II 62 Ziryab: the early sources 62 Rivalries in the court 67 Eastern echoes 71 59
viii Contents The emergence of the legend 73 The author of Kitãb Akhbãr Ziryäb 75 Thefinal transformation: al-Maqqarī 77 Ziryab’s musical legacy 80 An aggregate summary 81 5 The final years of the Caliphate, 858-1031 SECTION THREE Music in the medieval Mediterranean “Mutual intelligibility” 101 6 Instrumentarium The Arab lute 106 Bowed string instruments 110 Musical instruments of al-Andalus 116 Other instruments of al-Andalus 121 7 Music theory and performance practices Music as mathematics 127 The music of the spheres 129 Melodic modes 129 The effect of modes 131 Music theory in al-Andalus 132 Rhythm 138 Performance practices 139 Summary: musical mutual intelligibility 141 SECTION FOUR The musical revolution in al-Andalus 8 From şawt to muwashshah The musical structure of the medieval şawt 149 The muwashshah/zajal song-form 156 The kharja 160 Muwashshah versus zajal 161 The musical structure of the medieval muwashshah 163 Ibn Sana al֊Mulk and Där al-Tirāz 163 9 Hebrew muwashshahãt Conclusion 184
Contents ix SECTION FIVE Post-Umayyad Iberia (lltb-17th c.) 10 The era of the “petty kings,” Almoravids, and Almohads (llth֊12thc.) Qiyãn as captives and gifts 198 Dance and puppetry 203 Music among the elite 204 Al-Tīfāslū’s description of Andalusi song 205 189 191 11 The “Age of Minstrels” (13th֊ 15th c.) Las Cantigas de Santa Maria 214 Andalusi musicians in Christian courts 216 Church and municipal musicians 221 213 12 Music of the Moriscos (16th֊17th c.) The final expulsions 231 226 Epilogue Bibliography Index 233 236 255 |
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| contents | Section One: Music in Iberia and the Mashriq up to 711 -- Chapter 1: Music in Iberia to 711 -- Chapter 2: Arab music to 711 -- Section Two: Andalusi Music to the Fall of the Umayyad Caliphate, 711–1031 -- Chapter 3: From the conquest to the reign of ‘Abd al-Raḥmān II, 711–822 -- Chapter 4: ‘Abd al-Raḥmān II and Ziryāb, 822–852 -- Chapter 5: The final years of the Caliphate, 858–1031 -- Section Three: Music in the Medieval Mediterranean -- Chapter 6: Instrumentarium -- Chapter 7: Music Theory and Performance Practices -- Section Four: The Musical Revolution in al-Andalus -- Chapter 8: From Ṣawt to Muwashshaḥ -- Chapter 9: Hebrew Muwashshaḥāt -- Section Five: Post-Umayyad Iberia (11th–17th c.) -- Chapter 10: The Era of the "Petty Kings," Almoravids, and Almohads (11th–12th c.) -- Chapter 11: The Age of Minstrels (13th –15th c.) -- Chapter 12: Music of the Moriscos (16th–17th c.) |
| ctrlnum | (OCoLC)1249674545 (DE-599)BVBBV047169201 |
| discipline | Musikwissenschaft |
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| geographic_facet | Spanien al- Andalus |
| id | DE-604.BV047169201 |
| illustrated | Illustrated |
| index_date | 2024-07-03T16:42:25Z |
| indexdate | 2024-08-31T01:50:03Z |
| institution | BVB |
| isbn | 9780367243142 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032574716 |
| oclc_num | 1249674545 |
| open_access_boolean | |
| owner | DE-12 DE-634 DE-20 |
| owner_facet | DE-12 DE-634 DE-20 |
| physical | xiii, 260 Seiten Illustrationen |
| psigel | BSB_NED_20210423 |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Routledge, Taylor & Francis Group |
| record_format | marc |
| series2 | SOAS studies in music |
| spelling | Reynolds, Dwight Fletcher 1956- Verfasser (DE-588)105330093X aut The musical heritage of Al-Andalus Dwight F. Reynolds London ; New York Routledge, Taylor & Francis Group 2021 xiii, 260 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier SOAS studies in music Section One: Music in Iberia and the Mashriq up to 711 -- Chapter 1: Music in Iberia to 711 -- Chapter 2: Arab music to 711 -- Section Two: Andalusi Music to the Fall of the Umayyad Caliphate, 711–1031 -- Chapter 3: From the conquest to the reign of ‘Abd al-Raḥmān II, 711–822 -- Chapter 4: ‘Abd al-Raḥmān II and Ziryāb, 822–852 -- Chapter 5: The final years of the Caliphate, 858–1031 -- Section Three: Music in the Medieval Mediterranean -- Chapter 6: Instrumentarium -- Chapter 7: Music Theory and Performance Practices -- Section Four: The Musical Revolution in al-Andalus -- Chapter 8: From Ṣawt to Muwashshaḥ -- Chapter 9: Hebrew