Performance and ecology: what can theatre do?
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2021
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xiii, 118 Seiten Illustrationen, Diagramme 25 cm |
| ISBN: | 9780367529734 9781138554719 |
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Datensatz im Suchindex
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| adam_text | Contents Citation Information Notes on Contributors Dedication Acknowledgements vii ix xi xiii Introduction: performance and ecology ֊ what can theatre do? Carl Lavery 1 1. On creating a climate of attention: the composition of our work Karen Christopher and Sophie Grodin 9 2. The performance apparatus : performance and its documentation as ecological practice Minty Donald 23 3. Projecting climate scenarios, landscaping nature, and knowing performance: on becoming performed by ecology Baz Kershaw 42 4. Theatre, conflict and nature Wallace Heim 62 5. Theatre and time ecology: deceleration in Stifters Dinge and L Effet de Serge Carl Lavery 76 6. Confounding ecospectations: disappointment and hope in the forest Deirdre Heddon 96 Index 113
Performance and Ecology: What Can Theatre Do? In comparison with Literary Studies and Media and Film Studies, the disciplines of Theatre and Performance, with their strong anthropocentric heritage, have been relatively slow in responding to such things as climate change, species extinction , or pollution and toxicity etc. However, in the wake of recent work on animals, cyborgs, and objects, as well as publi cations with a specific focus on ecology and environment, there are real signs that theatre and performance scholars are beginning to make their own contribution to the Environmental Humanities. But if theatre critics are engaged in new forms of ecocritical analysis, it is worth posing a pertinent question from the outset: namely, what can theatre do ecologically? In this book, leading researchers and practitioners seek to answer that question from a number of perspectives and with diverse methodologies. Topics include: reflections on rehearsal processes, scores for performance, site-based interventions, ideas of conflict, investigations of temporality and time ecology, ecospectating, and the experience of disappointment. Taken together, these essays make an important intervention in the emer gent (inter)disciplines of the Environmental Humanities and further our understanding of the ecological potential of Theatre and Performance in ways that are cautious, tentative but also generative. This book was originally published as a special issue of Green Letters: Studies in Ecocriticism.
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| adam_txt |
Contents Citation Information Notes on Contributors Dedication Acknowledgements vii ix xi xiii Introduction: performance and ecology ֊ what can theatre do? Carl Lavery 1 1. On creating a climate of attention: the composition of our work Karen Christopher and Sophie Grodin 9 2. The performance'apparatus': performance and its documentation as ecological practice Minty Donald 23 3. Projecting climate scenarios, landscaping nature, and knowing performance: on becoming performed by ecology Baz Kershaw 42 4. Theatre, conflict and nature Wallace Heim 62 5. Theatre and time ecology: deceleration in Stifters Dinge and L'Effet de Serge Carl Lavery 76 6. Confounding ecospectations: disappointment and hope in the forest Deirdre Heddon 96 Index 113
Performance and Ecology: What Can Theatre Do? In comparison with Literary Studies and Media and Film Studies, the disciplines of Theatre and Performance, with their strong anthropocentric heritage, have been relatively slow in responding to such things as climate change, species extinction , or pollution and toxicity etc. However, in the wake of recent work on animals, cyborgs, and objects, as well as publi cations with a specific focus on ecology and environment, there are real signs that theatre and performance scholars are beginning to make their own contribution to the Environmental Humanities. But if theatre critics are engaged in new forms of ecocritical analysis, it is worth posing a pertinent question from the outset: namely, what can theatre do ecologically? In this book, leading researchers and practitioners seek to answer that question from a number of perspectives and with diverse methodologies. Topics include: reflections on rehearsal processes, scores for performance, site-based interventions, ideas of conflict, investigations of temporality and time ecology, ecospectating, and the experience of disappointment. Taken together, these essays make an important intervention in the emer gent (inter)disciplines of the Environmental Humanities and further our understanding of the ecological potential of Theatre and Performance in ways that are cautious, tentative but also generative. This book was originally published as a special issue of Green Letters: Studies in Ecocriticism. |
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| title | Performance and ecology what can theatre do? |
| title_auth | Performance and ecology what can theatre do? |
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| title_short | Performance and ecology |
| title_sort | performance and ecology what can theatre do |
| title_sub | what can theatre do? |
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