London's Arts Labs and the 60s avant-garde:
This is the story of two short-lived artist-run spaces that are associated with some of the most innovative developments in the arts in Britain in the late 1960s. The Drury Lane Arts Lab (1967-69) was home to the first UK screenings of Andy Warhol's twin-screen 3 hour film Chelsea Girls, challe...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New Burnet, Herts., United Kingdom
John Libbey
[2020]
|
| Schlagworte: | |
| Zusammenfassung: | This is the story of two short-lived artist-run spaces that are associated with some of the most innovative developments in the arts in Britain in the late 1960s. The Drury Lane Arts Lab (1967-69) was home to the first UK screenings of Andy Warhol's twin-screen 3 hour film Chelsea Girls, challenging exhibitions (John and Yoko/John Latham/Takis/Roelof Louw), poetry and music (first UK performance of Erik Satie's 24-hour Vexations) and fringe theatre (People Show/Freehold/Jane Arden's Vagina Rex and the Gas Oven/Will Spoor Mime Theatre). The Robert Street "New Arts Lab" (1969-71) housed Britain's first video workshop TVX, the London Filmmakers Co-op's first workshop, and a 5-days-a-week cinema devoted to showing new work by moving-image artists (David Larcher/Malcolm Le Grice/Sally Potter/Carolee Schneemann/Peter Gidal). It staged J.G. Ballard's infamous Crashed Cars exhibition and John & Dianne Lifton's pioneering computer-aided dance/mime performances. The impact of London's Labs led to an explosion of new artist-led spaces across Britain. This book relates the struggles of FACOP (Friends of the Arts Council Operative) to make the case for these new kinds of space and these new art-forms and the Arts Council's hesitant response--in the context of a popular press already hostile to youth culture, experimental art and the "underground." |
| Beschreibung: | vi, 170 Seiten Illustrationen 24 cm |
| ISBN: | 9780861967483 |
Internformat
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| 505 | 8 | |a Foreword: 'It's not easy' : 'the best arts laboratories are play pens' / Andrew Wilson -- Drury Lane Arts Lab -- The New arts Lab at Robert St. (IRAT) | |
| 520 | 3 | |a This is the story of two short-lived artist-run spaces that are associated with some of the most innovative developments in the arts in Britain in the late 1960s. The Drury Lane Arts Lab (1967-69) was home to the first UK screenings of Andy Warhol's twin-screen 3 hour film Chelsea Girls, challenging exhibitions (John and Yoko/John Latham/Takis/Roelof Louw), poetry and music (first UK performance of Erik Satie's 24-hour Vexations) and fringe theatre (People Show/Freehold/Jane Arden's Vagina Rex and the Gas Oven/Will Spoor Mime Theatre). The Robert Street "New Arts Lab" (1969-71) housed Britain's first video workshop TVX, the London Filmmakers Co-op's first workshop, and a 5-days-a-week cinema devoted to showing new work by moving-image artists (David Larcher/Malcolm Le Grice/Sally Potter/Carolee Schneemann/Peter Gidal). It staged J.G. Ballard's infamous Crashed Cars exhibition and John & Dianne Lifton's pioneering computer-aided dance/mime performances. The impact of London's Labs led to an explosion of new artist-led spaces across Britain. This book relates the struggles of FACOP (Friends of the Arts Council Operative) to make the case for these new kinds of space and these new art-forms and the Arts Council's hesitant response--in the context of a popular press already hostile to youth culture, experimental art and the "underground." | |
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Datensatz im Suchindex
| _version_ | 1804182229979496448 |
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| author | Curtis, David 1942- |
| author_GND | (DE-588)1015412858 |
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| author_role | aut |
| author_sort | Curtis, David 1942- |
| author_variant | d c dc |
| building | Verbundindex |
| bvnumber | BV047157237 |
| classification_rvk | LO 50097 |
| contents | Foreword: 'It's not easy' : 'the best arts laboratories are play pens' / Andrew Wilson -- Drury Lane Arts Lab -- The New arts Lab at Robert St. (IRAT) |
| ctrlnum | (OCoLC)1245336289 (DE-599)BVBBV047157237 |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| era | Geschichte 1967-1971 gnd |
