Private Goes Public: Self-Narrativisation in Brian Friel's Plays:
In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Tübingen
A. Francke Verlag
2015
|
| Ausgabe: | [1. Auflage] |
| Schriftenreihe: | Schweizer Anglistische Arbeiten (SAA)
140 |
| Schlagworte: | |
| Online-Zugang: | BSB01 UBA01 FAN01 UPA01 Volltext |
| Zusammenfassung: | In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth. In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth |
| Beschreibung: | 1 Online-Ressource (271 Seiten) |
| ISBN: | 9783772055348 |
| DOI: | 10.2357/9783772055348 |
Internformat
MARC
| LEADER | 00000nmm a2200000zcb4500 | ||
|---|---|---|---|
| 001 | BV047140062 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 210215s2015 |||| o||u| ||||||eng d | ||
| 020 | |a 9783772055348 |9 978-3-7720-5534-8 | ||
| 024 | 7 | |a 10.2357/9783772055348 |2 doi | |
| 035 | |a (ZDB-71-NAR)9783772055348 | ||
| 035 | |a (OCoLC)1238063370 | ||
| 035 | |a (DE-599)BVBBV047140062 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-384 |a DE-1102 |a DE-739 | ||
| 084 | |a HN 3445 |0 (DE-625)51337:11852 |2 rvk | ||
| 100 | 1 | |a Frey, Gaby |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Private Goes Public: Self-Narrativisation in Brian Friel's Plays |c Gaby Frey |
| 250 | |a [1. Auflage] | ||
| 264 | 1 | |a Tübingen |b A. Francke Verlag |c 2015 | |
| 300 | |a 1 Online-Ressource (271 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Schweizer Anglistische Arbeiten (SAA) |v 140 | |
| 520 | |a In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth. In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth | ||
| 600 | 1 | 7 | |a Friel, Brian |d 1929-2015 |0 (DE-588)118990829 |2 gnd |9 rswk-swf |
| 650 | 4 | |a Brian Friel | |
| 650 | 4 | |a privat | |
| 650 | 4 | |a öffentlich | |
| 650 | 4 | |a Öffentlichkeit | |
| 650 | 4 | |a Irisches Gegenwartsdrama | |
| 650 | 4 | |a Macht | |
| 650 | 4 | |a postkolonial | |
| 650 | 4 | |a Beckett | |
| 650 | 4 | |a Edgeworth | |
| 650 | 4 | |a Joyce | |
| 650 | 4 | |a Fremddarstellung | |
| 650 | 4 | |a kolonisiertes Irland | |
| 650 | 4 | |a Protagonisten | |
| 650 | 4 | |a Methode | |
| 650 | 4 | |a narratiiv | |
| 650 | 4 | |a Narration | |
| 650 | 4 | |a Erzählweise | |
| 650 | 4 | |a Darstellung | |
| 650 | 4 | |a Literatur | |
| 650 | 4 | |a Kunst | |
| 650 | 4 | |a Dram | |
| 650 | 4 | |a Private / Public | |
| 650 | 4 | |a Contemporary Irish Drama | |
| 650 | 4 | |a Power | |
| 650 | 4 | |a Post-colonia | |
| 650 | 0 | 7 | |a Drama |0 (DE-588)4012899-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Selbst |g Motiv |0 (DE-588)4399198-1 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Friel, Brian |d 1929-2015 |0 (DE-588)118990829 |D p |
| 689 | 0 | 1 | |a Drama |0 (DE-588)4012899-4 |D s |
| 689 | 0 | 2 | |a Selbst |g Motiv |0 (DE-588)4399198-1 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 9783772085345 |
| 856 | 4 | 0 | |u http://doi.org/10.2357/9783772055348 |x Verlag |z URL des Erstveroeffentlichers |3 Volltext |
| 912 | |a ZDB-71-NAR | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032545999 | ||
| 966 | e | |u http://doi.org/10.2357/9783772055348 |l BSB01 |p ZDB-71-NAR |q BSB_PDA_NAR |x Verlag |3 Volltext | |
| 966 | e | |u http://doi.org/10.2357/9783772055348 |l UBA01 |p ZDB-71-NAR |x Verlag |3 Volltext | |
| 966 | e | |u http://doi.org/10.2357/9783772055348 |l FAN01 |p ZDB-71-NAR |q FAN_PDA_NAR |x Verlag |3 Volltext | |
| 966 | e | |u http://doi.org/10.2357/9783772055348 |l UPA01 |p ZDB-71-NAR |q UPA_PDA_NAR |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804182198894460928 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Frey, Gaby |
| author_facet | Frey, Gaby |
| author_role | aut |
| author_sort | Frey, Gaby |
| author_variant | g f gf |
| building | Verbundindex |
| bvnumber | BV047140062 |
| classification_rvk | HN 3445 |
| collection | ZDB-71-NAR |
| ctrlnum | (ZDB-71-NAR)9783772055348 (OCoLC)1238063370 (DE-599)BVBBV047140062 |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| doi_str_mv | 10.2357/9783772055348 |
