Petrocinema: sponsored film and the oil industry
Petrocinema presents a collection of essays concerning the close relationship between the oil industry and modern media—especially film. Since the early 1920s, oil extracting companies such as Standard Oil, Royal Dutch/Shell, ConocoPhillips, or Statoil have been producing and circulating moving imag...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Bloomsbury Academic
2021
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | Petrocinema presents a collection of essays concerning the close relationship between the oil industry and modern media—especially film. Since the early 1920s, oil extracting companies such as Standard Oil, Royal Dutch/Shell, ConocoPhillips, or Statoil have been producing and circulating moving images for various purposes including research and training, safety, process observation, or promotion. Such industrial and sponsored films include documentaries, educationals, and commercials that formed part of a larger cultural project to transform the image of oil exploitation, creating media interfaces that would allow corporations to coordinate their goals with broader cultural and societal concerns. Falling outside of the domain of conventional cinema, such films firmly belong to an emerging canon of sponsored and educational film and media that has developed over the past decade. Contributing to this burgeoning field of sponsored and educational film scholarship, chapters in this book bear on the intersecting cultural histories of oil extraction and media history by looking closely at moving image imaginaries of the oil industry, from the earliest origins or "spills" in the 20th century to today’s post industrial "petromelancholia." |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | viii, 262 Seiten Illustrationen 23 cm |
| ISBN: | 9781501354137 9781501374852 |
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| 520 | 3 | |a Petrocinema presents a collection of essays concerning the close relationship between the oil industry and modern media—especially film. Since the early 1920s, oil extracting companies such as Standard Oil, Royal Dutch/Shell, ConocoPhillips, or Statoil have been producing and circulating moving images for various purposes including research and training, safety, process observation, or promotion. Such industrial and sponsored films include documentaries, educationals, and commercials that formed part of a larger cultural project to transform the image of oil exploitation, creating media interfaces that would allow corporations to coordinate their goals with broader cultural and societal concerns. Falling outside of the domain of conventional cinema, such films firmly belong to an emerging canon of sponsored and educational film and media that has developed over the past decade. Contributing to this burgeoning field of sponsored and educational film scholarship, chapters in this book bear on the intersecting cultural histories of oil extraction and media history by looking closely at moving image imaginaries of the oil industry, from the earliest origins or "spills" in the 20th century to today’s post industrial "petromelancholia." | |
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Datensatz im Suchindex
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Contents List of Figures vii Acknowledgments ix Introduction Marina Dahlquist and Patrick Vonderau 1 PART ONE Oil Rhetoric із 1 Oil Media Archives MonaDamluji 15 2 "All the Earmarks of Propaganda”: Teapot Dome, The World Struggle for Oil, and Defining Corporate Rhetoric Jeremy Groskopf зз 3 Shell-BP: A Dialogue Patrick Russell and Steven Foxon 51 PART TWO Advertisements and Sponsorship 4 79 On the Road with Mickey and Donald: Walt Disney, Standard Oil, and the Golden Gate International Exposition of 1939 Susan Ohmer 81 5 Petroleum and Hollywood Stardom: Making Way for Oil Consumption through Visual Culture Marina Dahlquist 117 6 The American Petroleum Institute: Sponsored Motion Pictures in the Service of Public Relations Gregory A. Waller 1З6 7 Industrial Film and the Politics of Visibility in the Early Years of North Sea Oil Brian R. Jacobson 162
CONTENTS vi PART THREE Transformation of Oil Politics 181 8 "In India's Life and Part of It": Film and Visual Publicity at Burmah-Shell from the 1920s to the 1950s Ravi Vasudevan 183 9 Creating Partners in Progress: Shell Communicating Oil during Nigeria's Independence Rudmer Canje Is 208 10 "Fueling Apartheid”: Documentary Film in the Service of Apartheid Jacqueline Maingard 225 List of Contributors 245 Index 248
“Petrocinema is a necessary collection that explores the long history of media produced by oil industries around the world. It is edited by significant, established scholars with considerable experience, and it brings together noteworthy scholars from around the world. The brilliant ^ essays encompass detailed histories of oil-fuelled media (in the US, Nigeria, and India) alongside conceptual exploration of the role of media in fostering carbon-based economies accelerating in the post-WWII years. The book is a significant resource for scholars interested in a host of things—including the history of oil extraction, corporate propaganda, non-theatrical and documentary cinema—and its exploration of the media produced by some of the most significant corporate entities of the last three centuries is a significant and necessary task.” Lee Grieveson, Professor of Media History, University CoHege London, UK “This timely volume offers a groundbreaking exploration of the relationship between oil, the oil industry, and cinema, showing how, across a range of places and times, petroleum and the business of its extraction have structured the moving image—and, in turn, culture, politics, and everyday life. Petrodnema is an invaluable contribution to sponsored and nonfiction media studies, industrial history, and the energy humanities alike.” Alice Lovejoy, author of Army Film and the Avant Garde: Cinema and Experiment in the Czechoslovak Military (2015) Petrodnema presents a collection of essays concerning the close relationship between the oil industry and modern media—especially film.
