Audiences: defining and researching screen entertainment reception
Moving away from the recent prevalence of text-based analysis in the field of film studies, 'Audience' tackles one of the most important issues in cinema - how the audience engages with film. Ian Christie has assembled contributions from many of the major figures in media studies, includin...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
2020
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| Schriftenreihe: | Key debates
3 |
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | Moving away from the recent prevalence of text-based analysis in the field of film studies, 'Audience' tackles one of the most important issues in cinema - how the audience engages with film. Ian Christie has assembled contributions from many of the major figures in media studies, including Gregory Waller, John Sedgwick, and Martin Baker, in order to provide a wide-ranging survey of viewers' relationships with the screen. 'Audiences' utilizes psychoanalysis and psychology, which dominated early academic examinations of film, to parse and explain modern film-viewing habits. This wide-ranging volume also takes advantage of new technology to gain access to important data on audiences, from traditional box office studies to information on digital access to movies in the home. With a particular interest in individual consumers and their motivations, this timely collection spans the spectrum of contemporary audience studies. As the film experience fragments across multiple formats, 'Audiences' studies a broad range of viewers, and is essential reading for scholars and lovers of cinema |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 14 Dec 2020) Introduction: in search of audiences - Ian Christie -- - pt. 1 - Reassessing historic audiences. "At the picture palace": the British cinema audience, 1895-1920 - Nicholas Hiley - Gentleman in the stalls: Georges Melies and spectatorship in early cinema - Frank Kessler - Beyond the nickelodeon: cinema going, everyday life and identity politics - Judith Thissen - Cinema in the colonial city: early film audiences in Calcutta - Ranita Chatterjee - Locating early non-theatrical audiences - Gregory A Waller - Understanding audience behavior through statistical evidence: London and Amsterdam in the mid-1930s - John Sedgwick and Clara Pafort-Overduin -- - pt. 2 - New frontiers in audience research - Aesthetics and viewing regimes of cinema and television, and their dialectics - Annie van den Oever - Tapping into our tribal heritage: The lord of the rings and brain evolution - Torben Grodal - Cinephilia in the digital age - Laurent Jullier and Jean-Marc Leveratto - Spectator, film and the mobile phone - Roger Odin - Exploring inner worlds: where cognitive psychology may take us - a dialogue between Tim J. Smith and Ian Christie -- - pt. 3 - Once and future audiences - Crossing out the audience - Martin Barker - Cinema spectator: a special memory - Raymond Bellour - Operatic cinematics: a new view from the stalls - Kay Armatiage - What do we really know about film audiences? - Ian Christie |
| Beschreibung: | 1 Online-Ressource (332 Seiten) |
| ISBN: | 9789048515059 |
| DOI: | 10.1017/9789048515059 |
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| spelling | Audiences defining and researching screen entertainment reception edited by Ian Christie Defining and researching screen entertainment reception Amsterdam Amsterdam University Press 2020 1 Online-Ressource (332 Seiten) txt rdacontent c rdamedia cr rdacarrier Key debates 3 Title from publisher's bibliographic system (viewed on 14 Dec 2020) Introduction: in search of audiences - Ian Christie -- - pt. 1 - Reassessing historic audiences. "At the picture palace": the British cinema audience, 1895-1920 - Nicholas Hiley - Gentleman in the stalls: Georges Melies and spectatorship in early cinema - Frank Kessler - Beyond the nickelodeon: cinema going, everyday life and identity politics - Judith Thissen - Cinema in the colonial city: early film audiences in Calcutta - Ranita Chatterjee - Locating early non-theatrical audiences - Gregory A Waller - Understanding audience behavior through statistical evidence: London and Amsterdam in the mid-1930s - John Sedgwick and Clara Pafort-Overduin -- - pt. 2 - New frontiers in audience research - Aesthetics and viewing regimes of cinema and television, and their dialectics - Annie van den Oever - Tapping into our tribal heritage: The lord of the rings and brain evolution - Torben Grodal - Cinephilia in the digital age - Laurent Jullier and Jean-Marc Leveratto - Spectator, film and the mobile phone - Roger Odin - Exploring inner worlds: where cognitive psychology may take us - a dialogue between Tim J. Smith and Ian Christie -- - pt. 3 - Once and future audiences - Crossing out the audience - Martin Barker - Cinema spectator: a special memory - Raymond Bellour - Operatic cinematics: a new view from the stalls - Kay Armatiage - What do we really know about film audiences? - Ian Christie Moving away from the recent prevalence of text-based analysis in the field of film studies, 'Audience' tackles one of the most important issues in cinema - how the audience engages with film. Ian Christie has assembled contributions from many of the major figures in media studies, including Gregory Waller, John Sedgwick, and Martin Baker, in order to provide a wide-ranging survey of viewers' relationships with the screen. 'Audiences' utilizes psychoanalysis and psychology, which dominated early academic examinations of film, to parse and explain modern film-viewing habits. This wide-ranging volume also takes advantage of new technology to gain access to important data on audiences, from traditional box office studies to information on digital access to movies in the home. With a particular interest in individual consumers and their motivations, this timely collection spans the spectrum of contemporary audience studies. As the film experience fragments across multiple formats, 'Audiences' studies a broad range of viewers, and is essential reading for scholars and lovers of cinema Motion picture audiences Film (DE-588)4017102-4 gnd rswk-swf Publikum (DE-588)4047764-2 gnd rswk-swf Publikumsforschung (DE-588)4310038-7 gnd rswk-swf Filmwissenschaft (DE-588)4154385-3 gnd rswk-swf Film (DE-588)4017102-4 s Publikum (DE-588)4047764-2 s DE-604 Filmwissenschaft (DE-588)4154385-3 s Publikumsforschung (DE-588)4310038-7 s Christie, Ian 1945- (DE-588)1032362650 edt Erscheint auch als Druck-Ausgabe 978-90-896-4362-9 https://doi.org/10.1017/9789048515059 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Audiences defining and researching screen entertainment reception Motion picture audiences Film (DE-588)4017102-4 gnd Publikum (DE-588)4047764-2 gnd Publikumsforschung (DE-588)4310038-7 gnd Filmwissenschaft (DE-588)4154385-3 gnd |
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| title | Audiences defining and researching screen entertainment reception |
| title_alt | Defining and researching screen entertainment reception |
| title_auth | Audiences defining and researching screen entertainment reception |
| title_exact_search | Audiences defining and researching screen entertainment reception |
| title_exact_search_txtP | Audiences defining and researching screen entertainment reception |
| title_full | Audiences defining and researching screen entertainment reception edited by Ian Christie |
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| title_short | Audiences |
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| title_sub | defining and researching screen entertainment reception |
| topic | Motion picture audiences Film (DE-588)4017102-4 gnd Publikum (DE-588)4047764-2 gnd Publikumsforschung (DE-588)4310038-7 gnd Filmwissenschaft (DE-588)4154385-3 gnd |
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