The origins and ascendancy of the concert mass:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2021
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | ix, 221 Seiten Illustrationen, Diagramme, Notenbeispiele |
| ISBN: | 9780367552930 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents List of illustrations Introduction Definition 1 Ideas of the sacred 2 Secularisation 5 Scope and approach 6 Bibliography 14 PARTI Origins 1 Exploring the Ordinary of the Roman Rite Roman Catholic liturgy as living tradition 19 Narrative arc 20 Multiple influences 29 Bibliography 31 2 Differing opinions about music within the Church Key divisive issue 33 Early Christendom 33 Early modern Catholicism 34 Concertisation 37 Bibliography 41 3 Musical formulations: from plainchant to concert mass The (musical) mass as living tradition 42 Masses to elevate the spirit through polyphonic techniques 44 Unity 45 Bibliography 50
vi Contents 4 Haydn’s Harmoniemesse (1802): an early concert mass Emotional expressivity and sacredness 52 Harmoniemesse (‘Wind Band Mass’, 1802) Hob. XXII: 14 53 Bibliography 62 Part I Conclusion PART H Becoming 5 The concertisation of the mass Concerts 69 Sacred music in concerts 69 Eucharist as prototypical concert 72 Appropriate church music: the case for contemporary music 79 Bibliography 84 6 Secularisation and cultural change: from court and church to choral societies and choice Secularising influences 87 Napoleonic France 88 Choral and concert culture 93 From patronage to freelance composers 95 Bibliography 101 7 Nineteenth-century concert masses Church composers 104 For church and concert hall 106 Frederick Delius: atheism 112 Delius s legacy 115 Bibliography 117 Part II Conclusion PARTIU Division 8 Banished from the Eucharist: Cecilians, plainsong restoration, the motu proprio, and Vatican II Cecilian movement and plainsong restoration 125 Motu proprio: Tra le sollecitudini (1903) 127 Vatican II (1962֊ 1965) 130 Bibliography 138
Contents 9 Daniel Lentz’s Missa Umbrarum (1973) vii 141 Background 141 Breaking and dispersing the texts 143 Fragment placement choices 148 Assertions through musical means 155 Symbolism 157 Bibliography 161 Part III Conclusion 162 PART IV Divided 163 10 Masses for concert halls 1903-1963 The effect of the motu proprio 165 165 Concert masses (1903-1963) 165 Glagolitic Mass (1926-1927) 171 Missa Oecumenica (c.1937-1944) 174 Bibliography 179 11 Missa Carminum (Folk Song Mass) 183 Merging sacred and profane love 183 Influences 184 Folk songs and Christianity 188 Eros in the music of Missa Carminum 195 Bibliography 198 Part IV Conclusion 199 PARTY Ascendance 201 12 Conclusions and future directions 203 From Mass to concert mass 203 Future directions 206 Bibliography 210 Appendix Non-liturgical (concert) masses 1883 to 1963 Index of masses General index 211 215 217
|
| adam_txt |
Contents List of illustrations Introduction Definition 1 Ideas of the sacred 2 Secularisation 5 Scope and approach 6 Bibliography 14 PARTI Origins 1 Exploring the Ordinary of the Roman Rite Roman Catholic liturgy as living tradition 19 Narrative arc 20 Multiple influences 29 Bibliography 31 2 Differing opinions about music within the Church Key divisive issue 33 Early Christendom 33 Early modern Catholicism 34 Concertisation 37 Bibliography 41 3 Musical formulations: from plainchant to concert mass The (musical) mass as living tradition 42 Masses to elevate the spirit through polyphonic techniques 44 Unity 45 Bibliography 50
vi Contents 4 Haydn’s Harmoniemesse (1802): an early concert mass Emotional expressivity and sacredness 52 Harmoniemesse (‘Wind Band Mass’, 1802) Hob. XXII: 14 53 Bibliography 62 Part I Conclusion PART H Becoming 5 The concertisation of the mass Concerts 69 Sacred music in concerts 69 Eucharist as prototypical concert 72 Appropriate church music: the case for contemporary music 79 Bibliography 84 6 Secularisation and cultural change: from court and church to choral societies and choice Secularising influences 87 Napoleonic France 88 Choral and concert culture 93 From patronage to freelance composers 95 Bibliography 101 7 Nineteenth-century concert masses Church composers 104 For church and concert hall 106 Frederick Delius: atheism 112 Delius's legacy 115 Bibliography 117 Part II Conclusion PARTIU Division 8 Banished from the Eucharist: Cecilians, plainsong restoration, the motu proprio, and Vatican II Cecilian movement and plainsong restoration 125 Motu proprio: Tra le sollecitudini (1903) 127 Vatican II (1962֊ 1965) 130 Bibliography 138
Contents 9 Daniel Lentz’s Missa Umbrarum (1973) vii 141 Background 141 Breaking and dispersing the texts 143 Fragment placement choices 148 Assertions through musical means 155 Symbolism 157 Bibliography 161 Part III Conclusion 162 PART IV Divided 163 10 Masses for concert halls 1903-1963 The effect of the motu proprio 165 165 Concert masses (1903-1963) 165 Glagolitic Mass (1926-1927) 171 Missa Oecumenica (c.1937-1944) 174 Bibliography 179 11 Missa Carminum (Folk Song Mass) 183 Merging sacred and profane love 183 Influences 184 Folk songs and Christianity 188 Eros in the music of Missa Carminum 195 Bibliography 198 Part IV Conclusion 199 PARTY Ascendance 201 12 Conclusions and future directions 203 From Mass to concert mass 203 Future directions 206 Bibliography 210 Appendix Non-liturgical (concert) masses 1883 to 1963 Index of masses General index 211 215 217 |
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| spelling | Rocke, Stephanie Verfasser (DE-588)1026931932 aut The origins and ascendancy of the concert mass Stephanie Rocke London ; New York Routledge, Taylor & Francis Group 2021 ix, 221 Seiten Illustrationen, Diagramme, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Geschichte gnd rswk-swf Messvertonung (DE-588)4129031-8 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Mass (Music) Musik (DE-588)4040802-4 s Messvertonung (DE-588)4129031-8 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe, ebk 978-1-00-309286-5 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032574678&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | The origins and ascendancy of the concert mass |
| title_auth | The origins and ascendancy of the concert mass |
| title_exact_search | The origins and ascendancy of the concert mass |
| title_exact_search_txtP | The origins and ascendancy of the concert mass |
| title_full | The origins and ascendancy of the concert mass Stephanie Rocke |
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| title_full_unstemmed | The origins and ascendancy of the concert mass Stephanie Rocke |
| title_short | The origins and ascendancy of the concert mass |
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