Transnational musicians: precariousness, ethnicity and gender in the creative industry
"Informed by theories pertaining to transnational mobility, ethnicity and race, gender, postcolonialism, as well as Japanese studies, Transnational Musicians explores the way Japanese musicians establish their transnational careers in the hierarchically-structured classical music world. Drawing...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2021
|
| Schriftenreihe: | Routledge research in transnationalism
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Informed by theories pertaining to transnational mobility, ethnicity and race, gender, postcolonialism, as well as Japanese studies, Transnational Musicians explores the way Japanese musicians establish their transnational careers in the hierarchically-structured classical music world. Drawing on rich material from multi-sited fieldwork and in-depth interviews with Japanese artists in Japan, France and Poland, this study portrays the structurally - and individually - conditioned opportunities and constraints of becoming transnational classical musician. It shows how transnational artists strive to conciliate the irreconcilable: their professional identification with the dominant image of 'rootless' classical musicianship and their ethno-cultural affiliation with Japan. As such this book critically engages with the neoliberal discourse on talent and meritocracy prevailing in the creative/cultural industry, which promotes the common image of cosmopolitan artists, whose high, universal skills allow them to carry out their occupational activity internationally, regardless of such prescriptive criteria as gender, ethnicity and race. Highly interdisciplinary, this book will appeal to students and researchers interested in such fields as migration, transnational mobility, ethnicity and race in the creative/cultural sector, gender studies, Japanese culture and related social issues. It will also be instructive for professionals from the world of classical music, as well as ordinary readers passionate about Japanese society"-- |
| Beschreibung: | xi, 192 Seiten |
| ISBN: | 9780367418502 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents Acknowledgements Technical note Introduction X хи 1 Barriers on the way to transnational careers in the creative/cultural sector 2 The Japanese and authentic classical music: Unrequited love or unequal relationship? 3 Sociological approach to transnational careers in classical music 4 The research material: Japanese classical musicians in three contexts 7 The composition of the book 8 Note 11 References 11 1 Theoretical and methodological approach Creative/cultural industriesfrom a critical perspective 14 ‘Cool Japan ’: Creative industry in Japan 17 Contemporary classical music industry 19 Precariousness, inequities and work identification in the classical music sector 20 Recasting musicianship in the context of mansnational mobility 25 Experiences ofprecarious musicianship amongfemale and male Japanese musicians 29 Talking hardships of mobility in classical music: Methodology of the fieldwork 33 Notes 37 References 38 14
viii Contents 2 Positioning Japanese classical music within the global hierarchy of value 47 Classical music and the making ofmodem Japanese society in the pre-war period 49 Classical music in the post-warperiod 60 Summary 67 Notes 68 References 70 3 The plight of musicians in Japan 74 Structural and institutional contextfor becoming a professional musician in Japan 75 Passage from the university to the market 78 Experience ofprecariousness amongfull-fledged musicians 83 Male musicians: A salaryman in the orchestra? 85 Between a passion and a profession: The contradictory status of marriedfemale musicians 89 Single female musicians and their ‘weathering careers ’ 93 Summary 96 Notes 97 References 99 4 Studying classical music in its ‘birthplace’: The Japanese go to Europe 102 Educational mobility ofJapanese music students 104 Authenticity and societal constraints as the main mobility drivers among music students 105 Chasing after the experience of authentic classical music in Europe 106 Strivingfor emancipation from societal constraints 109 France: Two modes ofentering the music milieu 112 Poland: Integrating into the ‘Chopin niche’ 116 Summary 119 Notes 120 References 122 5 Music knows no borders? Crisscrossing French, Polish and Japanese music milieus Japanese musicians in France 129 Negotiating ethnicity in French orchestras 130 126
