Performing copyright: law, theatre, and authorship
"Based on empirical research, this innovative book explores issues of performativity and authorship in the theatre world under copyright law and addresses several inter-connected questions: who is the author and first owner of a dramatic work? Who gets the credit and the licensing rights? What...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford ; London ; New York ; New Delhi ; Sydney
Hart
2021
|
| Schlagworte: | |
| Zusammenfassung: | "Based on empirical research, this innovative book explores issues of performativity and authorship in the theatre world under copyright law and addresses several inter-connected questions: who is the author and first owner of a dramatic work? Who gets the credit and the licensing rights? What rights do the performers of the work have? Given the nature of theatre as a medium reliant on the re-use of prior existing works, tropes, themes and plots, what happens if an allegation of copyright infringement is made against a playwright? Furthermore, who possesses moral rights over the work? To evaluate these questions in the context of theatre, the first part of the book examines the history of the dramatic work both as text and as performative work. The second part explores the notions of authorship and joint authorship under copyright law as they apply to the actual process of creating plays, referring to legal and theatrical literature, as well as empirical research. The third part looks at the notion of copyright infringement in the context of theatre, noting that cases of alleged theatrical infringement reach the courts comparatively rarely in comparison with music cases, and assessing the reasons for this with respect to empirical research. The fourth part examines the way moral rights of attribution and integrity work in the context of theatre. The book concludes with a prescriptive comment on how law should respond to the challenges provided by the theatrical context, and how theatre should respond to law. Very original and innovative, this book proposes a ground-breaking empirical approach to study the implications of copyright law in society and makes a wonderful case for the need to consider the reciprocal influence between law and practice" |
| Beschreibung: | xxix, 202 Seiten |
| ISBN: | 9781509949168 9781509927036 |
Internformat
MARC
| LEADER | 00000nam a22000008c 4500 | ||
|---|---|---|---|
| 001 | BV047147009 | ||
| 003 | DE-604 | ||
| 005 | 20230719 | ||
| 007 | t | ||
| 008 | 210217s2021 |||| 00||| eng d | ||
| 020 | |a 9781509949168 |q pbk |9 978-1-5099-4916-8 | ||
| 020 | |a 9781509927036 |q hbk |9 978-1-5099-2703-6 | ||
| 035 | |a (OCoLC)1378493182 | ||
| 035 | |a (DE-599)BVBBV047147009 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-M382 |a DE-12 | ||
| 100 | 1 | |a McDonagh, Luke |e Verfasser |0 (DE-588)142931012 |4 aut | |
| 245 | 1 | 0 | |a Performing copyright |b law, theatre, and authorship |c Luke McDonagh |
| 246 | 1 | 0 | |a theater |
| 264 | 1 | |a Oxford ; London ; New York ; New Delhi ; Sydney |b Hart |c 2021 | |
| 300 | |a xxix, 202 Seiten | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a Copyright and authorship on stage -- 'The play's the thing ...' but what's the play? And who owns it? -- Copyright law and performing authorship in theatre -- Exploring the contrasting roles of the playwright, director and performers -- When does copyright infringement occur on 'the haunted stage'? -- 'Copyright's role in enforcing credit and control in theatre' -- How should law respond to the challenges of the theatrical context? How should theatre respond to law? | |
| 520 | 3 | |a "Based on empirical research, this innovative book explores issues of performativity and authorship in the theatre world under copyright law and addresses several inter-connected questions: who is the author and first owner of a dramatic work? Who gets the credit and the licensing rights? What rights do the performers of the work have? Given the nature of theatre as a medium reliant on the re-use of prior existing works, tropes, themes and plots, what happens if an allegation of copyright infringement is made against a playwright? Furthermore, who possesses moral rights over the work? To evaluate these questions in the context of theatre, the first part of the book examines the history of the dramatic work both as text and as performative work. The second part explores the notions of authorship and joint authorship under copyright law as they apply to the actual process of creating plays, referring to legal and theatrical literature, as well as empirical research. The third part looks at the notion of copyright infringement in the context of theatre, noting that cases of alleged theatrical infringement reach the courts comparatively rarely in comparison with music cases, and assessing the reasons for this with respect to empirical research. The fourth part examines the way moral rights of attribution and integrity work in the context of theatre. The book concludes with a prescriptive comment on how law should respond to the challenges provided by the theatrical context, and how theatre should respond to law. Very original and innovative, this book proposes a ground-breaking empirical approach to study the implications of copyright law in society and makes a wonderful case for the need to consider the reciprocal influence between law and practice" | |
| 630 | 0 | 7 | |a Urheberrecht |0 (DE-588)1283606410 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Autorschaft |0 (DE-588)4130545-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Darstellende Kunst |0 (DE-588)4129566-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Theater |0 (DE-588)4059702-7 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Copyright / Performing rights | |
| 653 | 0 | |a Copyright | |
