The Cambridge companion to Shakespeare and race:
"The Cambridge Companion to Shakespeare and Race shows teachers and students how and why Shakespeare and race are inseparable. Moving well beyond Othello, the collection invites the reader to understand racialized discourses, rhetoric, and performances in all of Shakespeare's plays, includ...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, United Kingdom
Cambridge University Press
2021
|
| Schriftenreihe: | Cambridge companions to literature
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The Cambridge Companion to Shakespeare and Race shows teachers and students how and why Shakespeare and race are inseparable. Moving well beyond Othello, the collection invites the reader to understand racialized discourses, rhetoric, and performances in all of Shakespeare's plays, including the comedies and histories. Race is presented through an intersectional approach with chapters that focus on the concepts of sexuality, lineage, nationality, and globalization. The collection helps students to grapple with the unique role performance plays in constructions of race by Shakespeare (and in Shakespearean performances), considering both historical and contemporary actors and directors. The Cambridge Companion to Shakespeare and Race will be the first book that truly frames Shakespeare studies and early modern race studies for a nonspecialist, student audience"-- |
| Beschreibung: | xiii, 293 Seiten Illustrationen |
| ISBN: | 9781108710565 9781108492119 |
Internformat
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| 520 | 3 | |a "The Cambridge Companion to Shakespeare and Race shows teachers and students how and why Shakespeare and race are inseparable. Moving well beyond Othello, the collection invites the reader to understand racialized discourses, rhetoric, and performances in all of Shakespeare's plays, including the comedies and histories. Race is presented through an intersectional approach with chapters that focus on the concepts of sexuality, lineage, nationality, and globalization. The collection helps students to grapple with the unique role performance plays in constructions of race by Shakespeare (and in Shakespearean performances), considering both historical and contemporary actors and directors. The Cambridge Companion to Shakespeare and Race will be the first book that truly frames Shakespeare studies and early modern race studies for a nonspecialist, student audience"-- | |
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Datensatz im Suchindex
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| adam_text | Contents page vii List ofFigures List of Contributors Note on Shakespeare Editions i ix xiii Did the Concept of Race Exist for Shakespeare and His Contemporaries?: An Introduction i Ayanna Thompson, Arizona State University շ The Materials of Race: Staging the Black and White Binary in the Early Modern Theatre 17 Farah Karim-Cooper, Shakespeare’s Globe and King’s College London 3 Barbarian Moors: Documenting Racial Formation in Early Modern England 30 Ambereen Dadabhoy, Harvey Mudd College 4 Racist Humor and Shakespearean Comedy 47 Patricia Akhimie, Rutgers University 5 Race in Shakespeare’s Histories 62 Andrew Hadfield, University of Sussex 6 Race in Shakespeare’s Tragedies 77 Carol Mejia LaPerle, Wright State University 7 Experimental Othello Matthew Dimmock, University of Sussex 8 Flesh and Blood: Race and Religion in The Merchant of Venice Dennis Austin Britton, University ofNew Hampshire 108 Was Sexuality Racialized for Shakespeare? Antony and Cleopatra 123 9 Melissa E. Sanchez, University ofPennsylvania v 93
vi 10 Contents The Tempest and Early Modern Conceptions of Race 139 Virginia Mason Vaughan and Alden T Vaughan, CUrk University 11 Shakespeare, Race, and Globalization: Titus Andronicus 158 Noémié Ndiaye, University of Chicago 12 How to Think Like Ira Aldridge 175 Scott Newstok, Rhodes College 13 What Is the History of Actors of Color Performing in Shakespeare in the UK? 190 Urvashi Chakravarty, University of Toronto 14 Actresses of Color and Shakespearean Performance: The Question of Reception 208 Joyce Green MacDonald, University ofKentucky 15 Othello: A Performance Perspective 223 Adrian Lester 16 Are Shakespeare’s Plays Racially Progressive? The Answer Is in Our Hands 237 Miles Grier, City University ofNew York 17 How Have Post-Colonial Approaches Enriched Shakespeare’s Works? 254 Sandra Young University of Cape Town 18 Is It Possible to Read Shakespeare through Critical White Studies? 268 Arthur L. LittL·, Jr., University of California, Los Angeles Further Reading Index 281 290
|
| adam_txt |