Contents ix Tackling precariousness: Freelancing musicians in France Japanese musicians in Poland 139 Building a career around Chopin ’s music 140 Transnational engagements ofreturnees 145 Summary 151 Notes 152 References 153 6 135 Japanese classical musicians: Between professional satisfaction and frustration 157 Orchestra musicians: Performing occupational and gender roles in the music world 159 Female musicians: Scaling down professional aspirations 160 Male instrumentalists: Creating music independently outside the orchestra 162 Making music a job: Professional satisfaction amongfreelance musicians 166 Female musicians: Stretching professional activity beyond the gender role 167 Male musicians: Performing music in the context of work-centred masculinity 169 When there is no other way: Professional conversion 170 Evanescent pleasures? Classical music profession in postCOVID-19 times 173 Summary 175 Note 176 References 176 7 Concluding remarks: Transnationality as a ‘Liminal status quo’’ References Index 179 186 189
|
| adam_txt |
Contents Acknowledgements Technical note Introduction X хи 1 Barriers on the way to transnational careers in the creative/cultural sector 2 The Japanese and authentic classical music: Unrequited love or unequal relationship? 3 Sociological approach to transnational careers in classical music 4 The research material: Japanese classical musicians in three contexts 7 The composition of the book 8 Note 11 References 11 1 Theoretical and methodological approach Creative/cultural industriesfrom a critical perspective 14 ‘Cool Japan ’: Creative industry in Japan 17 Contemporary classical music industry 19 Precariousness, inequities and work identification in the classical music sector 20 Recasting musicianship in the context of mansnational mobility 25 Experiences ofprecarious musicianship amongfemale and male Japanese musicians 29 Talking hardships of mobility in classical music: Methodology of the fieldwork 33 Notes 37 References 38 14
viii Contents 2 Positioning Japanese classical music within the global hierarchy of value 47 Classical music and the making ofmodem Japanese society in the pre-war period 49 Classical music in the post-warperiod 60 Summary 67 Notes 68 References 70 3 The plight of musicians in Japan 74 Structural and institutional contextfor becoming a professional musician in Japan 75 Passage from the university to the market 78 Experience ofprecariousness amongfull-fledged musicians 83 Male musicians: A salaryman in the orchestra? 85 Between a passion and a profession: The contradictory status of marriedfemale musicians 89 Single female musicians and their ‘weathering careers ’ 93 Summary 96 Notes 97 References 99 4 Studying classical music in its ‘birthplace’: The Japanese go to Europe 102 Educational mobility ofJapanese music students 104 Authenticity and societal constraints as the main mobility drivers among music students 105 Chasing after the experience of authentic classical music in Europe 106 Strivingfor emancipation from societal constraints 109 France: Two modes ofentering the music milieu 112 Poland: Integrating into the ‘Chopin niche’ 116 Summary 119 Notes 120 References 122 5 Music knows no borders? Crisscrossing French, Polish and Japanese music milieus Japanese musicians in France 129 Negotiating ethnicity in French orchestras 130 126
Contents ix Tackling precariousness: Freelancing musicians in France Japanese musicians in Poland 139 Building a career around Chopin ’s music 140 Transnational engagements ofreturnees 145 Summary 151 Notes 152 References 153 6 135 Japanese classical musicians: Between professional satisfaction and frustration 157 Orchestra musicians: Performing occupational and gender roles in the music world 159 Female musicians: Scaling down professional aspirations 160 Male instrumentalists: Creating music independently outside the orchestra 162 Making music a job: Professional satisfaction amongfreelance musicians 166 Female musicians: Stretching professional activity beyond the gender role 167 Male musicians: Performing music in the context of work-centred masculinity 169 When there is no other way: Professional conversion 170 Evanescent pleasures? Classical music profession in postCOVID-19 times 173 Summary 175 Note 176 References 176 7 Concluding remarks: Transnationality as a ‘Liminal status quo’’ References Index 179 186 189 |
