Tony Harrison: poet of radical classicism
"This is the first book-length study of the classicism of Tony Harrison, one of the most important contemporary poets in England and the world. It argues that his unique and politically radical classicism is inextricable from his core notion that poetry should be a public property in which comm...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
© 2021
|
Schriftenreihe: | Classical receptions in twentieth-century writing
|
Schlagworte: | |
Zusammenfassung: | "This is the first book-length study of the classicism of Tony Harrison, one of the most important contemporary poets in England and the world. It argues that his unique and politically radical classicism is inextricable from his core notion that poetry should be a public property in which communal problems are shared and crystallised, and that the poet has a responsibility to speak in a public voice about collective and political concerns. Enriched by Edith Hall's longstanding friendship with Harrison and involvement with his most recent drama, inspired by Euripides' Iphigenia in Tauris, it also asserts that his greatest innovations in both form and style have been direct results of his intense engagements with individual works of ancient literature and his belief that the ancient Greek poetic imagination was inherently radical. Tony Harrison's large body of work, for which he has won several major and international prizes, and which features on the UK National Curriculum, ranges widely across long and short poems, plays, translations and film poems. Having studied Classics at Grammar School and University and having translated ancient poets from Aeschylus to Martial and Palladas, Harrison has been immersed in the myths, history, literary forms and authorial voices of Mediterranean antiquity for his entire working life and his classical interests are reflected in every poetic genre he has essayed, from epigrams and sonnets to original stage plays, translations of Greek drama and Racine, to his experimental and harrowing film poems, where he has pioneered the welding of tightly cut video materials to tightly phrased verse forms. This volume explores the full breadth of his oeuvre, offering an insightful new perspective on a writer who has played an important part in shaping our contemporary literary landscape"-- |
Beschreibung: | xiv, 229 Seiten 25 cm |
Internformat
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490 | 0 | |a Classical receptions in twentieth-century writing | |
505 | 8 | |a Timeline of Tony Harrison's classics-informed works -- 'Models of eloquence' : radical classicism -- 'Stone bodies' : statuary in The loiners (1970) and Palladas (1975) -- 'Frontiers of appetite' : Phaedra Britannica (1975) -- 'Shaggermemnon' : Aeschylus' Oresteia and Continuous (1981) -- 'All the versuses of life' : 'v.' and Medea: a sex-war opera (1985) -- 'Bookworm excreta' : The trackers of Oxyrhynchus (1988) and other plays and poems -- 'End to end in technicolour' : Prometheus (1998) and other films -- 'Witnessed horror' : Fram (2008) and Harrison's Euripides -- 'Surviving the slopes of Parnassus' : 'Polygons' (2015) and other poems | |
520 | |a "This is the first book-length study of the classicism of Tony Harrison, one of the most important contemporary poets in England and the world. It argues that his unique and politically radical classicism is inextricable from his core notion that poetry should be a public property in which communal problems are shared and crystallised, and that the poet has a responsibility to speak in a public voice about collective and political concerns. Enriched by Edith Hall's longstanding friendship with Harrison and involvement with his most recent drama, inspired by Euripides' Iphigenia in Tauris, it also asserts that his greatest innovations in both form and style have been direct results of his intense engagements with individual works of ancient literature and his belief that the ancient Greek poetic imagination was inherently radical. Tony Harrison's large body of work, for which he has won several major and international prizes, and which features on the UK National Curriculum, ranges widely across long and short poems, plays, translations and film poems. Having studied Classics at Grammar School and University and having translated ancient poets from Aeschylus to Martial and Palladas, Harrison has been immersed in the myths, history, literary forms and authorial voices of Mediterranean antiquity for his entire working life and his classical interests are reflected in every poetic genre he has essayed, from epigrams and sonnets to original stage plays, translations of Greek drama and Racine, to his experimental and harrowing film poems, where he has pioneered the welding of tightly cut video materials to tightly phrased verse forms. This volume explores the full breadth of his oeuvre, offering an insightful new perspective on a writer who has played an important part in shaping our contemporary literary landscape"-- | ||
600 | 1 | 4 | |a Harrison, Tony / 1937- / Criticism and interpretation |
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600 | 1 | 7 | |a Harrison, Tony |d 1937- |0 (DE-588)119255685 |2 gnd |9 rswk-swf |
650 | 4 | |a Classicism in literature | |
650 | 7 | |a Classicism in literature |2 fast | |
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Datensatz im Suchindex
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adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Hall, Edith 1959- |
author_GND | (DE-588)136033830 |
author_facet | Hall, Edith 1959- |
author_role | aut |
author_sort | Hall, Edith 1959- |
author_variant | e h eh |
building | Verbundindex |
bvnumber | BV047168381 |