Contents page vii List ofFigures List of Contributors Note on Shakespeare Editions i ix xiii Did the Concept of Race Exist for Shakespeare and His Contemporaries?: An Introduction i Ayanna Thompson, Arizona State University շ The Materials of Race: Staging the Black and White Binary in the Early Modern Theatre 17 Farah Karim-Cooper, Shakespeare’s Globe and King’s College London 3 Barbarian Moors: Documenting Racial Formation in Early Modern England 30 Ambereen Dadabhoy, Harvey Mudd College 4 Racist Humor and Shakespearean Comedy 47 Patricia Akhimie, Rutgers University 5 Race in Shakespeare’s Histories 62 Andrew Hadfield, University of Sussex 6 Race in Shakespeare’s Tragedies 77 Carol Mejia LaPerle, Wright State University 7 Experimental Othello Matthew Dimmock, University of Sussex 8 Flesh and Blood: Race and Religion in The Merchant of Venice Dennis Austin Britton, University ofNew Hampshire 108 Was Sexuality Racialized for Shakespeare? Antony and Cleopatra 123 9 Melissa E. Sanchez, University ofPennsylvania v 93
vi 10 Contents The Tempest and Early Modern Conceptions of Race 139 Virginia Mason Vaughan and Alden T Vaughan, CUrk University 11 Shakespeare, Race, and Globalization: Titus Andronicus 158 Noémié Ndiaye, University of Chicago 12 How to Think Like Ira Aldridge 175 Scott Newstok, Rhodes College 13 What Is the History of Actors of Color Performing in Shakespeare in the UK? 190 Urvashi Chakravarty, University of Toronto 14 Actresses of Color and Shakespearean Performance: The Question of Reception 208 Joyce Green MacDonald, University ofKentucky 15 Othello: A Performance Perspective 223 Adrian Lester 16 Are Shakespeare’s Plays Racially Progressive? The Answer Is in Our Hands 237 Miles Grier, City University ofNew York 17 How Have Post-Colonial Approaches Enriched Shakespeare’s Works? 254 Sandra Young University of Cape Town 18 Is It Possible to Read Shakespeare through Critical White Studies? 268 Arthur L. LittL·, Jr., University of California, Los Angeles Further Reading Index 281 290 |
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| discipline_str_mv | Anglistik / Amerikanistik |
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| index_date | 2024-07-03T16:40:09Z |
| indexdate | 2024-07-10T09:04:17Z |
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| isbn | 9781108710565 9781108492119 |
| language | English |
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| spelling | The Cambridge companion to Shakespeare and race edited by Ayanna Thompson, Arizona State University Shakespeare and race Cambridge, United Kingdom Cambridge University Press 2021 xiii, 293 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Cambridge companions to literature "The Cambridge Companion to Shakespeare and Race shows teachers and students how and why Shakespeare and race are inseparable. Moving well beyond Othello, the collection invites the reader to understand racialized discourses, rhetoric, and performances in all of Shakespeare's plays, including the comedies and histories. Race is presented through an intersectional approach with chapters that focus on the concepts of sexuality, lineage, nationality, and globalization. The collection helps students to grapple with the unique role performance plays in constructions of race by Shakespeare (and in Shakespearean performances), considering both historical and contemporary actors and directors. The Cambridge Companion to Shakespeare and Race will be the first book that truly frames Shakespeare studies and early modern race studies for a nonspecialist, student audience"-- Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Rasse Motiv (DE-588)4254018-5 gnd rswk-swf Shakespeare, William / 1564-1616 / Criticism and interpretation Race in literature Shakespeare, William / 1564-1616 / Dramatic production Race in the theater Shakespeare, William / 1564-1616 Theater Criticism, interpretation, etc (DE-588)4143413-4 Aufsatzsammlung gnd-content Shakespeare, William 1564-1616 (DE-588)118613723 p Rasse Motiv (DE-588)4254018-5 s DE-604 Thompson, Ayanna 1972- (DE-588)1015456898 edt Erscheint auch als Online-Ausgabe 978-1-108-68475-0 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032564419&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The Cambridge companion to Shakespeare and race Shakespeare, William 1564-1616 (DE-588)118613723 gnd Rasse Motiv (DE-588)4254018-5 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4254018-5 (DE-588)4143413-4 |
| title | The Cambridge companion to Shakespeare and race |
| title_alt | Shakespeare and race |
| title_auth | The Cambridge companion to Shakespeare and race |
| title_exact_search | The Cambridge companion to Shakespeare and race |
| title_exact_search_txtP | The Cambridge companion to Shakespeare and race |
| title_full | The Cambridge companion to Shakespeare and race edited by Ayanna Thompson, Arizona State University |
| title_fullStr | The Cambridge companion to Shakespeare and race edited by Ayanna Thompson, Arizona State University |
| title_full_unstemmed | The Cambridge companion to Shakespeare and race edited by Ayanna Thompson, Arizona State University |
| title_short | The Cambridge companion to Shakespeare and race |
| title_sort | the cambridge companion to shakespeare and race |
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| topic_facet | Shakespeare, William 1564-1616 Rasse Motiv Aufsatzsammlung |
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