Since the early 1920s, oil extracting companies such as Standard Oil, Royal Dutch/Shell, ConocoPhillips, or Statoil have been producing and circulating moving images for various purposes including research and training, safety, process observation, or promotion. Such industrial and sponsored films indude documentaries, educationals, and commercials that formed part of a larger cultural project to transform the image of oil exploitation, creating media interfaces that would allow corporations to coordinate their goals with broader cultural and societal concerns. Falling outside of the domain of conventional cinema, such films firmly belong to an emerging canon of sponsored and educational film and media that has developed jį over the past decade. Contributing to this burgeoning field of sponsored and educational film ^ scholarship, chapters in this book bear on the intersecting cultural histories of oil extraction and «tedia history by looking closely at moving image imaginaries of the oil industry, from the earliest origins or “spills” in the 20th century to today’s post industria! “petromelancholia.” MARINA DAHLQUIST is a Professor of Cinema Studies at the Department of Media Studies at Stockholm University, Sweden. She recently published The Institutionalization of Educational Cinema: North America and Europe in the 1910s and 1920s (2020, with Joel Frykholm), Corporeality in Early Cinema: Viscera, Skin, and Physical Form (2018, with Doron Galili, Jan Olsson, and Valentine Robert), and Exporting Perilous Pauline: Pearl White and the Serial Film Craze (2013). į PATRICK
VONDERAU is a Professor of Media and Communication Studies at the University of Halle, Germany. Recent book publications include, among others, Advertising and the Transformation of Screen Cultures (2020, with B. Florin and Y. Zimmermann), Films that Sell: Moving Pictures and Advertising {20Њ, with N. de Klerk and B. Florin), and Films that Work: Industrial Film and the Productivity of Media (2011, with V. Hediger). He is also an editor of the German scholarly journal . Montage AV. \ |
| adam_txt |
Contents List of Figures vii Acknowledgments ix Introduction Marina Dahlquist and Patrick Vonderau 1 PART ONE Oil Rhetoric із 1 Oil Media Archives MonaDamluji 15 2 "All the Earmarks of Propaganda”: Teapot Dome, The World Struggle for Oil, and Defining Corporate Rhetoric Jeremy Groskopf зз 3 Shell-BP: A Dialogue Patrick Russell and Steven Foxon 51 PART TWO Advertisements and Sponsorship 4 79 On the Road with Mickey and Donald: Walt Disney, Standard Oil, and the Golden Gate International Exposition of 1939 Susan Ohmer 81 5 Petroleum and Hollywood Stardom: Making Way for Oil Consumption through Visual Culture Marina Dahlquist 117 6 The American Petroleum Institute: Sponsored Motion Pictures in the Service of Public Relations Gregory A. Waller 1З6 7 Industrial Film and the Politics of Visibility in the Early Years of North Sea Oil Brian R. Jacobson 162
CONTENTS vi PART THREE Transformation of Oil Politics 181 8 "In India's Life and Part of It": Film and Visual Publicity at Burmah-Shell from the 1920s to the 1950s Ravi Vasudevan 183 9 Creating Partners in Progress: Shell Communicating Oil during Nigeria's Independence Rudmer Canje Is 208 10 "Fueling Apartheid”: Documentary Film in the Service of Apartheid Jacqueline Maingard 225 List of Contributors 245 Index 248
