Cinematic poetics of guilt: audiovisual accusation as a mode of commonality
How do the temporal and dynamic patterns of media forms and practices create complex constructions of meaning, identity and value? How can we describe the way cinematic images generate and transform the affectively grounded structures that survey, confirm or revise a political community's horiz...
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | |
| Format: | Abschlussarbeit Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berlin ; Boston
De Gruyter
[2021]
|
| Schriftenreihe: | Cinepoetics
volume 9 |
| Schlagworte: | |
| Online-Zugang: | BSB01 FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 FUBA1 UBG01 UPA01 Volltext |
| Zusammenfassung: | How do the temporal and dynamic patterns of media forms and practices create complex constructions of meaning, identity and value? How can we describe the way cinematic images generate and transform the affectively grounded structures that survey, confirm or revise a political community's horizon of values? Using the exemplary case of feelings of guilt, the author develops an approach that makes patterns of audiovisual compositions intelligible as aesthetic modulations of moral feelings. A sense of guilt is presented here as neither an individualistic psychological emotion nor an external social mechanism of control but as a paradigmatic case for understanding politics and history as based upon embodied affectivity and shared relations to the world. By taking three distinct examples - German Post-War cinema, Hollywood Western and films on climate change - patterns of audiovisual composition and the inherent calculation of affect are analyzed as practices shaping the conditions of possibility of political communities and their historicity |
| Beschreibung: | 1 Online Ressource (VIII, 255 Seiten) |
| ISBN: | 9783110612110 9783110611298 |
| DOI: | 10.1515/9783110612110 |
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| 520 | |a How do the temporal and dynamic patterns of media forms and practices create complex constructions of meaning, identity and value? How can we describe the way cinematic images generate and transform the affectively grounded structures that survey, confirm or revise a political community's horizon of values? Using the exemplary case of feelings of guilt, the author develops an approach that makes patterns of audiovisual compositions intelligible as aesthetic modulations of moral feelings. A sense of guilt is presented here as neither an individualistic psychological emotion nor an external social mechanism of control but as a paradigmatic case for understanding politics and history as based upon embodied affectivity and shared relations to the world. By taking three distinct examples - German Post-War cinema, Hollywood Western and films on climate change - patterns of audiovisual composition and the inherent calculation of affect are analyzed as practices shaping the conditions of possibility of political communities and their historicity | ||
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| index_date | 2024-07-03T16:36:58Z |
| indexdate | 2024-07-10T09:03:54Z |
| institution | BVB |
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| language | English |
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| physical | 1 Online Ressource (VIII, 255 Seiten) |
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| series | Cinepoetics |
| series2 | Cinepoetics |
| spelling | Grotkopp, Matthias Verfasser (DE-588)1097600009 aut Cinematic poetics of guilt audiovisual accusation as a mode of commonality Matthias Grotkopp ; translated by Daniel Hendrickson Berlin ; Boston De Gruyter [2021] © 2021 1 Online Ressource (VIII, 255 Seiten) txt rdacontent c rdamedia cr rdacarrier Cinepoetics volume 9 Dissertation Freie Universität Berlin 2014 gekürzte Übersetzung How do the temporal and dynamic patterns of media forms and practices create complex constructions of meaning, identity and value? How can we describe the way cinematic images generate and transform the affectively grounded structures that survey, confirm or revise a political community's horizon of values? Using the exemplary case of feelings of guilt, the author develops an approach that makes patterns of audiovisual compositions intelligible as aesthetic modulations of moral feelings. A sense of guilt is presented here as neither an individualistic psychological emotion nor an external social mechanism of control but as a paradigmatic case for understanding politics and history as based upon embodied affectivity and shared relations to the world. By taking three distinct examples - German Post-War cinema, Hollywood Western and films on climate change - patterns of audiovisual composition and the inherent calculation of affect are analyzed as practices shaping the conditions of possibility of political communities and their historicity Geschichte gnd rswk-swf SOCIAL SCIENCE / Media Studies bisacsh Schuld (DE-588)4053460-1 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Zuschauer (DE-588)4127324-2 gnd rswk-swf Schuldgefühl (DE-588)4140048-3 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Film (DE-588)4017102-4 s Schuld (DE-588)4053460-1 s Geschichte z DE-604 Rezeption (DE-588)4049716-1 s Zuschauer (DE-588)4127324-2 s Schuldgefühl (DE-588)4140048-3 s Hendrickson, Daniel 1963- (DE-588)116554704X trl Erscheint auch als Druck-Ausgabe, Hardcover 978-3-11-060511-2 Cinepoetics volume 9 (DE-604)BV045169545 9 https://doi.org/10.1515/9783110612110 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Grotkopp, Matthias Cinematic poetics of guilt audiovisual accusation as a mode of commonality Cinepoetics SOCIAL SCIENCE / Media Studies bisacsh Schuld (DE-588)4053460-1 gnd Rezeption (DE-588)4049716-1 gnd Film (DE-588)4017102-4 gnd Zuschauer (DE-588)4127324-2 gnd Schuldgefühl (DE-588)4140048-3 gnd |
| subject_GND | (DE-588)4053460-1 (DE-588)4049716-1 (DE-588)4017102-4 (DE-588)4127324-2 (DE-588)4140048-3 (DE-588)4113937-9 |
| title | Cinematic poetics of guilt audiovisual accusation as a mode of commonality |
| title_auth | Cinematic poetics of guilt audiovisual accusation as a mode of commonality |
| title_exact_search | Cinematic poetics of guilt audiovisual accusation as a mode of commonality |
| title_exact_search_txtP | Cinematic poetics of guilt audiovisual accusation as a mode of commonality |
| title_full | Cinematic poetics of guilt audiovisual accusation as a mode of commonality Matthias Grotkopp ; translated by Daniel Hendrickson |
| title_fullStr | Cinematic poetics of guilt audiovisual accusation as a mode of commonality Matthias Grotkopp ; translated by Daniel Hendrickson |
| title_full_unstemmed | Cinematic poetics of guilt audiovisual accusation as a mode of commonality Matthias Grotkopp ; translated by Daniel Hendrickson |
| title_short | Cinematic poetics of guilt |
| title_sort | cinematic poetics of guilt audiovisual accusation as a mode of commonality |
| title_sub | audiovisual accusation as a mode of commonality |
| topic | SOCIAL SCIENCE / Media Studies bisacsh Schuld (DE-588)4053460-1 gnd Rezeption (DE-588)4049716-1 gnd Film (DE-588)4017102-4 gnd Zuschauer (DE-588)4127324-2 gnd Schuldgefühl (DE-588)4140048-3 gnd |
| topic_facet | SOCIAL SCIENCE / Media Studies Schuld Rezeption Film Zuschauer Schuldgefühl Hochschulschrift |
| url | https://doi.org/10.1515/9783110612110 |
| volume_link | (DE-604)BV045169545 |
| work_keys_str_mv | AT grotkoppmatthias cinematicpoeticsofguiltaudiovisualaccusationasamodeofcommonality AT hendricksondaniel cinematicpoeticsofguiltaudiovisualaccusationasamodeofcommonality |