Muwashshaḥāt -- Section Five: Post-Umayyad Iberia (11th–17th c.) -- Chapter 10: The Era of the "Petty Kings," Almoravids, and Almohads (11th–12th c.) -- Chapter 11: The Age of Minstrels (13th –15th c.) -- Chapter 12: Music of the Moriscos (16th–17th c.) "The Musical Heritage of Al-Andalus is a critical account of the history of Andalusian music in Iberia from the Islamic conquest of 711 to the final expulsion of the Moriscos (Spanish Muslims converted to Christianity) in the early 17th century. This volume presents the documentation that has come down to us, accompanied by critical and detailed analyses of the sources written in Arabic, Old Catalan, Castilian, Hebrew, and Latin. It is also informed by research the author has conducted on modern Andalusian musical traditions in Morocco, Algeria, Tunisia, Egypt, Lebanon and Syria. While the cultural achievements of medieval Muslim Spain have been the topic of a large number of scholarly and popular publications in recent decades, what may arguably be its most enduring contribution – music – has been almost entirely neglected. The overarching purpose of this work is to elucidate as clearly as possible the many different types of musical interactions that took place in medieval Iberia and the complexity of the various borrowings, adaptations, hybridizations, and appropriations involved"-- Geschichte 711-1610 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Musikhandschrift (DE-588)4040847-4 gnd rswk-swf Spanien (DE-588)4055964-6 gnd rswk-swf al- Andalus (DE-588)4536234-8 gnd rswk-swf Music / Spain / 500-1400 / History and criticism Music / Spain / To 1500 / History and criticism Music / Spain / 16th century / History and criticism Music / Spain / 17th century / History and criticism Muslims / Spain / Music / History and criticism Arabs / Spain / Music / History and criticism Spanien (DE-588)4055964-6 g al- Andalus (DE-588)4536234-8 g Musik (DE-588)4040802-4 s Musikhandschrift (DE-588)4040847-4 s Rezeption (DE-588)4049716-1 s Geschichte 711-1610 z DE-604 Erscheint auch als Online-Ausgabe, ebk 978-0-429-28165-5 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032574716&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Reynolds, Dwight Fletcher 1956- The musical heritage of Al-Andalus Section One: Music in Iberia and the Mashriq up to 711 -- Chapter 1: Music in Iberia to 711 -- Chapter 2: Arab music to 711 -- Section Two: Andalusi Music to the Fall of the Umayyad Caliphate, 711–1031 -- Chapter 3: From the conquest to the reign of ‘Abd al-Raḥmān II, 711–822 -- Chapter 4: ‘Abd al-Raḥmān II and Ziryāb, 822–852 -- Chapter 5: The final years of the Caliphate, 858–1031 -- Section Three: Music in the Medieval Mediterranean -- Chapter 6: Instrumentarium -- Chapter 7: Music Theory and Performance Practices -- Section Four: The Musical Revolution in al-Andalus -- Chapter 8: From Ṣawt to Muwashshaḥ -- Chapter 9: Hebrew Muwashshaḥāt -- Section Five: Post-Umayyad Iberia (11th–17th c.) -- Chapter 10: The Era of the "Petty Kings," Almoravids, and Almohads (11th–12th c.) -- Chapter 11: The Age of Minstrels (13th –15th c.) -- Chapter 12: Music of the Moriscos (16th–17th c.) Rezeption (DE-588)4049716-1 gnd Musik (DE-588)4040802-4 gnd Musikhandschrift (DE-588)4040847-4 gnd |
| subject_GND | (DE-588)4049716-1 (DE-588)4040802-4 (DE-588)4040847-4 (DE-588)4055964-6 (DE-588)4536234-8 |
| title | The musical heritage of Al-Andalus |
| title_auth | The musical heritage of Al-Andalus |
| title_exact_search | The musical heritage of Al-Andalus |
| title_exact_search_txtP | The musical heritage of Al-Andalus |
| title_full | The musical heritage of Al-Andalus Dwight F. Reynolds |
| title_fullStr | The musical heritage of Al-Andalus Dwight F. Reynolds |
| title_full_unstemmed | The musical heritage of Al-Andalus Dwight F. Reynolds |
| title_short | The musical heritage of Al-Andalus |
| title_sort | the musical heritage of al andalus |
| topic | Rezeption (DE-588)4049716-1 gnd Musik (DE-588)4040802-4 gnd Musikhandschrift (DE-588)4040847-4 gnd |
| topic_facet | Rezeption Musik Musikhandschrift Spanien al- Andalus |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032574716&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT reynoldsdwightfletcher themusicalheritageofalandalus |