With a little help from his friends: Rubens and the acquistion of Caravaggio's Rosary Madonna for the Dominican church in Antwerp
Around 1617, Caravaggio’s Rosary Madonna (Kunsthistorisches Museum, Vienna) was gifted to the Dominican church in Antwerp by a quadrumvirate of art-lovers – Rubens, Jan Brueghel I, Hendrick van Balen and the merchant Jan Cooymans – who were joined together by the love that is friendship (amor amicit...
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| Format: | Artikel |
| Sprache: | English |
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[2020]
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| Schlagworte: | |
| Zusammenfassung: | Around 1617, Caravaggio’s Rosary Madonna (Kunsthistorisches Museum, Vienna) was gifted to the Dominican church in Antwerp by a quadrumvirate of art-lovers – Rubens, Jan Brueghel I, Hendrick van Balen and the merchant Jan Cooymans – who were joined together by the love that is friendship (amor amicitiæ). By enacting the virtues of friendship within Antwerp’s elite circles, the art-lovers could persuade wealthy burghers to sponsor the Rosary Madonna as a civic investment. This process is examined through Rubens’ relationship with Brueghel, the election of Cooymans as ‘prince of the Violieren’ chamber of rhetoric, the artists’ deanships of the Romanists’ guild and their personal acquaintance with Hendrick Goltzius. In the Dominican church, the Rosary Madonna became part of the early modern political economy like few other artworks. As the author demonstrates, the altarpiece indexed the cultural capital of the quadrumvirate, but also their amor amicitiæ, to which it stood as an enduring testament. |
| Beschreibung: | Illustrationen |
| ISSN: | 0169-6726 |
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| 520 | 3 | |a Around 1617, Caravaggio’s Rosary Madonna (Kunsthistorisches Museum, Vienna) was gifted to the Dominican church in Antwerp by a quadrumvirate of art-lovers – Rubens, Jan Brueghel I, Hendrick van Balen and the merchant Jan Cooymans – who were joined together by the love that is friendship (amor amicitiæ). By enacting the virtues of friendship within Antwerp’s elite circles, the art-lovers could persuade wealthy burghers to sponsor the Rosary Madonna as a civic investment. This process is examined through Rubens’ relationship with Brueghel, the election of Cooymans as ‘prince of the Violieren’ chamber of rhetoric, the artists’ deanships of the Romanists’ guild and their personal acquaintance with Hendrick Goltzius. In the Dominican church, the Rosary Madonna became part of the early modern political economy like few other artworks. As the author demonstrates, the altarpiece indexed the cultural capital of the quadrumvirate, but also their amor amicitiæ, to which it stood as an enduring testament. | |
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| spelling | Sammut, Adam Verfasser aut With a little help from his friends Rubens and the acquistion of Caravaggio's Rosary Madonna for the Dominican church in Antwerp Adam Sammut [2020] Illustrationen txt rdacontent n rdamedia nc rdacarrier Around 1617, Caravaggio’s Rosary Madonna (Kunsthistorisches Museum, Vienna) was gifted to the Dominican church in Antwerp by a quadrumvirate of art-lovers – Rubens, Jan Brueghel I, Hendrick van Balen and the merchant Jan Cooymans – who were joined together by the love that is friendship (amor amicitiæ). By enacting the virtues of friendship within Antwerp’s elite circles, the art-lovers could persuade wealthy burghers to sponsor the Rosary Madonna as a civic investment. This process is examined through Rubens’ relationship with Brueghel, the election of Cooymans as ‘prince of the Violieren’ chamber of rhetoric, the artists’ deanships of the Romanists’ guild and their personal acquaintance with Hendrick Goltzius. In