Cinema and narrative complexity: embodying the fabula
Since the mid-1990s, a number of films from international filmmakers have experimented with increasingly complicated narrative strategies-including such hits as Run, Lola, Run, 21 Grams, and Memento. This book sets those films and others in context with earlier works that tried new narrative approac...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
2020
|
| Schriftenreihe: | Film culture in transition
|
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | Since the mid-1990s, a number of films from international filmmakers have experimented with increasingly complicated narrative strategies-including such hits as Run, Lola, Run, 21 Grams, and Memento. This book sets those films and others in context with earlier works that tried new narrative approaches, including Stage Fright and Hiroshima, Mon Amour, to show how they reveal the limitations of most of our usual tools for analysing film. In light of that, Steffen Hven argues for the deployment of an 'embodied' reconfiguration of the cinematic experience, one that allows us to rethink such core constituents of narrative understanding as cognition, emotion, and affect |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 14 Dec 2020) Cinema in the interstices -- Narrative ambiguity in the classical cinema -- Modern(ist) cinema: logic of the encounter -- Towards the embodied fabula -- The complexity of complex narratives -- Memento and the embodied fabula |
| Beschreibung: | 1 Online-Ressource (253 Seiten) |
| ISBN: | 9789048530250 |
| DOI: | 10.1017/9789048530250 |
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| spelling | Hven, Steffen (DE-588)1136391290 aut Cinema and narrative complexity embodying the fabula Steffen Hven Amsterdam Amsterdam University Press 2020 1 Online-Ressource (253 Seiten) txt rdacontent c rdamedia cr rdacarrier Film culture in transition Title from publisher's bibliographic system (viewed on 14 Dec 2020) Cinema in the interstices -- Narrative ambiguity in the classical cinema -- Modern(ist) cinema: logic of the encounter -- Towards the embodied fabula -- The complexity of complex narratives -- Memento and the embodied fabula Since the mid-1990s, a number of films from international filmmakers have experimented with increasingly complicated narrative strategies-including such hits as Run, Lola, Run, 21 Grams, and Memento. This book sets those films and others in context with earlier works that tried new narrative approaches, including Stage Fright and Hiroshima, Mon Amour, to show how they reveal the limitations of most of our usual tools for analysing film. In light of that, Steffen Hven argues for the deployment of an 'embodied' reconfiguration of the cinematic experience, one that allows us to rethink such core constituents of narrative understanding as cognition, emotion, and affect Motion pictures / History Film (DE-588)4017102-4 gnd rswk-swf Erzähltechnik (DE-588)4124854-5 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Film (DE-588)4017102-4 s Erzähltechnik (DE-588)4124854-5 s DE-604 Erscheint auch als Druck-Ausgabe 978-94-629-8077-8 https://doi.org/10.1017/9789048530250 Verlag URL des Erstveröffentlichers Volltext |
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| title | Cinema and narrative complexity embodying the fabula |
| title_auth | Cinema and narrative complexity embodying the fabula |
| title_exact_search | Cinema and narrative complexity embodying the fabula |
| title_exact_search_txtP | Cinema and narrative complexity embodying the fabula |
| title_full | Cinema and narrative complexity embodying the fabula Steffen Hven |
| title_fullStr | Cinema and narrative complexity embodying the fabula Steffen Hven |
| title_full_unstemmed | Cinema and narrative complexity embodying the fabula Steffen Hven |
| title_short | Cinema and narrative complexity |
| title_sort | cinema and narrative complexity embodying the fabula |
| title_sub | embodying the fabula |
| topic | Motion pictures / History Film (DE-588)4017102-4 gnd Erzähltechnik (DE-588)4124854-5 gnd |
| topic_facet | Motion pictures / History Film Erzähltechnik Hochschulschrift |
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