| 689 | 0 | 0 | |a Theater |0 (DE-588)4059702-7 |D s |
| 689 | 0 | 1 | |a Darstellende Kunst |0 (DE-588)4129566-3 |D s |
| 689 | 0 | 2 | |a Autorschaft |0 (DE-588)4130545-0 |D s |
| 689 | 0 | 3 | |a Urheberrecht |0 (DE-588)1283606410 |D u |
| 689 | 0 | 4 | |a Geschichte |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, PDF |z 978-1-50992-704-3 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, EPUB |z 978-1-50992-705-0 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032552830 | ||
| 942 | 1 | 1 | |c 340.09 |e 22/bsb |g 181 |
Datensatz im Suchindex
| _version_ | 1804182211281289216 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | McDonagh, Luke |
| author_GND | (DE-588)142931012 |
| author_facet | McDonagh, Luke |
| author_role | aut |
| author_sort | McDonagh, Luke |
| author_variant | l m lm |
| building | Verbundindex |
| bvnumber | BV047147009 |
| contents | Copyright and authorship on stage -- 'The play's the thing ...' but what's the play? And who owns it? -- Copyright law and performing authorship in theatre -- Exploring the contrasting roles of the playwright, director and performers -- When does copyright infringement occur on 'the haunted stage'? -- 'Copyright's role in enforcing credit and control in theatre' -- How should law respond to the challenges of the theatrical context? How should theatre respond to law? |
| ctrlnum | (OCoLC)1378493182 (DE-599)BVBBV047147009 |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03947nam a22004938c 4500</leader><controlfield tag="001">BV047147009</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230719 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">210217s2021 |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781509949168</subfield><subfield code="q">pbk</subfield><subfield code="9">978-1-5099-4916-8</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781509927036</subfield><subfield code="q">hbk</subfield><subfield code="9">978-1-5099-2703-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1378493182</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047147009</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-M382</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">McDonagh, Luke</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)142931012</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Performing copyright</subfield><subfield code="b">law, theatre, and authorship</subfield><subfield code="c">Luke McDonagh</subfield></datafield><datafield tag="246" ind1="1" ind2="0"><subfield code="a">theater</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oxford ; London ; New York ; New Delhi ; Sydney</subfield><subfield code="b">Hart</subfield><subfield code="c">2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xxix, 202 Seiten</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Copyright and authorship on stage -- 'The play's the thing ...' but what's the play? And who owns it? -- Copyright law and performing authorship in theatre -- Exploring the contrasting roles of the playwright, director and performers -- When does copyright infringement occur on 'the haunted stage'? -- 'Copyright's role in enforcing credit and control in theatre' -- How should law respond to the challenges of the theatrical context? How should theatre respond to law?</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Based on empirical research, this innovative book explores issues of performativity and authorship in the theatre world under copyright law and addresses several inter-connected questions: who is the author and first owner of a dramatic work? Who gets the credit and the licensing rights? What rights do the performers of the work have? Given the nature of theatre as a medium reliant on the re-use of prior existing works, tropes, themes and plots, what happens if an allegation of copyright infringement is made against a playwright? Furthermore, who possesses moral rights over the work? To evaluate these questions in the context of theatre, the first part of the book examines the history of the dramatic work both as text and as performative work. The second part explores the notions of authorship and joint authorship under copyright law as they apply to the actual process of creating plays, referring to legal and theatrical literature, as well as empirical research. The third part looks at the notion of copyright infringement in the context of theatre, noting that cases of alleged theatrical infringement reach the courts comparatively rarely in comparison with music cases, and assessing the reasons for this with respect to empirical research. The fourth part examines the way moral rights of attribution and integrity work in the context of theatre. The book concludes with a prescriptive comment on how law should respond to the challenges provided by the theatrical context, and how theatre should respond to law. Very original and innovative, this book proposes a ground-breaking empirical approach to study the implications of copyright law in society and makes a wonderful case for the need to consider the reciprocal influence between law and practice"</subfield></datafield><datafield tag="630" ind1="0" ind2="7"><subfield code="a">Urheberrecht</subfield><subfield code="0">(DE-588)1283606410</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Autorschaft</subfield><subfield code="0">(DE-588)4130545-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Darstellende Kunst</subfield><subfield code="0">(DE-588)4129566-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Copyright / Performing rights</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Copyright</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Darstellende Kunst</subfield><subfield code="0">(DE-588)4129566-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Autorschaft</subfield><subfield code="0">(DE-588)4130545-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Urheberrecht</subfield><subfield code="0">(DE-588)1283606410</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, PDF</subfield><subfield code="z">978-1-50992-704-3</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, EPUB</subfield><subfield code="z">978-1-50992-705-0</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032552830</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">340.09</subfield><subfield code="e">22/bsb</subfield><subfield code="g">181</subfield></datafield></record></collection> |
