The violence of the image: photography and international conflict
"Examines the roles of image producers and the functions of photographic imagery in the documentation of wars, violent conflicts and human rights issues; tackling controversial ideas such as 'witnessing', the making of appeals based on displays of human suffering and the much-cited co...
Saved in:
| Other Authors: | , |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
London ; New York
Routledge
2020
|
| Series: | International library of visual culture
15 |
| Subjects: | |
| Online Access: | KUBA1 Volltext Volltext |
| Summary: | "Examines the roles of image producers and the functions of photographic imagery in the documentation of wars, violent conflicts and human rights issues; tackling controversial ideas such as 'witnessing', the making of appeals based on displays of human suffering and the much-cited concept of 'compassion fatigue'."--Back cover "In the twenty-first century, the advent of digital photography, camera phones and social media platforms has altered the relationship between photographers, the medium and the audience- as well as contributing to an ongoing blurring of the boundaries between news and entertainment and professional and amateur journalism. The Violence of the Image explores how new vernacular and artistic modes of photographic production articulate international friction."--Page 4 of cover |
| Physical Description: | 1 Online-Ressource (XIII, 274 Seiten, 16 ungezähltes Blätter Tafeln) Illustrationen |
| ISBN: | 9781003104001 |
| DOI: | 10.4324/9781003104001 |
Staff View
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| 505 | 8 | 0 | |t The violence of the image - Framing civil and (post- ) colonial conflict - The incorruptible Kodak : photography, human rights and the Congo Campaign - Christina Twomey - 'Follow the Americans' : Philip Jones Griffith's Vietnam War trilogy - The violence of the image : conflict and post-conflict photography in Northern Ireland - Dispelling the myth of invisibility : photography and the Algerian Civil War - Politics and photographic ethics at the turn of the century - The myth of compassion fatigue - Infra-destructure - Watching war evolve : photojournalism and new forms of violence - The 'unstable' image : photography as evidence and ambivalence - Photo-reportage of the Libyan conflict - Witnessing precarity : photojournalism, women's/human/rights and the war in Afghanistan - The forensic turn : bearing witness and the 'thingness' of the photography - Ruins and traces : exhibiting conflict in Guy Tillim's Leopold and Mobutu |
| 520 | |a "Examines the roles of image producers and the functions of photographic imagery in the documentation of wars, violent conflicts and human rights issues; tackling controversial ideas such as 'witnessing', the making of appeals based on displays of human suffering and the much-cited concept of 'compassion fatigue'."--Back cover | ||
| 520 | |a "In the twenty-first century, the advent of digital photography, camera phones and social media platforms has altered the relationship between photographers, the medium and the audience- as well as contributing to an ongoing blurring of the boundaries between news and entertainment and professional and amateur journalism. The Violence of the Image explores how new vernacular and artistic modes of photographic production articulate international friction."--Page 4 of cover | ||
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Record in the Search Index
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| author2 | Kennedy, Liam 1961- Patrick, Caitlin |
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| contents | The violence of the image - Framing civil and (post- ) colonial conflict - The incorruptible Kodak : photography, human rights and the Congo Campaign - Christina Twomey - 'Follow the Americans' : Philip Jones Griffith's Vietnam War trilogy - The violence of the image : conflict and post-conflict photography in Northern Ireland - Dispelling the myth of invisibility : photography and the Algerian Civil War - Politics and photographic ethics at the turn of the century - The myth of compassion fatigue - Infra-destructure - Watching war evolve : photojournalism and new forms of violence - The 'unstable' image : photography as evidence and ambivalence - Photo-reportage of the Libyan conflict - Witnessing precarity : photojournalism, women's/human/rights and the war in Afghanistan - The forensic turn : bearing witness and the 'thingness' of the photography - Ruins and traces : exhibiting conflict in Guy Tillim's Leopold and Mobutu |
| ctrlnum | (ZDB-7-TAR)9781003104001 (OCoLC)1238062760 (DE-599)BVBBV047143868 |
| dewey-full | 070.49 |
| dewey-hundreds | 000 - Computer science, information, general works |
| dewey-ones | 070 - Documentary, educational, news media; journalism |
| dewey-raw | 070.49 |
| dewey-search | 070.49 |
| dewey-sort | 270.49 |
| dewey-tens | 070 - Documentary, educational, news media; journalism |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| doi_str_mv | 10.4324/9781003104001 |
| format | Electronic eBook |
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| isbn | 9781003104001 |
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| spelling | Kennedy, Liam 1961- (DE-588)170989569 edt The violence of the image photography and international conflict edited by Liam Kennedy and Caitlin Patrick Photography and international conflict London ; New York Routledge 2020 1 Online-Ressource (XIII, 274 Seiten, 16 ungezähltes Blätter Tafeln) Illustrationen txt rdacontent c rdamedia cr rdacarrier International library of visual culture 15 The violence of the image - Framing civil and (post- ) colonial conflict - The incorruptible Kodak : photography, human rights and the Congo Campaign - Christina Twomey - 'Follow the Americans' : Philip Jones Griffith's Vietnam War trilogy - The violence of the image : conflict and post-conflict photography in Northern Ireland - Dispelling the myth of invisibility : photography and the Algerian Civil War - Politics and photographic ethics at the turn of the century - The myth of compassion fatigue - Infra-destructure - Watching war evolve : photojournalism and new forms of violence - The 'unstable' image : photography as evidence and ambivalence - Photo-reportage of the Libyan conflict - Witnessing precarity : photojournalism, women's/human/rights and the war in Afghanistan - The forensic turn : bearing witness and the 'thingness' of the photography - Ruins and traces : exhibiting conflict in Guy Tillim's Leopold and Mobutu "Examines the roles of image producers and the functions of photographic imagery in the documentation of wars, violent conflicts and human rights issues; tackling controversial ideas such as 'witnessing', the making of appeals based on displays of human suffering and the much-cited concept of 'compassion fatigue'."