Opera, emotion, and the Antipodes:
There can be little doubt that opera and emotion are inextricably linked. From dramatic plots driven by energetic producers and directors to the conflicts and triumphs experienced by all associated with opera’s staging to the reactions and critiques of audience members, emotion is omnipresent in ope...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2021
|
| Schriftenreihe: | Routledge research in music series
|
| Schlagworte: | |
| Zusammenfassung: | There can be little doubt that opera and emotion are inextricably linked. From dramatic plots driven by energetic producers and directors to the conflicts and triumphs experienced by all associated with opera’s staging to the reactions and critiques of audience members, emotion is omnipresent in opera. Yet few contemplate the impact that the customary cultural practices of specific times and places have upon opera’s ability to move emotions. Taking Australia as a case study, this two-volume collection of extended essays demonstrates that emotional experiences, discourses, displays and expressions do not share universal significance but are at least partly produced, defined, and regulated by culture. Spanning approximately 170 years of opera production in Australia, the authors show how the emotions associated with the specific cultural context of a nation steeped in egalitarian aspirations and marked by increasing levels of multiculturalism have adjusted to changing cultural and social contexts across time. Volume I adopts an historical, predominantly nineteenth-century perspective, while Volume II applies historical, musicological, and ethnological approaches to discuss subsequent Australian operas and opera productions through to the twenty-first century. With final chapters pulling threads from the two volumes together, Opera, Emotion, and the Antipodes establishes a model for constructing emotion history from multiple disciplinary perspectives. |
| Beschreibung: | 2 Bände |
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| 520 | 3 | |a There can be little doubt that opera and emotion are inextricably linked. From dramatic plots driven by energetic producers and directors to the conflicts and triumphs experienced by all associated with opera’s staging to the reactions and critiques of audience members, emotion is omnipresent in opera. Yet few contemplate the impact that the customary cultural practices of specific times and places have upon opera’s ability to move emotions. Taking Australia as a case study, this two-volume collection of extended essays demonstrates that emotional experiences, discourses, displays and expressions do not share universal significance but are at least partly produced, defined, and regulated by culture. Spanning approximately 170 years of opera production in Australia, the authors show how the emotions associated with the specific cultural context of a nation steeped in egalitarian aspirations and marked by increasing levels of multiculturalism have adjusted to changing cultural and social contexts across time. Volume I adopts an historical, predominantly nineteenth-century perspective, while Volume II applies historical, musicological, and ethnological approaches to discuss subsequent Australian operas and opera productions through to the twenty-first century. With final chapters pulling threads from the two volumes together, Opera, Emotion, and the Antipodes establishes a model for constructing emotion history from multiple disciplinary perspectives. | |
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| spelling | Opera, emotion, and the Antipodes edited by Jane Davidson, Michael Halliwell and Stephanie Rocke London ; New York Routledge, Taylor & Francis Group 2021 2 Bände txt rdacontent n rdamedia nc rdacarrier Routledge research in music series There can be little doubt that opera and emotion are inextricably linked. From dramatic plots driven by energetic producers and directors to the conflicts and triumphs experienced by all associated with opera’s staging to the reactions and critiques of audience members, emotion is omnipresent in opera. Yet few contemplate the impact that the customary cultural practices of specific times and places have upon opera’s ability to move emotions. Taking Australia as a case study, this two-volume collection of extended essays demonstrates that emotional experiences, discourses, displays and expressions do not share universal significance but are at least partly produced, defined, and regulated by culture. Spanning approximately 170 years of opera production in Australia, the authors show how the emotions associated with the specific cultural context of a nation steeped in egalitarian aspirations and marked by increasing levels of multiculturalism have adjusted to changing cultural and social contexts across time. Volume I adopts an historical, predominantly nineteenth-century perspective, while Volume II applies historical, musicological, and ethnological approaches to discuss subsequent Australian operas and opera productions through to the twenty-first century. With final chapters pulling threads from the two volumes together, Opera, Emotion, and the Antipodes establishes a model for constructing emotion history from multiple disciplinary perspectives. Geschichte 1840- gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf Gefühl (DE-588)4019702-5 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Australien (DE-588)4003900-6 gnd rswk-swf Opera / Australia Emotions in music Emotions in the performing arts / Australia Emotions in the performing arts Opera Australia (DE-588)4143413-4 Aufsatzsammlung gnd-content Australien (DE-588)4003900-6 g Oper (DE-588)4043582-9 s Aufführung (DE-588)4143388-9 s Gefühl (DE-588)4019702-5 s Geschichte 1840- z DE-604 Davidson, Jane W. (DE-588)1028020090 edt Halliwell, Michael (DE-588)1024865185 edt Rocke, Stephanie (DE-588)1026931932 edt |
| spellingShingle | Opera, emotion, and the Antipodes Oper (DE-588)4043582-9 gnd Gefühl (DE-588)4019702-5 gnd Aufführung (DE-588)4143388-9 gnd |
| subject_GND | (DE-588)4043582-9 (DE-588)4019702-5 (DE-588)4143388-9 (DE-588)4003900-6 (DE-588)4143413-4 |
| title | Opera, emotion, and the Antipodes |
| title_auth | Opera, emotion, and the Antipodes |
| title_exact_search | Opera, emotion, and the Antipodes |
| title_exact_search_txtP | Opera, emotion, and the Antipodes |
| title_full | Opera, emotion, and the Antipodes edited by Jane Davidson, Michael Halliwell and Stephanie Rocke |
| title_fullStr | Opera, emotion, and the Antipodes edited by Jane Davidson, Michael Halliwell and Stephanie Rocke |
| title_full_unstemmed | Opera, emotion, and the Antipodes edited by Jane Davidson, Michael Halliwell and Stephanie Rocke |
| title_short | Opera, emotion, and the Antipodes |
| title_sort | opera emotion and the antipodes |
| topic | Oper (DE-588)4043582-9 gnd Gefühl (DE-588)4019702-5 gnd Aufführung (DE-588)4143388-9 gnd |
| topic_facet | Oper Gefühl Aufführung Australien Aufsatzsammlung |
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