Responding to site: the performance work of Marilyn Arsem
Acknowledgments -- Introduction: Responding to site / Jennie Klein -- Performance photographs 1987-1999 -- Section one: Duration and action. On time at the museum / Lucian O'Connor -- Salt, stones, and stars / Jeffery Byrd -- With the others / Sandrine Schaefer -- The lightness and darkness of...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bristol
Intellect
2020
|
| Schlagworte: | |
| Zusammenfassung: | Acknowledgments -- Introduction: Responding to site / Jennie Klein -- Performance photographs 1987-1999 -- Section one: Duration and action. On time at the museum / Lucian O'Connor -- Salt, stones, and stars / Jeffery Byrd -- With the others / Sandrine Schaefer -- The lightness and darkness of becoming Marilyn / Paul Couillard -- Performance photographs 2003-2009 -- Section two: Site and history. "Lux Balcanica est umbra Orientis" Marilyn Arsem's Balkan performances / Kristine Stiles -- Impossible totalities: Political performance as palimpsest / El Putnam -- Dropping the frame: Orpheus to red in woods / David P. Miller -- Performance as/of shamanism and mediumship: Writing Ada / John Dennis Anderson -- Performance photographs 2012-2013 -- Section three: Performance and pedagogy. Some thoughts on teaching performance art, in five parts / Marilyn Arsem -- Dialogues with absence: Reflections on time and if to drift / Sandra Johnston -- Documenting Arsem / Michael Woolley -- "Reminding me always that nothing remains"--Marilyn Arsem's performance and pedagogy / Kathy O'Dell -- Performance photographs 2013-2015 -- Afterword: Durational forms and pedagogic encounters / Natalie Loveless -- Performance photographs 2015-2019 -- Appendix: Arsem's performances 1967-2019 -- Author biographies "This book focuses on the performance art of Marilyn Arsem, an internationally acclaimed performance artist known for her innovative and experimental work. Arsem’s work addresses women’s history and myth-making capacities, the potency of site and geography, the idea of the audience as witnesses, and the intimacy of one-to-one works. One of the most prolific performance artists working in the United States today, Arsem performs carefully choreographed durational actions that are developed site-responsively and range from deceptively simple interventions to elaborately orchestrated actions. This edited volume seeks to extend Arsem’s legacy beyond the audiences of her live performances and enter her work into the lexicon of the art world. Accompanied by 200 images, this book will be of interest to scholars and students of performance studies, feminist performance, feminist art history, and performance history. It will also contribute to the history of alternative spaces and galleries that is only now being written."--back cover |
| Beschreibung: | Includes bibliographical references (pages 290-300) and index |
| Beschreibung: | 309 Seiten Illustrationen 21 x 24 cm |
| ISBN: | 9781789380972 1789380979 |
Internformat
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| 520 | 3 | |a Acknowledgments -- Introduction: Responding to site / Jennie Klein -- Performance photographs 1987-1999 -- Section one: Duration and action. On time at the museum / Lucian O'Connor -- Salt, stones, and stars / Jeffery Byrd -- With the others / Sandrine Schaefer -- The lightness and darkness of becoming Marilyn / Paul Couillard -- Performance photographs 2003-2009 -- Section two: Site and history. "Lux Balcanica est umbra Orientis" Marilyn Arsem's Balkan performances / Kristine Stiles -- Impossible totalities: Political performance as palimpsest / El Putnam -- Dropping the frame: Orpheus to red in woods / David P. Miller -- Performance as/of shamanism and mediumship: Writing Ada / John Dennis Anderson -- Performance photographs 2012-2013 -- Section three: Performance and pedagogy. Some thoughts on teaching performance art, in five parts / Marilyn Arsem -- Dialogues with absence: Reflections on time and if to drift / Sandra Johnston -- Documenting Arsem / Michael Woolley -- "Reminding me always that nothing remains"--Marilyn Arsem's performance and pedagogy / Kathy O'Dell -- Performance photographs 2013-2015 -- Afterword: Durational forms and pedagogic encounters / Natalie Loveless -- Performance photographs 2015-2019 -- Appendix: Arsem's performances 1967-2019 -- Author biographies | |