--Back cover "In the twenty-first century, the advent of digital photography, camera phones and social media platforms has altered the relationship between photographers, the medium and the audience- as well as contributing to an ongoing blurring of the boundaries between news and entertainment and professional and amateur journalism. The Violence of the Image explores how new vernacular and artistic modes of photographic production articulate international friction."--Page 4 of cover LANGUAGE ARTS & DISCIPLINES / Journalism bisacsh Geschichte Gesellschaft War photography History Photojournalism Social aspects Political violence in mass media Violence Press coverage Documentary photography Bildpublizistik (DE-588)4212482-7 gnd rswk-swf Kriegsberichterstattung (DE-588)4033120-9 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Bildpublizistik (DE-588)4212482-7 s Kriegsberichterstattung (DE-588)4033120-9 s DE-604 Patrick, Caitlin (DE-588)1081567988 edt Erscheint auch als Druck-Ausgabe, Hardcover 978-1-78076-788-8 (DE-604)BV041390713 International library of visual culture 15 (DE-604)BV047143846 15 https://doi.org/10.4324/9781003104001 Verlag URL des Erstveröffentlichers Volltext https://www.taylorfrancis.com/books/9781003104001 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | The violence of the image photography and international conflict International library of visual culture The violence of the image - Framing civil and (post- ) colonial conflict - The incorruptible Kodak : photography, human rights and the Congo Campaign - Christina Twomey - 'Follow the Americans' : Philip Jones Griffith's Vietnam War trilogy - The violence of the image : conflict and post-conflict photography in Northern Ireland - Dispelling the myth of invisibility : photography and the Algerian Civil War - Politics and photographic ethics at the turn of the century - The myth of compassion fatigue - Infra-destructure - Watching war evolve : photojournalism and new forms of violence - The 'unstable' image : photography as evidence and ambivalence - Photo-reportage of the Libyan conflict - Witnessing precarity : photojournalism, women's/human/rights and the war in Afghanistan - The forensic turn : bearing witness and the 'thingness' of the photography - Ruins and traces : exhibiting conflict in Guy Tillim's Leopold and Mobutu LANGUAGE ARTS & DISCIPLINES / Journalism bisacsh Geschichte Gesellschaft War photography History Photojournalism Social aspects Political violence in mass media Violence Press coverage Documentary photography Bildpublizistik (DE-588)4212482-7 gnd Kriegsberichterstattung (DE-588)4033120-9 gnd |
| subject_GND | (DE-588)4212482-7 (DE-588)4033120-9 (DE-588)4143413-4 |
| title | The violence of the image photography and international conflict |
| title_alt | Photography and international conflict The violence of the image - Framing civil and (post- ) colonial conflict - The incorruptible Kodak : photography, human rights and the Congo Campaign - Christina Twomey - 'Follow the Americans' : Philip Jones Griffith's Vietnam War trilogy - The violence of the image : conflict and post-conflict photography in Northern Ireland - Dispelling the myth of invisibility : photography and the Algerian Civil War - Politics and photographic ethics at the turn of the century - The myth of compassion fatigue - Infra-destructure - Watching war evolve : photojournalism and new forms of violence - The 'unstable' image : photography as evidence and ambivalence - Photo-reportage of the Libyan conflict - Witnessing precarity : photojournalism, women's/human/rights and the war in Afghanistan - The forensic turn : bearing witness and the 'thingness' of the photography - Ruins and traces : exhibiting conflict in Guy Tillim's Leopold and Mobutu |
| title_auth | The violence of the image photography and international conflict |
| title_exact_search | The violence of the image photography and international conflict |
| title_exact_search_txtP | The violence of the image photography and international conflict |
| title_full | The violence of the image photography and international conflict edited by Liam Kennedy and Caitlin Patrick |
| title_fullStr | The violence of the image photography and international conflict edited by Liam Kennedy and Caitlin Patrick |
| title_full_unstemmed | The violence of the image photography and international conflict edited by Liam Kennedy and Caitlin Patrick |
| title_short | The violence of the image |
| title_sort | the violence of the image photography and international conflict |
| title_sub | photography and international conflict |
| topic | LANGUAGE ARTS & DISCIPLINES / Journalism bisacsh Geschichte Gesellschaft War photography History Photojournalism Social aspects Political violence in mass media Violence Press coverage Documentary photography Bildpublizistik (DE-588)4212482-7 gnd Kriegsberichterstattung (DE-588)4033120-9 gnd |
| topic_facet | LANGUAGE ARTS & DISCIPLINES / Journalism Geschichte Gesellschaft War photography History Photojournalism Social aspects Political violence in mass media Violence Press coverage Documentary photography Bildpublizistik Kriegsberichterstattung Aufsatzsammlung |
| url | https://doi.org/10.4324/9781003104001 https://www.taylorfrancis.com/books/9781003104001 |
| volume_link | (DE-604)BV047143846 |
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