| edition | [1. Auflage] |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04678nmm a2200805zcb4500</leader><controlfield tag="001">BV047140062</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">210215s2015 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783772055348</subfield><subfield code="9">978-3-7720-5534-8</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.2357/9783772055348</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-71-NAR)9783772055348</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1238063370</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047140062</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-384</subfield><subfield code="a">DE-1102</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HN 3445</subfield><subfield code="0">(DE-625)51337:11852</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Frey, Gaby</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Private Goes Public: Self-Narrativisation in Brian Friel's Plays</subfield><subfield code="c">Gaby Frey</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">[1. Auflage]</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Tübingen</subfield><subfield code="b">A. Francke Verlag</subfield><subfield code="c">2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (271 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Schweizer Anglistische Arbeiten (SAA)</subfield><subfield code="v">140</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth. In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Friel, Brian</subfield><subfield code="d">1929-2015</subfield><subfield code="0">(DE-588)118990829</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Brian Friel</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">privat</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">öffentlich</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Öffentlichkeit</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Irisches Gegenwartsdrama</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Macht</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">postkolonial</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Beckett</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Edgeworth</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Joyce</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Fremddarstellung</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">kolonisiertes Irland</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Protagonisten</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Methode</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">narratiiv</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Narration</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Erzählweise</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Darstellung</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Literatur</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Kunst</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Dram</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Private / Public</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Contemporary Irish Drama</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Power</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Post-colonia</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Drama</subfield><subfield code="0">(DE-588)4012899-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Selbst</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4399198-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Friel, Brian</subfield><subfield code="d">1929-2015</subfield><subfield code="0">(DE-588)118990829</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Drama</subfield><subfield code="0">(DE-588)4012899-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Selbst</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4399198-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">9783772085345</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://doi.org/10.2357/9783772055348</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveroeffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-71-NAR</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032545999</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://doi.org/10.2357/9783772055348</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-71-NAR</subfield><subfield code="q">BSB_PDA_NAR</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://doi.org/10.2357/9783772055348</subfield><subfield code="l">UBA01</subfield><subfield code="p">ZDB-71-NAR</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://doi.org/10.2357/9783772055348</subfield><subfield code="l">FAN01</subfield><subfield code="p">ZDB-71-NAR</subfield><subfield code="q">FAN_PDA_NAR</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://doi.org/10.2357/9783772055348</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-71-NAR</subfield><subfield code="q">UPA_PDA_NAR</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV047140062 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:35:13Z |
| indexdate | 2024-07-10T09:03:45Z |
| institution | BVB |
| isbn | 9783772055348 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032545999 |
| oclc_num | 1238063370 |
| open_access_boolean | |
