Of essence and context: between music and philosophy
Gespeichert in:
| Körperschaft: | |
|---|---|
| Weitere Verfasser: | , , |
| Format: | Tagungsbericht Buch |
| Sprache: | English |
| Veröffentlicht: |
Cham, Switzerland
Springer
[2019]
|
| Schriftenreihe: | Numanities - arts and humanities in progress
volume 7 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xv, 409 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9783030144708 |
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Datensatz im Suchindex
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| adam_text | Contents Part I Interrogating Essence 1 Essence or Context?.................................................................................. Richard Taruskin 3 2 Music, Essence and Context.................................................................... Nick Zangwill 27 3 Essence Facilitating Plurality: Theorizing Art withSchelling........... Jonas Lundblad 43 4 Aristotle Meets Schumann: Essence and Geist................................... John MacAuslan 57 5 Musical Images in the Tanakh: Between Their Essence, Context and Interpretation...................................................................... Kamile Rupeikaitė 6 Hsi Kang’s Reflection on the Essence of Music:“Hesheng”.............. Mei-Yen Lee Part II 71 83 Genesis and Structure 7 Deleuze, Ruyer, and Musical Morphogenesis...................................... Audronė Žukauskaitė 8 The Biological Constraints on Musical Structure as the Foundations of Musical Essence................................................. Piotr Podlipniak 109 ‘In-Between’ the Autonomous and Contingent Worlds of Music......................................................................................... Tijana Popovič Mladjenović 119 9 97 ix
x Contents 10 Formulating the Essence All Together.................................................. Nicolas Royer-Artuso І37 11 Mathesis as the Source of Beauty in Music.......................................... Rima Povilionienė 149 12 Some Remarks on Verbal Models in Music........................................ Svetlana Savenko 163 13 On the Role of Intonation in Music and Communication Practices......................................................................................................... Diana Baigina Part Ш 14 171 Musical Work and Performance In Defense of Authentic Performance: Adjust Your Ears, not the Music............................................................................................... Jerrold Levinson 185 15 Where Is the Essence of a Musical Work?.......................................... Per Dahl 197 16 Performance as Understanding in Action: Re-thinking the Concept of Musical Experience......................................................... 211 Anna Chęćka 17 What Is a Musical Act? Understanding Improvisation Through Artefact and Performance.................................................... Roberto Zanetti 223 18 The Experience of Music as a Process of [Self] Development......... Małgorzata A. Szyszkowska 19 Essence and Context: Exploring the Links Between Music and Philosophy in the Light of Henriette Reníé’s Reflections......... Temina Cadi Sulumuna 245 Redefining Essence: Tuning and Temperament of Chinese Traditional Music....................................................................................... Sheryl Man-Ying Chow
255 20 Part IV 21 22 235 Musical Aesthetics of Modernity The Final Radicalism of the Avant-Garde and Its Postmodernist Consequences.............................................................................................. Mirjana Veselinović-Hofinan 271 Essence and Context: Process of Becoming and Dialectical Temporality in Adorno and Nono........................................................... Hyun Höchsmann 281
Contents 23 The Distance of Presque-rien Between the Musicology and the Philosophy of Music.................................................................... Vita Gruodytė Xl 297 24 Mikhail Gnessin on the Essence of Music and Russian Music .... 309 Maria Karachevskaya 25 Reflections About the Essence of Music in a Special Context: Music Reviews by Yuri Ofrosimov and Ludmila Landau in Berlin in the 1920s............................................................................... Anna Fortunova 26 317 Essence, Context and Meaning in Versions of Wagner’s Wesendonck Lieder by Wagner, Mottl and Henze.............................. Malcolm Miller 329 Leitfigur Beethoven: Thoughts on the Development of German Musicology in Light of the 1968 Movement........................................ Helmut Loos 357 Summaries of the Articles................................................................................ 371 Name Index.......................................................................................................... 401 27
|
| adam_txt |
