Verfügbarkeit: Performing immanence

Performing immanence: forced entertainment

Performing Immanence: Forced Entertainment is a unique probe into the multi-faceted nature of the works of the British experimental theatre Forced Entertainment via the thought of Gilles Deleuze and Félix Guattari.Jan Suk explores the transformation-potentiality of the territory between the actors a...

Ausführliche Beschreibung

Gespeichert in:

Bibliographische Detailangaben
1. Verfasser:	Suk, Jan 1951- (VerfasserIn)
Format:	Abschlussarbeit Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Berlin ; Boston De Gruyter [2021]
Schriftenreihe:	CDE studies volume 29
Schlagworte:	Forced Entertainment > Sheffield Geschichte 2004-2016 LITERARY CRITICISM / Drama Immanenz Poetik Performativität > Kulturwissenschaften Hochschulschrift
Online-Zugang:	DE-12 DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-20 DE-739 URL des Erstveröffentlichers
Zusammenfassung:	Performing Immanence: Forced Entertainment is a unique probe into the multi-faceted nature of the works of the British experimental theatre Forced Entertainment via the thought of Gilles Deleuze and Félix Guattari.Jan Suk explores the transformation-potentiality of the territory between the actors and the spectators, namely via Forced Entertainment's structural patterns, sympathy provoking aesthetics, audience integration and accentuated emphasis of the now. Besides writings of Tim Etchells, the company's director, the foci of the analyses are devised as well as durational projects of Forced Entertainment. The examination includes a wider spectrum of state-of the-art live artists, e.g. Tehching Hsieh, Franko B or Goat Island, discussed within the contemporary performance discourse.Performing Immanence: Forced Entertainment investigates how the immanent reading of Forced Entertainment's performances brings the potentiality of creative transformative experience via the thought of Gilles Deleuze. The interconnections of Deleuze's thought and the contemporary devised performance theatre results in the symbiotic relationship that proves that such readings are not mere academic exercises, but truly life-illuminating realizations
Beschreibung:	1 Online-Ressource (XII, 194 Seiten) Illustrationen
ISBN:	9783110710991 9783110711028
DOI:	10.1515/9783110710991