| owner | DE-12 DE-384 DE-1102 DE-739 |
| owner_facet | DE-12 DE-384 DE-1102 DE-739 |
| physical | 1 Online-Ressource (271 Seiten) |
| psigel | ZDB-71-NAR ZDB-71-NAR BSB_PDA_NAR ZDB-71-NAR FAN_PDA_NAR ZDB-71-NAR UPA_PDA_NAR |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | A. Francke Verlag |
| record_format | marc |
| series2 | Schweizer Anglistische Arbeiten (SAA) |
| spelling | Frey, Gaby Verfasser aut Private Goes Public: Self-Narrativisation in Brian Friel's Plays Gaby Frey [1. Auflage] Tübingen A. Francke Verlag 2015 1 Online-Ressource (271 Seiten) txt rdacontent c rdamedia cr rdacarrier Schweizer Anglistische Arbeiten (SAA) 140 In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth. In Brian Friel's writing, the distinction between public and private is closely linked to the concepts of home, family, identity and truth. This study examines the characters' excessive introspection and their deep-seated need to disclose their most intimate knowledge and private truths to define who they are and, thus, to oppose dominant discourse or avoid heteronomy. This study begins by investigating how a number of Anglo-Irish writers publicised their characters' private versions of truth thereby illustrating what they perceived to be the space of 'Irishness'. The book then focuses on Friel's techniques of sharing his character's private views to demonstrate how he adopted and adapted these practices in his own oeuvre. As the characters' superficial inarticulateness and their vivid inner selves are repeatedly juxtaposed in Friel's texts, his oeuvre, quintessentially, displays a great unease with the concepts of communication and absolute truth Friel, Brian 1929-2015 (DE-588)118990829 gnd rswk-swf Brian Friel privat öffentlich Öffentlichkeit Irisches Gegenwartsdrama Macht postkolonial Beckett Edgeworth Joyce Fremddarstellung kolonisiertes Irland Protagonisten Methode narratiiv Narration Erzählweise Darstellung Literatur Kunst Dram Private / Public Contemporary Irish Drama Power Post-colonia Drama (DE-588)4012899-4 gnd rswk-swf Selbst Motiv (DE-588)4399198-1 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Friel, Brian 1929-2015 (DE-588)118990829 p Drama (DE-588)4012899-4 s Selbst Motiv (DE-588)4399198-1 s DE-604 Erscheint auch als Druck-Ausgabe 9783772085345 http://doi.org/10.2357/9783772055348 Verlag URL des Erstveroeffentlichers Volltext |
| spellingShingle | Frey, Gaby Private Goes Public: Self-Narrativisation in Brian Friel's Plays Friel, Brian 1929-2015 (DE-588)118990829 gnd Brian Friel privat öffentlich Öffentlichkeit Irisches Gegenwartsdrama Macht postkolonial Beckett Edgeworth Joyce Fremddarstellung kolonisiertes Irland Protagonisten Methode narratiiv Narration Erzählweise Darstellung Literatur Kunst Dram Private / Public Contemporary Irish Drama Power Post-colonia Drama (DE-588)4012899-4 gnd Selbst Motiv (DE-588)4399198-1 gnd |
| subject_GND | (DE-588)118990829 (DE-588)4012899-4 (DE-588)4399198-1 (DE-588)4113937-9 |
| title | Private Goes Public: Self-Narrativisation in Brian Friel's Plays |
| title_auth | Private Goes Public: Self-Narrativisation in Brian Friel's Plays |
| title_exact_search | Private Goes Public: Self-Narrativisation in Brian Friel's Plays |
| title_exact_search_txtP | Private Goes Public: Self-Narrativisation in Brian Friel's Plays |
| title_full | Private Goes Public: Self-Narrativisation in Brian Friel's Plays Gaby Frey |
| title_fullStr | Private Goes Public: Self-Narrativisation in Brian Friel's Plays Gaby Frey |
| title_full_unstemmed | Private Goes Public: Self-Narrativisation in Brian Friel's Plays Gaby Frey |
| title_short | Private Goes Public: Self-Narrativisation in Brian Friel's Plays |
| title_sort | private goes public self narrativisation in brian friel s plays |
| topic | Friel, Brian 1929-2015 (DE-588)118990829 gnd Brian Friel privat öffentlich Öffentlichkeit Irisches Gegenwartsdrama Macht postkolonial Beckett Edgeworth Joyce Fremddarstellung kolonisiertes Irland Protagonisten Methode narratiiv Narration Erzählweise Darstellung Literatur Kunst Dram Private / Public Contemporary Irish Drama Power Post-colonia Drama (DE-588)4012899-4 gnd Selbst Motiv (DE-588)4399198-1 gnd |
| topic_facet | Friel, Brian 1929-2015 Brian Friel privat öffentlich Öffentlichkeit Irisches Gegenwartsdrama Macht postkolonial Beckett Edgeworth Joyce Fremddarstellung kolonisiertes Irland Protagonisten Methode narratiiv Narration Erzählweise Darstellung Literatur Kunst Dram Private / Public Contemporary Irish Drama Power Post-colonia Drama Selbst Motiv Hochschulschrift |
| url | http://doi.org/10.2357/9783772055348 |
| work_keys_str_mv | AT freygaby privategoespublicselfnarrativisationinbrianfrielsplays |