Hiding making, showing creation: the studio from Turner to Tacita Dean

The artist, at least according to Honoré de Balzac, is at work when he seems to be at rest; his labor is not labor but repose. This observation provides a model for modern artists and their relationship to both their place of work-the studio-and what they do there. Examining the complex relationshi...

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Bibliographische Detailangaben
Weitere Verfasser: Esner, Rachel (HerausgeberIn), Kisters, Sandra 1973- (HerausgeberIn), Lehmann, Ann-Sophie 1969- (HerausgeberIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: Amsterdam Amsterdam University Press 2020
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Online-Zugang:DE-12
DE-473
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Zusammenfassung:The artist, at least according to Honoré de Balzac, is at work when he seems to be at rest; his labor is not labor but repose. This observation provides a model for modern artists and their relationship to both their place of work-the studio-and what they do there. Examining the complex relationship between process, product, artistic identity, and the artist's studio-in all its various manifestations-the contributors to this volume consider the dichotomy between conceptual and material aspects of art production. The essays here also explore the studio as a form of inspiration, meaning, function, and medium, from the nineteenth century up to the present
Beschreibung:Title from publisher's bibliographic system (viewed on 14 Dec 2020)
Introduction - Rachel Esner, Sandra Kisters and Ann-Sophie Lehmann -- - PART I - Introduction: Old and New Studio Topoi in the Nineteenth Century - Sandra Kisters -- - Studio Matters: Materials, Instruments and Artistic Processes - Monika Wagner -- - Jean-Léon Gérôme, His Badger and His Studio - Matthias Krüger -- - Showing Making in Courbet's The Painter's Studio - Petra ten-Doesschate Chu -- - Making and Creating. The Painted Palette in Late Nineteenth-Century Dutch Painting - Terry van Druten -- - 14, rue de La Rochefoucauld. The Partial Eclipse of Gustave Moreau - Maar ten Liefooghe -- - Artist as Centerpiece. The Image of the Artist in Studio Photographs of the Nineteenth Century - Mayken Jonkman -- - PART II - Introduction: Forms and Functions of the Studio from the Twentieth Century to Today - Rachel Esner -- - Studio as Mediator - Frank Reijnders -- - Accrochage in Architecture: Photographic Representations of Theo van Doesburg's Studios and Paintings - Matthias Noe ll -- - Studio, Storage, Legend. The Work of Hiding in Tacita Dean's Section Cinema (Homage to Marcel Broodthaers) - Beatrice von Bismarck -- - Empty Studio: Bruce Nauman's Studio Films - Eric de Bruyn -- - Home Improvement and Studio Stupor. On Gregor Schneider's (Dead) House ur - Wouter Davidts -- - Staging the Studio: Enacting Artful Realities through Digital Photography - Sarah de Rijcke -- - Epilogue: "Good Art Theory Must Smell of the Studio" - Ann-Sophie Lehmann
Beschreibung:1 Online-Ressource (262 Seiten)
ISBN:9789048518241
DOI:10.1017/9789048518241

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