Neorrealismo y cine en Cuba: historia y discurso entorno a la primera polémica de la Revolución, 1951-1962
"Neorrealismo y cine en Cuba: Historia y discurso entorno a la primera polémica de la Revolución, 1951-1962 [Neorealism and Cinema in Cuba: History and Discourse on the First Polemic of the Revolution, 1951-1962] examines the aesthetic history and relations between Cuban film production and Ita...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Spanish |
| Veröffentlicht: |
West Lafayette, Indiana
Purdue University Press
[2020]
|
| Schriftenreihe: | Purdue studies in Romance literatures
80 |
| Schlagworte: | |
| Zusammenfassung: | "Neorrealismo y cine en Cuba: Historia y discurso entorno a la primera polémica de la Revolución, 1951-1962 [Neorealism and Cinema in Cuba: History and Discourse on the First Polemic of the Revolution, 1951-1962] examines the aesthetic history and relations between Cuban film production and Italian Neorealism. The historical framework begins in 1951 before the triumph of the Cuban Revolution and ends in 1962, a year that marks a rupture between Cuban filmmakers and the Italian neorealist aesthetic. The main collaborations happened between Cuban directors Tomás Gutiérrez Alea and Julio García Espinosa and Italian neorealist filmmaker Cesare Zavattini. The circumstances that led to the end of the relationship between Zavattini and the Cuban filmmakers are connected to the film El joven rebelde [The Young Rebel], directed by García Espinosa and screened for the first time in 1961. The rupture centered on creative and ideological differences regarding the way in which the protagonist was to be portrayed in the movie. This seemingly minor disagreement had considerably larger repercussions, the end result of which was that García Espinosa and Gutiérrez Alea, as well as the rest of the Cuban filmmakers who worked within the Instituto Cubano del Arte e Industria Cinematográficos (ICAIC) after 1959, were driven to find their own creative strategies to craft a national film production. However, the Cuban filmmakers would not have found the necessary grammar to rewrite their own revolutionary cinema without the rupture with Zavattini. This new cinematographic language could not have existed without the various pauses and the distances that characterized the Cuban relationship with Neorealism. In other words, the fragmentary interchange between García Espinosa, Gutierrez Alea, and Zavattini created new spaces in which the Cubans could find creative opportunities to express their own cinematic vision"-- |
| Beschreibung: | xiv, 211 Seiten 23 cm |
| ISBN: | 9781557539878 |
Internformat
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Datensatz im Suchindex
| _version_ | 1820172926802984960 |
|---|---|
| adam_text | |
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| author | Valecce, Anastasia 1980- |
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| author_sort | Valecce, Anastasia 1980- |
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| bvnumber | BV047154885 |
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| id | DE-604.BV047154885 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:38:52Z |
| indexdate | 2025-01-02T21:09:31Z |
| institution | BVB |
| isbn | 9781557539878 |
| language | Spanish |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032560603 |
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| physical | xiv, 211 Seiten 23 cm |
| psigel | BSB_NED_20210924 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Purdue University Press |
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| series2 | Purdue studies in Romance literatures |