the Dominican church, the Rosary Madonna became part of the early modern political economy like few other artworks. As the author demonstrates, the altarpiece indexed the cultural capital of the quadrumvirate, but also their amor amicitiæ, to which it stood as an enduring testament. Rubens, Peter Paul 1577-1640 (DE-588)11860354X gnd rswk-swf Bruegel, Jan de Oudere 1568-1625 (DE-588)118674005 gnd rswk-swf Caravaggio, Michelangelo Merisi da 1571-1610 Rosenkranzmadonna (DE-588)1228102368 gnd rswk-swf Balen, Hendrik van 1575-1632 (DE-588)123589797 gnd rswk-swf Freundschaft (DE-588)4018480-8 gnd rswk-swf Testament (DE-588)4059555-9 gnd rswk-swf Sint-Pauluskerk Antwerpen (DE-588)4842143-1 gnd rswk-swf Rubens, Peter Paul 1577-1640 (DE-588)11860354X p Bruegel, Jan de Oudere 1568-1625 (DE-588)118674005 p Balen, Hendrik van 1575-1632 (DE-588)123589797 p Freundschaft (DE-588)4018480-8 s Testament (DE-588)4059555-9 s Caravaggio, Michelangelo Merisi da 1571-1610 Rosenkranzmadonna (DE-588)1228102368 u Sint-Pauluskerk Antwerpen (DE-588)4842143-1 g DE-604 volume:70 year:2020 pages:118-159 Nederlands kunsthistorisch jaarboek / red. A. W. Byvanck [u.a.] Zwolle, 2020 Deel 70 (2020), Seite 118-[159] (DE-604)BV002664896 0169-6726 (DE-600)2483-1 |
| spellingShingle | Sammut, Adam With a little help from his friends Rubens and the acquistion of Caravaggio's Rosary Madonna for the Dominican church in Antwerp Rubens, Peter Paul 1577-1640 (DE-588)11860354X gnd Bruegel, Jan de Oudere 1568-1625 (DE-588)118674005 gnd Caravaggio, Michelangelo Merisi da 1571-1610 Rosenkranzmadonna (DE-588)1228102368 gnd Balen, Hendrik van 1575-1632 (DE-588)123589797 gnd Freundschaft (DE-588)4018480-8 gnd Testament (DE-588)4059555-9 gnd |
| subject_GND | (DE-588)11860354X (DE-588)118674005 (DE-588)1228102368 (DE-588)123589797 (DE-588)4018480-8 (DE-588)4059555-9 (DE-588)4842143-1 |
| title | With a little help from his friends Rubens and the acquistion of Caravaggio's Rosary Madonna for the Dominican church in Antwerp |
| title_auth | With a little help from his friends Rubens and the acquistion of Caravaggio's Rosary Madonna for the Dominican church in Antwerp |
| title_exact_search | With a little help from his friends Rubens and the acquistion of Caravaggio's Rosary Madonna for the Dominican church in Antwerp |
| title_exact_search_txtP | With a little help from his friends Rubens and the acquistion of Caravaggio's Rosary Madonna for the Dominican church in Antwerp |
| title_full | With a little help from his friends Rubens and the acquistion of Caravaggio's Rosary Madonna for the Dominican church in Antwerp Adam Sammut |
| title_fullStr | With a little help from his friends Rubens and the acquistion of Caravaggio's Rosary Madonna for the Dominican church in Antwerp Adam Sammut |
| title_full_unstemmed | With a little help from his friends Rubens and the acquistion of Caravaggio's Rosary Madonna for the Dominican church in Antwerp Adam Sammut |
| title_short | With a little help from his friends |
| title_sort | with a little help from his friends rubens and the acquistion of caravaggio s rosary madonna for the dominican church in antwerp |
| title_sub | Rubens and the acquistion of Caravaggio's Rosary Madonna for the Dominican church in Antwerp |
| topic | Rubens, Peter Paul 1577-1640 (DE-588)11860354X gnd Bruegel, Jan de Oudere 1568-1625 (DE-588)118674005 gnd Caravaggio, Michelangelo Merisi da 1571-1610 Rosenkranzmadonna (DE-588)1228102368 gnd Balen, Hendrik van 1575-1632 (DE-588)123589797 gnd Freundschaft (DE-588)4018480-8 gnd Testament (DE-588)4059555-9 gnd |
| topic_facet | Rubens, Peter Paul 1577-1640 Bruegel, Jan de Oudere 1568-1625 Caravaggio, Michelangelo Merisi da 1571-1610 Rosenkranzmadonna Balen, Hendrik van 1575-1632 Freundschaft Testament Sint-Pauluskerk Antwerpen |
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