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| spelling | Kowalczyk, Beata M. Verfasser (DE-588)1231839732 aut Transnational musicians precariousness, ethnicity and gender in the creative industry Beata M. Kowalczyk London ; New York Routledge, Taylor & Francis Group 2021 xi, 192 Seiten txt rdacontent n rdamedia nc rdacarrier Routledge research in transnationalism "Informed by theories pertaining to transnational mobility, ethnicity and race, gender, postcolonialism, as well as Japanese studies, Transnational Musicians explores the way Japanese musicians establish their transnational careers in the hierarchically-structured classical music world. Drawing on rich material from multi-sited fieldwork and in-depth interviews with Japanese artists in Japan, France and Poland, this study portrays the structurally - and individually - conditioned opportunities and constraints of becoming transnational classical musician. It shows how transnational artists strive to conciliate the irreconcilable: their professional identification with the dominant image of 'rootless' classical musicianship and their ethno-cultural affiliation with Japan. As such this book critically engages with the neoliberal discourse on talent and meritocracy prevailing in the creative/cultural industry, which promotes the common image of cosmopolitan artists, whose high, universal skills allow them to carry out their occupational activity internationally, regardless of such prescriptive criteria as gender, ethnicity and race. Highly interdisciplinary, this book will appeal to students and researchers interested in such fields as migration, transnational mobility, ethnicity and race in the creative/cultural sector, gender studies, Japanese culture and related social issues. It will also be instructive for professionals from the world of classical music, as well as ordinary readers passionate about Japanese society"-- Klassische Musik (DE-588)4164043-3 gnd rswk-swf Transnationalisierung (DE-588)7612596-8 gnd rswk-swf Identität (DE-588)4026482-8 gnd rswk-swf Mobilität (DE-588)4039785-3 gnd rswk-swf Musiker (DE-588)4040841-3 gnd rswk-swf Japan (DE-588)4028495-5 gnd rswk-swf Music / Social aspects Musicians / Japan Music and transnationalism Musicians Japan Japan (DE-588)4028495-5 g Musiker (DE-588)4040841-3 s Klassische Musik (DE-588)4164043-3 s Mobilität (DE-588)4039785-3 s Transnationalisierung (DE-588)7612596-8 s Identität (DE-588)4026482-8 s DE-604 Erscheint auch als Online-Ausgabe, ebk 978-0-367-81656-8 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032574650&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Kowalczyk, Beata M. Transnational musicians precariousness, ethnicity and gender in the creative industry Klassische Musik (DE-588)4164043-3 gnd Transnationalisierung (DE-588)7612596-8 gnd Identität (DE-588)4026482-8 gnd Mobilität (DE-588)4039785-3 gnd Musiker (DE-588)4040841-3 gnd |
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| title | Transnational musicians precariousness, ethnicity and gender in the creative industry |
| title_auth | Transnational musicians precariousness, ethnicity and gender in the creative industry |
| title_exact_search | Transnational musicians precariousness, ethnicity and gender in the creative industry |
| title_exact_search_txtP | Transnational musicians precariousness, ethnicity and gender in the creative industry |
| title_full | Transnational musicians precariousness, ethnicity and gender in the creative industry Beata M. Kowalczyk |
| title_fullStr | Transnational musicians precariousness, ethnicity and gender in the creative industry Beata M. Kowalczyk |
| title_full_unstemmed | Transnational musicians precariousness, ethnicity and gender in the creative industry Beata M. Kowalczyk |
| title_short | Transnational musicians |
| title_sort | transnational musicians precariousness ethnicity and gender in the creative industry |
| title_sub | precariousness, ethnicity and gender in the creative industry |
| topic | Klassische Musik (DE-588)4164043-3 gnd Transnationalisierung (DE-588)7612596-8 gnd Identität (DE-588)4026482-8 gnd Mobilität (DE-588)4039785-3 gnd Musiker (DE-588)4040841-3 gnd |
| topic_facet | Klassische Musik Transnationalisierung Identität Mobilität Musiker Japan |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032574650&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT kowalczykbeatam transnationalmusiciansprecariousnessethnicityandgenderinthecreativeindustry |