| spelling | Valecce, Anastasia 1980- Verfasser (DE-588)1227858086 aut Neorrealismo y cine en Cuba historia y discurso entorno a la primera polémica de la Revolución, 1951-1962 Anastasia Valecce West Lafayette, Indiana Purdue University Press [2020] © 2020 xiv, 211 Seiten 23 cm txt rdacontent n rdamedia nc rdacarrier Purdue studies in Romance literatures 80 "Neorrealismo y cine en Cuba: Historia y discurso entorno a la primera polémica de la Revolución, 1951-1962 [Neorealism and Cinema in Cuba: History and Discourse on the First Polemic of the Revolution, 1951-1962] examines the aesthetic history and relations between Cuban film production and Italian Neorealism. The historical framework begins in 1951 before the triumph of the Cuban Revolution and ends in 1962, a year that marks a rupture between Cuban filmmakers and the Italian neorealist aesthetic. The main collaborations happened between Cuban directors Tomás Gutiérrez Alea and Julio García Espinosa and Italian neorealist filmmaker Cesare Zavattini. The circumstances that led to the end of the relationship between Zavattini and the Cuban filmmakers are connected to the film El joven rebelde [The Young Rebel], directed by García Espinosa and screened for the first time in 1961. The rupture centered on creative and ideological differences regarding the way in which the protagonist was to be portrayed in the movie. This seemingly minor disagreement had considerably larger repercussions, the end result of which was that García Espinosa and Gutiérrez Alea, as well as the rest of the Cuban filmmakers who worked within the Instituto Cubano del Arte e Industria Cinematográficos (ICAIC) after 1959, were driven to find their own creative strategies to craft a national film production. However, the Cuban filmmakers would not have found the necessary grammar to rewrite their own revolutionary cinema without the rupture with Zavattini. This new cinematographic language could not have existed without the various pauses and the distances that characterized the Cuban relationship with Neorealism. In other words, the fragmentary interchange between García Espinosa, Gutierrez Alea, and Zavattini created new spaces in which the Cubans could find creative opportunities to express their own cinematic vision"-- Geschichte 1951-1962 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Neorealismus (DE-588)4171455-6 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Filmproduktion (DE-588)4124971-9 gnd rswk-swf Kuba (DE-588)4033340-1 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Motion pictures / Cuba / History / 20th century Realism in motion pictures Motion pictures Cuba 1900-1999 History Italien (DE-588)4027833-5 g Film (DE-588)4017102-4 s Neorealismus (DE-588)4171455-6 s Rezeption (DE-588)4049716-1 s Kuba (DE-588)4033340-1 g Filmproduktion (DE-588)4124971-9 s Geschichte 1951-1962 z DE-604 Erscheint auch als Online-Ausgabe 9781557539885 |
| spellingShingle | Valecce, Anastasia 1980- Neorrealismo y cine en Cuba historia y discurso entorno a la primera polémica de la Revolución, 1951-1962 Rezeption (DE-588)4049716-1 gnd Neorealismus (DE-588)4171455-6 gnd Film (DE-588)4017102-4 gnd Filmproduktion (DE-588)4124971-9 gnd |
| subject_GND | (DE-588)4049716-1 (DE-588)4171455-6 (DE-588)4017102-4 (DE-588)4124971-9 (DE-588)4033340-1 (DE-588)4027833-5 |
| title | Neorrealismo y cine en Cuba historia y discurso entorno a la primera polémica de la Revolución, 1951-1962 |
| title_auth | Neorrealismo y cine en Cuba historia y discurso entorno a la primera polémica de la Revolución, 1951-1962 |
| title_exact_search | Neorrealismo y cine en Cuba historia y discurso entorno a la primera polémica de la Revolución, 1951-1962 |
| title_exact_search_txtP | Neorrealismo y cine en Cuba historia y discurso entorno a la primera polémica de la Revolución, 1951-1962 |
| title_full | Neorrealismo y cine en Cuba historia y discurso entorno a la primera polémica de la Revolución, 1951-1962 Anastasia Valecce |
| title_fullStr | Neorrealismo y cine en Cuba historia y discurso entorno a la primera polémica de la Revolución, 1951-1962 Anastasia Valecce |
| title_full_unstemmed | Neorrealismo y cine en Cuba historia y discurso entorno a la primera polémica de la Revolución, 1951-1962 Anastasia Valecce |
| title_short | Neorrealismo y cine en Cuba |
| title_sort | neorrealismo y cine en cuba historia y discurso entorno a la primera polemica de la revolucion 1951 1962 |
| title_sub | historia y discurso entorno a la primera polémica de la Revolución, 1951-1962 |
| topic | Rezeption (DE-588)4049716-1 gnd Neorealismus (DE-588)4171455-6 gnd Film (DE-588)4017102-4 gnd Filmproduktion (DE-588)4124971-9 gnd |
| topic_facet | Rezeption Neorealismus Film Filmproduktion Kuba Italien |
| work_keys_str_mv | AT valecceanastasia neorrealismoycineencubahistoriaydiscursoentornoalaprimerapolemicadelarevolucion19511962 |