Internformat

MARC


LEADER	00000nam a2200000zcb4500
001	BV047145986
003	DE-604
005	20250130
007	cr\|uuu---uuuuu
008	210217s2021 xx a\|\|\| om\|\|\| 00\|\|\| eng d
020			\|a 9783110710991 \|c Online, PDF \|9 978-3-11-071099-1
020			\|a 9783110711028 \|c Online, EPUB \|9 978-3-11-071102-8
024	7		\|a 10.1515/9783110710991 \|2 doi
035			\|a (ZDB-23-DGG)9783110710991
035			\|a (ZDB-23-DKU)9783110710991
035			\|a (OCoLC)1238066724
035			\|a (DE-599)BVBBV047145986
040			\|a DE-604 \|b ger \|e rda
041	0		\|a eng
049			\|a DE-1043 \|a DE-1046 \|a DE-858 \|a DE-Aug4 \|a DE-859 \|a DE-860 \|a DE-473 \|a DE-739 \|a DE-12 \|a DE-20 \|a DE-11
084			\|a HO 12760 \|0 (DE-625)163927: \|2 rvk
100	1		\|a Suk, Jan \|d 1951- \|e Verfasser \|0 (DE-588)135712955 \|4 aut
245	1	0	\|a Performing immanence \|b forced entertainment \|c Jan Suk
264		1	\|a Berlin ; Boston \|b De Gruyter \|c [2021]
264		4	\|c © 2021
300			\|a 1 Online-Ressource (XII, 194 Seiten) \|b Illustrationen
336			\|b txt \|2 rdacontent
337			\|b c \|2 rdamedia
338			\|b cr \|2 rdacarrier
490	1		\|a CDE studies \|v volume 29
502			\|b Dissertation \|c Charles University Prague \|d 2016 \|g adjusted version
520			\|a Performing Immanence: Forced Entertainment is a unique probe into the multi-faceted nature of the works of the British experimental theatre Forced Entertainment via the thought of Gilles Deleuze and Félix Guattari.Jan Suk explores the transformation-potentiality of the territory between the actors and the spectators, namely via Forced Entertainment's structural patterns, sympathy provoking aesthetics, audience integration and accentuated emphasis of the now. Besides writings of Tim Etchells, the company's director, the foci of the analyses are devised as well as durational projects of Forced Entertainment. The examination includes a wider spectrum of state-of the-art live artists, e.g. Tehching Hsieh, Franko B or Goat Island, discussed within the contemporary performance discourse.Performing Immanence: Forced Entertainment investigates how the immanent reading of Forced Entertainment's performances brings the potentiality of creative transformative experience via the thought of Gilles Deleuze. The interconnections of Deleuze's thought and the contemporary devised performance theatre results in the symbiotic relationship that proves that such readings are not mere academic exercises, but truly life-illuminating realizations
610	2	7	\|a Forced Entertainment \|g Sheffield \|0 (DE-588)2176598-4 \|2 gnd \|9 rswk-swf
648		7	\|a Geschichte 2004-2016 \|2 gnd \|9 rswk-swf
650		7	\|a LITERARY CRITICISM / Drama \|2 bisacsh
650	0	7	\|a Immanenz \|0 (DE-588)4161341-7 \|2 gnd \|9 rswk-swf
650	0	7	\|a Poetik \|0 (DE-588)4046449-0 \|2 gnd \|9 rswk-swf
650	0	7	\|a Performativität \|g Kulturwissenschaften \|0 (DE-588)7651115-7 \|2 gnd \|9 rswk-swf
655		7	\|0 (DE-588)4113937-9 \|a Hochschulschrift \|2 gnd-content
689	0	0	\|a Forced Entertainment \|g Sheffield \|0 (DE-588)2176598-4 \|D b
689	0	1	\|a Performativität \|g Kulturwissenschaften \|0 (DE-588)7651115-7 \|D s
689	0	2	\|a Poetik \|0 (DE-588)4046449-0 \|D s
689	0	3	\|a Immanenz \|0 (DE-588)4161341-7 \|D s
689	0	4	\|a Geschichte 2004-2016 \|A z
689	0		\|5 DE-604
776	0	8	\|i Erscheint auch als \|n Druck-Ausgabe \|z 978-3-11-071095-3
830		0	\|a CDE studies \|v volume 29 \|w (DE-604)BV045682410 \|9 29
856	4	0	\|u https://doi.org/10.1515/9783110710991 \|x Verlag \|z URL des Erstveröffentlichers \|3 Volltext
912			\|a ZDB-23-DGG
912			\|a ZDB-23-DKU
940	1		\|q ZDB-23-DKU21
943	1		\|a oai:aleph.bib-bvb.de:BVB01-032551815
966	e		\|u https://doi.org/10.1515/9783110710991 \|l DE-12 \|p ZDB-23-DKU \|q BSB_DKU_DeGruyter \|x Verlag \|3 Volltext
966	e		\|u https://doi.org/10.1515/9783110710991 \|l DE-1043 \|p ZDB-23-DGG \|q FAB_PDA_DGG \|x Verlag \|3 Volltext
966	e		\|u https://doi.org/10.1515/9783110710991 \|l DE-1046 \|p ZDB-23-DGG \|q FAW_PDA_DGG \|x Verlag \|3 Volltext
966	e		\|u https://doi.org/10.1515/9783110710991 \|l DE-858 \|p ZDB-23-DGG \|q FCO_PDA_DGG \|x Verlag \|3 Volltext
966	e		\|u https://doi.org/10.1515/9783110710991 \|l DE-Aug4 \|p ZDB-23-DGG \|q FHA_PDA_DGG \|x Verlag \|3 Volltext
966	e		\|u https://doi.org/10.1515/9783110710991 \|l DE-859 \|p ZDB-23-DGG \|q FKE_PDA_DGG \|x Verlag \|3 Volltext
966	e		\|u https://doi.org/10.1515/9783110710991 \|l DE-860 \|p ZDB-23-DGG \|q FLA_PDA_DGG \|x Verlag \|3 Volltext
966	e		\|u https://doi.org/10.1515/9783110710991 \|l DE-473 \|p ZDB-23-DGG \|q UBG_PDA_DGG \|x Verlag \|3 Volltext
966	e		\|u https://doi.org/10.1515/9783110710991 \|l DE-20 \|p ZDB-23-DGG \|q UBW_Paketkauf \|x Verlag \|3 Volltext
966	e		\|u https://doi.org/10.1515/9783110710991 \|l DE-739 \|p ZDB-23-DGG \|q UPA_PDA_DGG \|x Verlag \|3 Volltext

