Shakespeare and the Romantics:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
2021
|
| Ausgabe: | First edition |
| Schriftenreihe: | Oxford Shakespeare topics
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | viii, 275 Seiten Illustrationen |
| ISBN: | 9780199679126 9780199679119 |
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Datensatz im Suchindex
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| adam_text | Contents List ofIllustrations Uote on Texts 1. Introduction: Making it New xi xiii 1 2. England: Genius with Judgement 12 3. Germany: ‘Our Shakespeare’ 59 4. France: Revolution and After 112 5. Editors and Scholars: Inheritances and Legacies 151 6. The English Stage: The Age of Siddons 178 Chronology Notes Further Reading Index 215 219 251 261
Romantic criticism, of which Shakespeare is the central figure, invented many of the modes of modern criticism. It is also distinct from many contemporary academic norms. Engaged with the social and intellectual currents oí an age ot revolutionary change, it Is experimental, writerlv, and individually expressive. Above all it is creative in response to the difficulties of understanding aesthetic experience in new wavs, and setting that experience in new cultural and political contexts. This book presents the main currents ot these exciting but relatively little known engagements with Shakespeare, and through Shakespeare with the theory and practice of criticism, in England, Germany, and France, írom the 1760s in Germany to the 1860s in France. It also discusses Shakespeare in the theatre of the period—realist stagings prefiguring film; adaptations fitting Shakespeare to contemporary tastes; and bare-stage experiments foreshadowing modes of contemporary theatre. A chapter on scholarship shows Shakespeare as also central to modern editing and historical criticism.The writing discussed is bv men and women whose focus is not primarily critical but creative—poetry, fiction, drama, cultural critique, philosophy, politics, aesthetics, and new original work. It is writing directed to new modes ot creating as well as new modes oí understanding, writing which contemporary criticism, recognising the limita tions of professionalism, is beginning to rediscover and develop. Fundamentally Romantic period Shakespeare criticism models characteristics underlying all method: emotional and
imaginative openness to experience searched with intellectual inventiveness oí expression.
|
| adam_txt |
Contents List ofIllustrations Uote on Texts 1. Introduction: Making it New xi xiii 1 2. England: Genius with Judgement 12 3. Germany: ‘Our Shakespeare’ 59 4. France: Revolution and After 112 5. Editors and Scholars: Inheritances and Legacies 151 6. The English Stage: The Age of Siddons 178 Chronology Notes Further Reading Index 215 219 251 261
Romantic criticism, of which Shakespeare is the central figure, invented many of the modes of modern criticism. It is also distinct from many contemporary academic norms. Engaged with the social and intellectual currents oí an age ot revolutionary change, it Is experimental, writerlv, and individually expressive. Above all it is creative in response to the difficulties of understanding aesthetic experience in new wavs, and setting that experience in new cultural and political contexts. This book presents the main currents ot these exciting but relatively little known engagements with Shakespeare, and through Shakespeare with the theory and practice of criticism, in England, Germany, and France, írom the 1760s in Germany to the 1860s in France. It also discusses Shakespeare in the theatre of the period—realist stagings prefiguring film; adaptations fitting Shakespeare to contemporary tastes; and bare-stage experiments foreshadowing modes of contemporary theatre. A chapter on scholarship shows Shakespeare as also central to modern editing and historical criticism.The writing discussed is bv men and women whose focus is not primarily critical but creative—poetry, fiction, drama, cultural critique, philosophy, politics, aesthetics, and new original work. It is writing directed to new modes ot creating as well as new modes oí understanding, writing which contemporary criticism, recognising the limita tions of professionalism, is beginning to rediscover and develop. Fundamentally Romantic period Shakespeare criticism models characteristics underlying all method: emotional and
imaginative openness to experience searched with intellectual inventiveness oí expression. |
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| edition | First edition |
| era | Geschichte 1760-1870 gnd |
| era_facet | Geschichte 1760-1870 |
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| language | English |
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| spelling | Fuller, David 1947- Verfasser (DE-588)172083656 aut Shakespeare and the Romantics David Fuller Shakespeare & the Romantics First edition Oxford Oxford University Press 2021 viii, 275 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Oxford Shakespeare topics Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Geschichte 1760-1870 gnd rswk-swf Romantik (DE-588)4050491-8 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Shakespeare, William / 1564-1616 / Influence Romanticism Shakespeare, William 1564-1616 (DE-588)118613723 p Rezeption (DE-588)4049716-1 s Romantik (DE-588)4050491-8 s Geschichte 1760-1870 z DE-604 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032564350&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032564350&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Shakespeare and the Romantics |
| title_alt | Shakespeare & the Romantics |
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| title_full | Shakespeare and the Romantics David Fuller |
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| title_full_unstemmed | Shakespeare and the Romantics David Fuller |
| title_short | Shakespeare and the Romantics |
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