| id | DE-604.BV047147009 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:37:10Z |
| indexdate | 2024-07-10T09:03:56Z |
| institution | BVB |
| isbn | 9781509949168 9781509927036 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032552830 |
| oclc_num | 1378493182 |
| open_access_boolean | |
| owner | DE-M382 DE-12 |
| owner_facet | DE-M382 DE-12 |
| physical | xxix, 202 Seiten |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Hart |
| record_format | marc |
| spelling | McDonagh, Luke Verfasser (DE-588)142931012 aut Performing copyright law, theatre, and authorship Luke McDonagh theater Oxford ; London ; New York ; New Delhi ; Sydney Hart 2021 xxix, 202 Seiten txt rdacontent n rdamedia nc rdacarrier Copyright and authorship on stage -- 'The play's the thing ...' but what's the play? And who owns it? -- Copyright law and performing authorship in theatre -- Exploring the contrasting roles of the playwright, director and performers -- When does copyright infringement occur on 'the haunted stage'? -- 'Copyright's role in enforcing credit and control in theatre' -- How should law respond to the challenges of the theatrical context? How should theatre respond to law? "Based on empirical research, this innovative book explores issues of performativity and authorship in the theatre world under copyright law and addresses several inter-connected questions: who is the author and first owner of a dramatic work? Who gets the credit and the licensing rights? What rights do the performers of the work have? Given the nature of theatre as a medium reliant on the re-use of prior existing works, tropes, themes and plots, what happens if an allegation of copyright infringement is made against a playwright? Furthermore, who possesses moral rights over the work? To evaluate these questions in the context of theatre, the first part of the book examines the history of the dramatic work both as text and as performative work. The second part explores the notions of authorship and joint authorship under copyright law as they apply to the actual process of creating plays, referring to legal and theatrical literature, as well as empirical research. The third part looks at the notion of copyright infringement in the context of theatre, noting that cases of alleged theatrical infringement reach the courts comparatively rarely in comparison with music cases, and assessing the reasons for this with respect to empirical research. The fourth part examines the way moral rights of attribution and integrity work in the context of theatre. The book concludes with a prescriptive comment on how law should respond to the challenges provided by the theatrical context, and how theatre should respond to law. Very original and innovative, this book proposes a ground-breaking empirical approach to study the implications of copyright law in society and makes a wonderful case for the need to consider the reciprocal influence between law and practice" Urheberrecht (DE-588)1283606410 gnd rswk-swf Geschichte gnd rswk-swf Autorschaft (DE-588)4130545-0 gnd rswk-swf Darstellende Kunst (DE-588)4129566-3 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Copyright / Performing rights Copyright Theater (DE-588)4059702-7 s Darstellende Kunst (DE-588)4129566-3 s Autorschaft (DE-588)4130545-0 s Urheberrecht (DE-588)1283606410 u Geschichte z DE-604 Erscheint auch als Online-Ausgabe, PDF 978-1-50992-704-3 Erscheint auch als Online-Ausgabe, EPUB 978-1-50992-705-0 |
| spellingShingle | McDonagh, Luke Performing copyright law, theatre, and authorship Copyright and authorship on stage -- 'The play's the thing ...' but what's the play? And who owns it? -- Copyright law and performing authorship in theatre -- Exploring the contrasting roles of the playwright, director and performers -- When does copyright infringement occur on 'the haunted stage'? -- 'Copyright's role in enforcing credit and control in theatre' -- How should law respond to the challenges of the theatrical context? How should theatre respond to law? Urheberrecht (DE-588)1283606410 gnd Autorschaft (DE-588)4130545-0 gnd Darstellende Kunst (DE-588)4129566-3 gnd Theater (DE-588)4059702-7 gnd |
| subject_GND | (DE-588)1283606410 (DE-588)4130545-0 (DE-588)4129566-3 (DE-588)4059702-7 |
| title | Performing copyright law, theatre, and authorship |
| title_alt | theater |
| title_auth | Performing copyright law, theatre, and authorship |
| title_exact_search | Performing copyright law, theatre, and authorship |
| title_exact_search_txtP | Performing copyright law, theatre, and authorship |
| title_full | Performing copyright law, theatre, and authorship Luke McDonagh |
| title_fullStr | Performing copyright law, theatre, and authorship Luke McDonagh |
| title_full_unstemmed | Performing copyright law, theatre, and authorship Luke McDonagh |
| title_short | Performing copyright |
| title_sort | performing copyright law theatre and authorship |
| title_sub | law, theatre, and authorship |
| topic | Urheberrecht (DE-588)1283606410 gnd Autorschaft (DE-588)4130545-0 gnd Darstellende Kunst (DE-588)4129566-3 gnd Theater (DE-588)4059702-7 gnd |
| topic_facet | Urheberrecht Autorschaft Darstellende Kunst Theater |
| work_keys_str_mv | AT mcdonaghluke performingcopyrightlawtheatreandauthorship AT mcdonaghluke theater |