“Petrocinema is a necessary collection that explores the long history of media produced by oil industries around the world. It is edited by significant, established scholars with considerable experience, and it brings together noteworthy scholars from around the world. The brilliant ^ essays encompass detailed histories of oil-fuelled media (in the US, Nigeria, and India) alongside conceptual exploration of the role of media in fostering carbon-based economies accelerating in the post-WWII years. The book is a significant resource for scholars interested in a host of things—including the history of oil extraction, corporate propaganda, non-theatrical and documentary cinema—and its exploration of the media produced by some of the most significant corporate entities of the last three centuries is a significant and necessary task.” Lee Grieveson, Professor of Media History, University CoHege London, UK “This timely volume offers a groundbreaking exploration of the relationship between oil, the oil industry, and cinema, showing how, across a range of places and times, petroleum and the business of its extraction have structured the moving image—and, in turn, culture, politics, and everyday life. Petrodnema is an invaluable contribution to sponsored and nonfiction media studies, industrial history, and the energy humanities alike.” Alice Lovejoy, author of Army Film and the Avant Garde: Cinema and Experiment in the Czechoslovak Military (2015) Petrodnema presents a collection of essays concerning the close relationship between the oil industry and modern media—especially film.
Since the early 1920s, oil extracting companies such as Standard Oil, Royal Dutch/Shell, ConocoPhillips, or Statoil have been producing and circulating moving images for various purposes including research and training, safety, process observation, or promotion. Such industrial and sponsored films indude documentaries, educationals, and commercials that formed part of a larger cultural project to transform the image of oil exploitation, creating media interfaces that would allow corporations to coordinate their goals with broader cultural and societal concerns. Falling outside of the domain of conventional cinema, such films firmly belong to an emerging canon of sponsored and educational film and media that has developed jį over the past decade. Contributing to this burgeoning field of sponsored and educational film ^ scholarship, chapters in this book bear on the intersecting cultural histories of oil extraction and «tedia history by looking closely at moving image imaginaries of the oil industry, from the earliest origins or “spills” in the 20th century to today’s post industria! “petromelancholia.” MARINA DAHLQUIST is a Professor of Cinema Studies at the Department of Media Studies at Stockholm University, Sweden. She recently published The Institutionalization of Educational Cinema: North America and Europe in the 1910s and 1920s (2020, with Joel Frykholm), Corporeality in Early Cinema: Viscera, Skin, and Physical Form (2018, with Doron Galili, Jan Olsson, and Valentine Robert), and Exporting Perilous Pauline: Pearl White and the Serial Film Craze (2013). į PATRICK
VONDERAU is a Professor of Media and Communication Studies at the University of Halle, Germany. Recent book publications include, among others, Advertising and the Transformation of Screen Cultures (2020, with B. Florin and Y. Zimmermann), Films that Sell: Moving Pictures and Advertising {20Њ, with N. de Klerk and B. Florin), and Films that Work: Industrial Film and the Productivity of Media (2011, with V. Hediger). He is also an editor of the German scholarly journal . Montage AV. \ |
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| illustrated | Illustrated |
| index_date | 2024-07-03T16:35:50Z |
| indexdate | 2024-07-20T04:08:06Z |
| institution | BVB |
| isbn | 9781501354137 9781501374852 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032548155 |
| oclc_num | 1249674371 |
| open_access_boolean | |
| owner | DE-355 DE-BY-UBR DE-M472 DE-255 DE-Po75 DE-210 |
| owner_facet | DE-355 DE-BY-UBR DE-M472 DE-255 DE-Po75 DE-210 |
| physical | viii, 262 Seiten Illustrationen 23 cm |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Bloomsbury Academic |
| record_format | marc |