Datensatz im Suchindex

_version_	1822678895482109952
adam_text
adam_txt
any_adam_object
any_adam_object_boolean
author	Suk, Jan 1951-
author_GND	(DE-588)135712955
author_facet	Suk, Jan 1951-
author_role	aut
author_sort	Suk, Jan 1951-
author_variant	j s js
building	Verbundindex
bvnumber	BV047145986
classification_rvk	HO 12760
collection	ZDB-23-DGG ZDB-23-DKU
ctrlnum	(ZDB-23-DGG)9783110710991 (ZDB-23-DKU)9783110710991 (OCoLC)1238066724 (DE-599)BVBBV047145986
discipline	Anglistik / Amerikanistik
doi_str_mv	10.1515/9783110710991
era	Geschichte 2004-2016 gnd
era_facet	Geschichte 2004-2016
format	Thesis Electronic eBook
fullrecord	<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zcb4500</leader><controlfield tag="001">BV047145986</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20250130</controlfield><controlfield tag="007">cr\|uuu---uuuuu</controlfield><controlfield tag="008">210217s2021 xx a\|\|\| om\|\|\| 00\|\|\| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783110710991</subfield><subfield code="c">Online, PDF</subfield><subfield code="9">978-3-11-071099-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783110711028</subfield><subfield code="c">Online, EPUB</subfield><subfield code="9">978-3-11-071102-8</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9783110710991</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9783110710991</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DKU)9783110710991</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1238066724</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047145986</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-20</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HO 12760</subfield><subfield code="0">(DE-625)163927:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Suk, Jan</subfield><subfield code="d">1951-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)135712955</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Performing immanence</subfield><subfield code="b">forced entertainment</subfield><subfield code="c">Jan Suk</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Berlin ; Boston</subfield><subfield code="b">De Gruyter</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (XII, 194 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">CDE studies</subfield><subfield code="v">volume 29</subfield></datafield><datafield tag="502" ind1=" " ind2=" "><subfield code="b">Dissertation</subfield><subfield code="c">Charles University Prague</subfield><subfield code="d">2016</subfield><subfield code="g">adjusted version</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Performing Immanence: Forced Entertainment is a unique probe into the multi-faceted nature of the works of the British experimental theatre Forced Entertainment via the thought of Gilles Deleuze and Félix Guattari.Jan Suk explores the transformation-potentiality of the territory between the actors and the spectators, namely via Forced Entertainment's structural patterns, sympathy provoking aesthetics, audience integration and accentuated emphasis of the now. Besides writings of Tim Etchells, the company's director, the foci of the analyses are devised as well as durational projects of Forced Entertainment. The examination includes a wider spectrum of state-of the-art live artists, e.g. Tehching Hsieh, Franko B or Goat Island, discussed within the contemporary performance discourse.Performing Immanence: Forced Entertainment investigates how the immanent reading of Forced Entertainment's performances brings the potentiality of creative transformative experience via the thought of Gilles Deleuze. The interconnections of Deleuze's thought and the contemporary devised performance theatre results in the symbiotic relationship that proves that such readings are not mere academic exercises, but truly life-illuminating realizations</subfield></datafield><datafield tag="610" ind1="2" ind2="7"><subfield code="a">Forced Entertainment</subfield><subfield code="g">Sheffield</subfield><subfield code="0">(DE-588)2176598-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 2004-2016</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / Drama</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Immanenz</subfield><subfield code="0">(DE-588)4161341-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Poetik</subfield><subfield code="0">(DE-588)4046449-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Performativität</subfield><subfield code="g">Kulturwissenschaften</subfield><subfield code="0">(DE-588)7651115-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Forced Entertainment</subfield><subfield code="g">Sheffield</subfield><subfield code="0">(DE-588)2176598-4</subfield><subfield code="D">b</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Performativität</subfield><subfield code="g">Kulturwissenschaften</subfield><subfield code="0">(DE-588)7651115-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Poetik</subfield><subfield code="0">(DE-588)4046449-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Immanenz</subfield><subfield code="0">(DE-588)4161341-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte 2004-2016</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-3-11-071095-3</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">CDE studies</subfield><subfield code="v">volume 29</subfield><subfield code="w">(DE-604)BV045682410</subfield><subfield code="9">29</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9783110710991</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DKU</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-23-DKU21</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032551815</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9783110710991</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-23-DKU</subfield><subfield