| 520 | 3 | |a "This book focuses on the performance art of Marilyn Arsem, an internationally acclaimed performance artist known for her innovative and experimental work. Arsem’s work addresses women’s history and myth-making capacities, the potency of site and geography, the idea of the audience as witnesses, and the intimacy of one-to-one works. One of the most prolific performance artists working in the United States today, Arsem performs carefully choreographed durational actions that are developed site-responsively and range from deceptively simple interventions to elaborately orchestrated actions. This edited volume seeks to extend Arsem’s legacy beyond the audiences of her live performances and enter her work into the lexicon of the art world. Accompanied by 200 images, this book will be of interest to scholars and students of performance studies, feminist performance, feminist art history, and performance history. It will also contribute to the history of alternative spaces and galleries that is only now being written."--back cover | |
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Datensatz im Suchindex
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| author2 | Klein, Jennie 1964- Loveless, Natalie Loveless, Natalie Arsem, Marilyn 1951- |
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| discipline | Kunstgeschichte |
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| spelling | Responding to site the performance work of Marilyn Arsem edited by Jennie Klein and Natalie Loveless Bristol Intellect 2020 309 Seiten Illustrationen 21 x 24 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Includes bibliographical references (pages 290-300) and index Acknowledgments -- Introduction: Responding to site / Jennie Klein -- Performance photographs 1987-1999 -- Section one: Duration and action. On time at the museum / Lucian O'Connor -- Salt, stones, and stars / Jeffery Byrd -- With the others / Sandrine Schaefer -- The lightness and darkness of becoming Marilyn / Paul Couillard -- Performance photographs 2003-2009 -- Section two: Site and history. "Lux Balcanica est umbra Orientis" Marilyn Arsem's Balkan performances / Kristine Stiles -- Impossible totalities: Political performance as palimpsest / El Putnam -- Dropping the frame: Orpheus to red in woods / David P. Miller -- Performance as/of shamanism and mediumship: Writing Ada / John Dennis Anderson -- Performance photographs 2012-2013 -- Section three: Performance and pedagogy. Some thoughts on teaching performance art, in five parts / Marilyn Arsem -- Dialogues with absence: Reflections on time and if to drift / Sandra Johnston -- Documenting Arsem / Michael Woolley -- "Reminding me always that nothing remains"--Marilyn Arsem's performance and pedagogy / Kathy O'Dell -- Performance photographs 2013-2015 -- Afterword: Durational forms and pedagogic encounters / Natalie Loveless -- Performance photographs 2015-2019 -- Appendix: Arsem's performances 1967-2019 -- Author biographies "This book focuses on the performance art of Marilyn Arsem, an internationally acclaimed performance artist known for her innovative and experimental work. Arsem’s work addresses women’s history and myth-making capacities, the potency of site and geography, the idea of the audience as witnesses, and the intimacy of one-to-one works. One of the most prolific performance artists working in the United States today, Arsem performs carefully choreographed durational actions that are developed site-responsively and range from deceptively simple interventions to elaborately orchestrated actions. This edited volume seeks to extend Arsem’s legacy beyond the audiences of her live performances and enter her work into the lexicon of the art world. Accompanied by 200 images, this book will be of interest to scholars and students of performance studies, feminist performance, feminist art history, and performance history. It will also contribute to the history of alternative spaces and galleries that is only now being written."--back cover Arsem, Marilyn 1951- (DE-588)135962943 gnd rswk-swf Geschichte 1987-2015 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf Arsem, Marilyn Performance art / United States Performance art United States (DE-588)4143413-4 Aufsatzsammlung gnd-content Arsem, Marilyn 1951- (DE-588)135962943 p Performance Künste (DE-588)4173750-7 s Geschichte 1987-2015 z DE-604 Klein, Jennie 1964- (DE-588)188383549 edt win Loveless, Natalie (DE-588)1162737360 edt aft Arsem, Marilyn 1951- (DE-588)135962943 ctb Erscheint auch als Online-Ausgabe, PDF 978-1-78938-099-6 Erscheint auch als Online-Ausgabe, EPUB 978-1-78938-098-9 |
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| title | Responding to site the performance work of Marilyn Arsem |
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