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| format | Book |
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| illustrated | Illustrated |
| index_date | 2024-07-03T16:39:35Z |
| indexdate | 2024-07-10T09:04:14Z |
| institution | BVB |
| isbn | 9780861967483 |
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| publishDate | 2020 |
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| publisher | John Libbey |
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| spelling | Curtis, David 1942- Verfasser (DE-588)1015412858 aut London's Arts Labs and the 60s avant-garde David Curtis London's arts labs and the sixties avant-garde New Burnet, Herts., United Kingdom John Libbey [2020] © 2020 vi, 170 Seiten Illustrationen 24 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Foreword: 'It's not easy' : 'the best arts laboratories are play pens' / Andrew Wilson -- Drury Lane Arts Lab -- The New arts Lab at Robert St. (IRAT) This is the story of two short-lived artist-run spaces that are associated with some of the most innovative developments in the arts in Britain in the late 1960s. The Drury Lane Arts Lab (1967-69) was home to the first UK screenings of Andy Warhol's twin-screen 3 hour film Chelsea Girls, challenging exhibitions (John and Yoko/John Latham/Takis/Roelof Louw), poetry and music (first UK performance of Erik Satie's 24-hour Vexations) and fringe theatre (People Show/Freehold/Jane Arden's Vagina Rex and the Gas Oven/Will Spoor Mime Theatre). The Robert Street "New Arts Lab" (1969-71) housed Britain's first video workshop TVX, the London Filmmakers Co-op's first workshop, and a 5-days-a-week cinema devoted to showing new work by moving-image artists (David Larcher/Malcolm Le Grice/Sally Potter/Carolee Schneemann/Peter Gidal). It staged J.G. Ballard's infamous Crashed Cars exhibition and John & Dianne Lifton's pioneering computer-aided dance/mime performances. The impact of London's Labs led to an explosion of new artist-led spaces across Britain. This book relates the struggles of FACOP (Friends of the Arts Council Operative) to make the case for these new kinds of space and these new art-forms and the Arts Council's hesitant response--in the context of a popular press already hostile to youth culture, experimental art and the "underground." Geschichte 1967-1971 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Avantgarde (DE-588)4133965-4 gnd rswk-swf London (DE-588)4074335-4 gnd rswk-swf Alternative spaces (Arts facilities) / England / London Arts / Great Britain / History / 20th century Arts, British / 20th century Avant-garde (Aesthetics) / Great Britain / History / 20th century Nineteen sixties Great Britain / Social conditions / 1945- Alternative spaces (Arts facilities) Arts Arts, British Avant-garde (Aesthetics) Social conditions England / London Great Britain Since 1900 History London (DE-588)4074335-4 g Avantgarde (DE-588)4133965-4 s Kunst (DE-588)4114333-4 s Geschichte 1967-1971 z DE-604 Erscheint auch als Online-Ausgabe, EPUB 978-0-86196-979-1 Erscheint auch als Online-Ausgabe, PDF 978-0-86196-980-7 |
| spellingShingle | Curtis, David 1942- London's Arts Labs and the 60s avant-garde Foreword: 'It's not easy' : 'the best arts laboratories are play pens' / Andrew Wilson -- Drury Lane Arts Lab -- The New arts Lab at Robert St. (IRAT) Kunst (DE-588)4114333-4 gnd Avantgarde (DE-588)4133965-4 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4133965-4 (DE-588)4074335-4 |
| title | London's Arts Labs and the 60s avant-garde |
| title_alt | London's arts labs and the sixties avant-garde |
| title_auth | London's Arts Labs and the 60s avant-garde |
| title_exact_search | London's Arts Labs and the 60s avant-garde |
| title_exact_search_txtP | London's Arts Labs and the 60s avant-garde |
| title_full | London's Arts Labs and the 60s avant-garde David Curtis |
| title_fullStr | London's Arts Labs and the 60s avant-garde David Curtis |
| title_full_unstemmed | London's Arts Labs and the 60s avant-garde David Curtis |
| title_short | London's Arts Labs and the 60s avant-garde |
| title_sort | london s arts labs and the 60s avant garde |
| topic | Kunst (DE-588)4114333-4 gnd Avantgarde (DE-588)4133965-4 gnd |
| topic_facet | Kunst Avantgarde London |
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