contents | Timeline of Tony Harrison's classics-informed works -- 'Models of eloquence' : radical classicism -- 'Stone bodies' : statuary in The loiners (1970) and Palladas (1975) -- 'Frontiers of appetite' : Phaedra Britannica (1975) -- 'Shaggermemnon' : Aeschylus' Oresteia and Continuous (1981) -- 'All the versuses of life' : 'v.' and Medea: a sex-war opera (1985) -- 'Bookworm excreta' : The trackers of Oxyrhynchus (1988) and other plays and poems -- 'End to end in technicolour' : Prometheus (1998) and other films -- 'Witnessed horror' : Fram (2008) and Harrison's Euripides -- 'Surviving the slopes of Parnassus' : 'Polygons' (2015) and other poems |
ctrlnum | (OCoLC)1245330660 (DE-599)BVBBV047168381 |
format | Book |
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id | DE-604.BV047168381 |
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index_date | 2024-07-03T16:42:07Z |
indexdate | 2024-07-10T09:04:32Z |
institution | BVB |
language | English |
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physical | xiv, 229 Seiten 25 cm |
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publishDate | 2021 |
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publisher | Bloomsbury Academic |
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series2 | Classical receptions in twentieth-century writing |
spelling | Hall, Edith 1959- Verfasser (DE-588)136033830 aut Tony Harrison poet of radical classicism Edith Hall London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic © 2021 xiv, 229 Seiten 25 cm txt rdacontent n rdamedia nc rdacarrier Classical receptions in twentieth-century writing Timeline of Tony Harrison's classics-informed works -- 'Models of eloquence' : radical classicism -- 'Stone bodies' : statuary in The loiners (1970) and Palladas (1975) -- 'Frontiers of appetite' : Phaedra Britannica (1975) -- 'Shaggermemnon' : Aeschylus' Oresteia and Continuous (1981) -- 'All the versuses of life' : 'v.' and Medea: a sex-war opera (1985) -- 'Bookworm excreta' : The trackers of Oxyrhynchus (1988) and other plays and poems -- 'End to end in technicolour' : Prometheus (1998) and other films -- 'Witnessed horror' : Fram (2008) and Harrison's Euripides -- 'Surviving the slopes of Parnassus' : 'Polygons' (2015) and other poems "This is the first book-length study of the classicism of Tony Harrison, one of the most important contemporary poets in England and the world. It argues that his unique and politically radical classicism is inextricable from his core notion that poetry should be a public property in which communal problems are shared and crystallised, and that the poet has a responsibility to speak in a public voice about collective and political concerns. Enriched by Edith Hall's longstanding friendship with Harrison and involvement with his most recent drama, inspired by Euripides' Iphigenia in Tauris, it also asserts that his greatest innovations in both form and style have been direct results of his intense engagements with individual works of ancient literature and his belief that the ancient Greek poetic imagination was inherently radical. Tony Harrison's large body of work, for which he has won several major and international prizes, and which features on the UK National Curriculum, ranges widely across long and short poems, plays, translations and film poems. Having studied Classics at Grammar School and University and having translated ancient poets from Aeschylus to Martial and Palladas, Harrison has been immersed in the myths, history, literary forms and authorial voices of Mediterranean antiquity for his entire working life and his classical interests are reflected in every poetic genre he has essayed, from epigrams and sonnets to original stage plays, translations of Greek drama and Racine, to his experimental and harrowing film poems, where he has pioneered the welding of tightly cut video materials to tightly phrased verse forms. This volume explores the full breadth of his oeuvre, offering an insightful new perspective on a writer who has played an important part in shaping our contemporary literary landscape"-- Harrison, Tony / 1937- / Criticism and interpretation Harrison, Tony / 1937- fast Harrison, Tony 1937- (DE-588)119255685 gnd rswk-swf Classicism in literature Classicism in literature fast (DE-588)4006804-3 Biografie gnd-content England, Rezeption (DE-2581)TH000005509 gbd Harrison, Tony 1937- (DE-588)119255685 p DE-604 |
spellingShingle | Hall, Edith 1959- Tony Harrison poet of radical classicism Timeline of Tony Harrison's classics-informed works -- 'Models of eloquence' : radical classicism -- 'Stone bodies' : statuary in The loiners (1970) and Palladas (1975) -- 'Frontiers of appetite' : Phaedra Britannica (1975) -- 'Shaggermemnon' : Aeschylus' Oresteia and Continuous (1981) -- 'All the versuses of life' : 'v.' and Medea: a sex-war opera (1985) -- 'Bookworm excreta' : The trackers of Oxyrhynchus (1988) and other plays and poems -- 'End to end in technicolour' : Prometheus (1998) and other films -- 'Witnessed horror' : Fram (2008) and Harrison's Euripides -- 'Surviving the slopes of Parnassus' : 'Polygons' (2015) and other poems Harrison, Tony / 1937- / Criticism and interpretation Harrison, Tony / 1937- fast Harrison, Tony 1937- (DE-588)119255685 gnd Classicism in literature Classicism in literature fast |
subject_GND | (DE-588)119255685 (DE-588)4006804-3 |
title | Tony Harrison poet of radical classicism |
title_auth | Tony Harrison poet of radical classicism |
title_exact_search | Tony Harrison poet of radical classicism |
title_exact_search_txtP | Tony Harrison poet of radical classicism |
title_full | Tony Harrison poet of radical classicism Edith Hall |
title_fullStr | Tony Harrison poet of radical classicism Edith Hall |
title_full_unstemmed | Tony Harrison poet of radical classicism Edith Hall |
title_short | Tony Harrison |
title_sort | tony harrison poet of radical classicism |
title_sub | poet of radical classicism |
topic | Harrison, Tony / 1937- / Criticism and interpretation Harrison, Tony / 1937- fast Harrison, Tony 1937- (DE-588)119255685 gnd Classicism in literature Classicism in literature fast |
topic_facet | Harrison, Tony / 1937- / Criticism and interpretation Harrison, Tony / 1937- Harrison, Tony 1937- Classicism in literature Biografie |
work_keys_str_mv | AT halledith tonyharrisonpoetofradicalclassicism |