Cowboy Hamlets and zombie Romeos: Shakespeare in genre film
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Manchester
Manchester University Press
2020
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xiii, 319 Seiten Illustrationen 24 cm |
| ISBN: | 9781526142092 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents List of figures Acknowledgements Introduction: Shakespeare meets genre film viii xi 1 Part I: Classical Hollywood cinema Introduction 1 Will in the Wild West: western adaptations of Shakespeare 2 Shakespeare the tear-jerker: from woman’s film to global melodrama 3 Dark-minded Othellos, mobster Macbeths: film noir, gangster, gangster noir 19 34 72 104 Part П: Contemporary blockbusters Introduction 4 Back to school, Will: Shakespeare the teen idol 5 Shakespeare the undead: a renaissance of vampires and zombies 6 Will, Bill and the Earl: versions of the author in contemporary biopics 147 170 210 Conclusion 285 Bibliography Filmography Index 290 310 316 247
COWBOY HAMLETS AND ZOMBIE ROMEOS offers a new method for interpreting screen adaptations, grounded in the recognition that genre can provide the most important context for a film s production and reception. Its originality lies in its use of genre-based interpretation as the organising principle for an analysis of Shakespeare film adaptations. The book is divided into six large chapters, discussing films in broad generic groups. Part I examines three genres from the classical Hollywood era (western, melodrama and gangster noir). Part II deals with three contemporary blockbuster genres (teen film, undead horror and biopic). The writing is accessible but always grounded in up-to-date critical literature. The analyses identify elements that the films inherit from Shakespeare, while emphasising how the adapting genre leaves a more important mark on the final product than the textual source. Film adaptations are a constantly expanding field in academia and a popular area of study at all levels of higher education, so the book will be of interest to both scholars and students. The interdisciplinary approach, connecting Shakespeare and media studies, will also appeal to a broad range of readers. KINGA FÖLDVÁRY is Senior Lecturer at Pázmány Péter Catholic University in Budapest, Hungary
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| adam_txt |
Contents List of figures Acknowledgements Introduction: Shakespeare meets genre film viii xi 1 Part I: Classical Hollywood cinema Introduction 1 Will in the Wild West: western adaptations of Shakespeare 2 Shakespeare the tear-jerker: from woman’s film to global melodrama 3 Dark-minded Othellos, mobster Macbeths: film noir, gangster, gangster noir 19 34 72 104 Part П: Contemporary blockbusters Introduction 4 Back to school, Will: Shakespeare the teen idol 5 Shakespeare the undead: a renaissance of vampires and zombies 6 Will, Bill and the Earl: versions of the author in contemporary biopics 147 170 210 Conclusion 285 Bibliography Filmography Index 290 310 316 247
COWBOY HAMLETS AND ZOMBIE ROMEOS offers a new method for interpreting screen adaptations, grounded in the recognition that genre can provide the most important context for a film's production and reception. Its originality lies in its use of genre-based interpretation as the organising principle for an analysis of Shakespeare film adaptations. The book is divided into six large chapters, discussing films in broad generic groups. Part I examines three genres from the classical Hollywood era (western, melodrama and gangster noir). Part II deals with three contemporary blockbuster genres (teen film, undead horror and biopic). The writing is accessible but always grounded in up-to-date critical literature. The analyses identify elements that the films inherit from Shakespeare, while emphasising how the adapting genre leaves a more important mark on the final product than the textual source. Film adaptations are a constantly expanding field in academia and a popular area of study at all levels of higher education, so the book will be of interest to both scholars and students. The interdisciplinary approach, connecting Shakespeare and media studies, will also appeal to a broad range of readers. KINGA FÖLDVÁRY is Senior Lecturer at Pázmány Péter Catholic University in Budapest, Hungary |
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| dewey-full | 791.436 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Anglistik / Amerikanistik |
| discipline_str_mv | Allgemeines Anglistik / Amerikanistik |
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| title_sort | cowboy hamlets and zombie romeos shakespeare in genre film |
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