code="q">BSB_DKU_DeGruyter</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9783110710991</subfield><subfield code="l">DE-1043</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9783110710991</subfield><subfield code="l">DE-1046</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9783110710991</subfield><subfield code="l">DE-858</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9783110710991</subfield><subfield code="l">DE-Aug4</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9783110710991</subfield><subfield code="l">DE-859</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9783110710991</subfield><subfield code="l">DE-860</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9783110710991</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9783110710991</subfield><subfield code="l">DE-20</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBW_Paketkauf</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9783110710991</subfield><subfield code="l">DE-739</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection>
genre	(DE-588)4113937-9 Hochschulschrift gnd-content
genre_facet	Hochschulschrift
id	DE-604.BV047145986
illustrated	Illustrated
index_date	2024-07-03T16:36:58Z
indexdate	2025-01-30T13:00:49Z
institution	BVB
isbn	9783110710991 9783110711028
language	English
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-032551815
oclc_num	1238066724
open_access_boolean
owner	DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-12 DE-20 DE-11
owner_facet	DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-12 DE-20 DE-11
physical	1 Online-Ressource (XII, 194 Seiten) Illustrationen
psigel	ZDB-23-DGG ZDB-23-DKU ZDB-23-DKU21 ZDB-23-DKU BSB_DKU_DeGruyter ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UBW_Paketkauf ZDB-23-DGG UPA_PDA_DGG
publishDate	2021
publishDateSearch	2021
publishDateSort	2021
publisher	De Gruyter
record_format	marc
series	CDE studies
series2	CDE studies
spelling	Suk, Jan 1951- Verfasser (DE-588)135712955 aut Performing immanence forced entertainment Jan Suk Berlin ; Boston De Gruyter [2021] © 2021 1 Online-Ressource (XII, 194 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier CDE studies volume 29 Dissertation Charles University Prague 2016 adjusted version Performing Immanence: Forced Entertainment is a unique probe into the multi-faceted nature of the works of the British experimental theatre Forced Entertainment via the thought of Gilles Deleuze and Félix Guattari.Jan Suk explores the transformation-potentiality of the territory between the actors and the spectators, namely via Forced Entertainment's structural patterns, sympathy provoking aesthetics, audience integration and accentuated emphasis of the now. Besides writings of Tim Etchells, the company's director, the foci of the analyses are devised as well as durational projects of Forced Entertainment. The examination includes a wider spectrum of state-of the-art live artists, e.g. Tehching Hsieh, Franko B or Goat Island, discussed within the contemporary performance discourse.Performing Immanence: Forced Entertainment investigates how the immanent reading of Forced Entertainment's performances brings the potentiality of creative transformative experience via the thought of Gilles Deleuze. The interconnections of Deleuze's thought and the contemporary devised performance theatre results in the symbiotic relationship that proves that such readings are not mere academic exercises, but truly life-illuminating realizations Forced Entertainment Sheffield (DE-588)2176598-4 gnd rswk-swf Geschichte 2004-2016 gnd rswk-swf LITERARY CRITICISM / Drama bisacsh Immanenz (DE-588)4161341-7 gnd rswk-swf Poetik (DE-588)4046449-0 gnd rswk-swf Performativität Kulturwissenschaften (DE-588)7651115-7 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Forced Entertainment Sheffield (DE-588)2176598-4 b Performativität Kulturwissenschaften (DE-588)7651115-7 s Poetik (DE-588)4046449-0 s Immanenz (DE-588)4161341-7 s Geschichte 2004-2016 z DE-604 Erscheint auch als Druck-Ausgabe 978-3-11-071095-3 CDE studies volume 29 (DE-604)BV045682410 29 https://doi.org/10.1515/9783110710991 Verlag URL des Erstveröffentlichers Volltext
spellingShingle	Suk, Jan 1951- Performing immanence forced entertainment CDE studies Forced Entertainment Sheffield (DE-588)2176598-4 gnd LITERARY CRITICISM / Drama bisacsh Immanenz (DE-588)4161341-7 gnd Poetik (DE-588)4046449-0 gnd Performativität Kulturwissenschaften (DE-588)7651115-7 gnd
subject_GND	(DE-588)2176598-4 (DE-588)4161341-7 (DE-588)4046449-0 (DE-588)7651115-7 (DE-588)4113937-9
title	Performing immanence forced entertainment
title_auth	Performing immanence forced entertainment
title_exact_search	Performing immanence forced entertainment
title_exact_search_txtP	Performing immanence forced entertainment
title_full	Performing immanence forced entertainment Jan Suk
title_fullStr	Performing immanence forced entertainment Jan Suk
title_full_unstemmed	Performing immanence forced entertainment Jan Suk
title_short	Performing immanence
title_sort	performing immanence forced entertainment
title_sub	forced entertainment
topic	Forced Entertainment Sheffield (DE-588)2176598-4 gnd LITERARY CRITICISM / Drama bisacsh Immanenz (DE-588)4161341-7 gnd Poetik (DE-588)4046449-0 gnd Performativität Kulturwissenschaften (DE-588)7651115-7 gnd
topic_facet	Forced Entertainment Sheffield LITERARY CRITICISM / Drama Immanenz Poetik Performativität Kulturwissenschaften Hochschulschrift
url	https://doi.org/10.1515/9783110710991
volume_link	(DE-604)BV045682410
work_keys_str_mv	AT sukjan performingimmanenceforcedentertainment

Verfügbarkeit

Es ist kein Print-Exemplar vorhanden.

Fernleihe Bestellen Achtung: Nicht im THWS-Bestand! Volltext öffnen

MARC

Datensatz im Suchindex

Es ist kein Print-Exemplar vorhanden.

Ähnliche Einträge