Contents Part I Interrogating Essence 1 Essence or Context?. Richard Taruskin 3 2 Music, Essence and Context. Nick Zangwill 27 3 Essence Facilitating Plurality: Theorizing Art withSchelling. Jonas Lundblad 43 4 Aristotle Meets Schumann: Essence and Geist. John MacAuslan 57 5 Musical Images in the Tanakh: Between Their Essence, Context and Interpretation. Kamile Rupeikaitė 6 Hsi Kang’s Reflection on the Essence of Music:“Hesheng”. Mei-Yen Lee Part II 71 83 Genesis and Structure 7 Deleuze, Ruyer, and Musical Morphogenesis. Audronė Žukauskaitė 8 The Biological Constraints on Musical Structure as the Foundations of Musical Essence. Piotr Podlipniak 109 ‘In-Between’ the Autonomous and Contingent Worlds of Music. Tijana Popovič Mladjenović 119 9 97 ix
x Contents 10 Formulating the Essence All Together. Nicolas Royer-Artuso І37 11 Mathesis as the Source of Beauty in Music. Rima Povilionienė 149 12 Some Remarks on Verbal Models in Music. Svetlana Savenko 163 13 On the Role of Intonation in Music and Communication Practices. Diana Baigina Part Ш 14 171 Musical Work and Performance In Defense of Authentic Performance: Adjust Your Ears, not the Music. Jerrold Levinson 185 15 Where Is the Essence of a Musical Work?. Per Dahl 197 16 Performance as Understanding in Action: Re-thinking the Concept of Musical Experience. 211 Anna Chęćka 17 What Is a Musical Act? Understanding Improvisation Through Artefact and Performance. Roberto Zanetti 223 18 The Experience of Music as a Process of [Self] Development. Małgorzata A. Szyszkowska 19 Essence and Context: Exploring the Links Between Music and Philosophy in the Light of Henriette Reníé’s Reflections. Temina Cadi Sulumuna 245 Redefining Essence: Tuning and Temperament of Chinese Traditional Music. Sheryl Man-Ying Chow
255 20 Part IV 21 22 235 Musical Aesthetics of Modernity The Final Radicalism of the Avant-Garde and Its Postmodernist Consequences. Mirjana Veselinović-Hofinan 271 Essence and Context: Process of Becoming and Dialectical Temporality in Adorno and Nono. Hyun Höchsmann 281
Contents 23 The Distance of Presque-rien Between the Musicology and the Philosophy of Music. Vita Gruodytė Xl 297 24 Mikhail Gnessin on the Essence of Music and Russian Music . 309 Maria Karachevskaya 25 Reflections About the Essence of Music in a Special Context: Music Reviews by Yuri Ofrosimov and Ludmila Landau in Berlin in the 1920s. Anna Fortunova 26 317 Essence, Context and Meaning in Versions of Wagner’s Wesendonck Lieder by Wagner, Mottl and Henze. Malcolm Miller 329 Leitfigur Beethoven: Thoughts on the Development of German Musicology in Light of the 1968 Movement. Helmut Loos 357 Summaries of the Articles. 371 Name Index. 401 27 |
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| spelling | International Conference "Essence and Context: a Conference between Music and Philosophy" 2016 Vilnius Verfasser (DE-588)123159067X aut Of essence and context between music and philosophy Rūta Stanevičiūtė, Nick Zangwill, Rima Povilionienė (editors) Cham, Switzerland Springer [2019] © 2019 xv, 409 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Numanities - arts and humanities in progress volume 7 Music Philosophy, general Performing Arts Creativity and Arts Education Philosophy (General) Performing arts Musikästhetik (DE-588)4040808-5 gnd rswk-swf Philosophie (DE-588)4045791-6 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf 9(DE-588)1071861417 Konferenzschrift Lithuanian Academy of Music and Theatre 31.08.2016-03.09.2016 Vilnius gnd-content Musik (DE-588)4040802-4 s Philosophie (DE-588)4045791-6 s DE-604 Musikästhetik (DE-588)4040808-5 s Stanevičiūtė, Rūta (DE-588)1024898466 edt Zangwill, Nick (DE-588)134164741 edt Povilionienė, Rima 1975- (DE-588)104671175X edt Erscheint auch als Online-Ausgabe 978-3-030-14471-5 Numanities - arts and humanities in progress volume 7 (DE-604)BV045158673 7 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032547294&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Of essence and context between music and philosophy |
| title_auth | Of essence and context between music and philosophy |
| title_exact_search | Of essence and context between music and philosophy |
| title_exact_search_txtP | Of essence and context between music and philosophy |
| title_full | Of essence and context between music and philosophy Rūta Stanevičiūtė, Nick Zangwill, Rima Povilionienė (editors) |
| title_fullStr | Of essence and context between music and philosophy Rūta Stanevičiūtė, Nick Zangwill, Rima Povilionienė (editors) |
| title_full_unstemmed | Of essence and context between music and philosophy Rūta Stanevičiūtė, Nick Zangwill, Rima Povilionienė (editors) |
| title_short | Of essence and context |
| title_sort | of essence and context between music and philosophy |
| title_sub | between music and philosophy |
| topic | Music Philosophy, general Performing Arts Creativity and Arts Education Philosophy (General) Performing arts Musikästhetik (DE-588)4040808-5 gnd Philosophie (DE-588)4045791-6 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Music Philosophy, general Performing Arts Creativity and Arts Education Philosophy (General) Performing arts Musikästhetik Philosophie Musik Konferenzschrift Lithuanian Academy of Music and Theatre 31.08.2016-03.09.2016 Vilnius |
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