| spelling | Petrocinema sponsored film and the oil industry edited by Marina Dahlquist and Patrick Vonderau New York ; London Bloomsbury Academic 2021 viii, 262 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier Hier auch später erschienene, unveränderte Nachdrucke Petrocinema presents a collection of essays concerning the close relationship between the oil industry and modern media—especially film. Since the early 1920s, oil extracting companies such as Standard Oil, Royal Dutch/Shell, ConocoPhillips, or Statoil have been producing and circulating moving images for various purposes including research and training, safety, process observation, or promotion. Such industrial and sponsored films include documentaries, educationals, and commercials that formed part of a larger cultural project to transform the image of oil exploitation, creating media interfaces that would allow corporations to coordinate their goals with broader cultural and societal concerns. Falling outside of the domain of conventional cinema, such films firmly belong to an emerging canon of sponsored and educational film and media that has developed over the past decade. Contributing to this burgeoning field of sponsored and educational film scholarship, chapters in this book bear on the intersecting cultural histories of oil extraction and media history by looking closely at moving image imaginaries of the oil industry, from the earliest origins or "spills" in the 20th century to today’s post industrial "petromelancholia." Geschichte 1920- gnd rswk-swf Geschichte 1920-2021 gnd rswk-swf Mineralölindustrie (DE-588)4039448-7 gnd rswk-swf Industriefilm (DE-588)4248464-9 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Sponsoring (DE-588)4207431-9 gnd rswk-swf Erdölindustrie (DE-588)4015186-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Erdölindustrie (DE-588)4015186-4 s Mineralölindustrie (DE-588)4039448-7 s Film (DE-588)4017102-4 s Geschichte 1920-2021 z DE-604 Industriefilm (DE-588)4248464-9 s Sponsoring (DE-588)4207431-9 s Geschichte 1920- z Dahlquist, Marina (DE-588)1050418220 edt Vonderau, Patrick 1968- (DE-588)122034082 edt Erscheint auch als Online-Ausgabe, EPUB 978-1-5013-5414-4 (DE-604)BV046900999 Erscheint auch als Online-Ausgabe, PDF 978-1-5013-5415-1 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032548155&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032548155&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Petrocinema sponsored film and the oil industry Mineralölindustrie (DE-588)4039448-7 gnd Industriefilm (DE-588)4248464-9 gnd Film (DE-588)4017102-4 gnd Sponsoring (DE-588)4207431-9 gnd Erdölindustrie (DE-588)4015186-4 gnd |
| subject_GND | (DE-588)4039448-7 (DE-588)4248464-9 (DE-588)4017102-4 (DE-588)4207431-9 (DE-588)4015186-4 (DE-588)4143413-4 |
| title | Petrocinema sponsored film and the oil industry |
| title_auth | Petrocinema sponsored film and the oil industry |
| title_exact_search | Petrocinema sponsored film and the oil industry |
| title_exact_search_txtP | Petrocinema sponsored film and the oil industry |
| title_full | Petrocinema sponsored film and the oil industry edited by Marina Dahlquist and Patrick Vonderau |
| title_fullStr | Petrocinema sponsored film and the oil industry edited by Marina Dahlquist and Patrick Vonderau |
| title_full_unstemmed | Petrocinema sponsored film and the oil industry edited by Marina Dahlquist and Patrick Vonderau |
| title_short | Petrocinema |
| title_sort | petrocinema sponsored film and the oil industry |
| title_sub | sponsored film and the oil industry |
| topic | Mineralölindustrie (DE-588)4039448-7 gnd Industriefilm (DE-588)4248464-9 gnd Film (DE-588)4017102-4 gnd Sponsoring (DE-588)4207431-9 gnd Erdölindustrie (DE-588)4015186-4 gnd |
| topic_facet | Mineralölindustrie Industriefilm Film Sponsoring Erdölindustrie Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032548155&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032548155&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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