The sound of change: Robert Parrish is the complete movie man. As a child actor he tormented Chaplin in City Lights and tore up the town with our gang. At the age of 35 he turned director, making an impressive debut with Cry Danger (1951). The intervening years, however, were spent as a cutter. He was, indeed, one of the best film editors in the business, winning an Academy Award for Body and Soul (1947). Here he remembers hard times in the cutting room - when sound arrived
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
1983
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| ISBN: | 0-85613-523-2 |
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| spelling | Parrish, Robert 1916-1995 (DE-588)142124176 aut The sound of change Robert Parrish is the complete movie man. As a child actor he tormented Chaplin in City Lights and tore up the town with our gang. At the age of 35 he turned director, making an impressive debut with Cry Danger (1951). The intervening years, however, were spent as a cutter. He was, indeed, one of the best film editors in the business, winning an Academy Award for Body and Soul (1947). Here he remembers hard times in the cutting room - when sound arrived Robert Parrish 1983 txt rdacontent n rdamedia nc rdacarrier pages:170 Movies of the thirties / ed. by Ann Lloyd London, 1983 Seite 170 (DE-604)BV006509277 0-85613-523-2 |
| spellingShingle | Parrish, Robert 1916-1995 The sound of change Robert Parrish is the complete movie man. As a child actor he tormented Chaplin in City Lights and tore up the town with our gang. At the age of 35 he turned director, making an impressive debut with Cry Danger (1951). The intervening years, however, were spent as a cutter. He was, indeed, one of the best film editors in the business, winning an Academy Award for Body and Soul (1947). Here he remembers hard times in the cutting room - when sound arrived |
| title | The sound of change Robert Parrish is the complete movie man. As a child actor he tormented Chaplin in City Lights and tore up the town with our gang. At the age of 35 he turned director, making an impressive debut with Cry Danger (1951). The intervening years, however, were spent as a cutter. He was, indeed, one of the best film editors in the business, winning an Academy Award for Body and Soul (1947). Here he remembers hard times in the cutting room - when sound arrived |
| title_auth | The sound of change Robert Parrish is the complete movie man. As a child actor he tormented Chaplin in City Lights and tore up the town with our gang. At the age of 35 he turned director, making an impressive debut with Cry Danger (1951). The intervening years, however, were spent as a cutter. He was, indeed, one of the best film editors in the business, winning an Academy Award for Body and Soul (1947). Here he remembers hard times in the cutting room - when sound arrived |
| title_exact_search | The sound of change Robert Parrish is the complete movie man. As a child actor he tormented Chaplin in City Lights and tore up the town with our gang. At the age of 35 he turned director, making an impressive debut with Cry Danger (1951). The intervening years, however, were spent as a cutter. He was, indeed, one of the best film editors in the business, winning an Academy Award for Body and Soul (1947). Here he remembers hard times in the cutting room - when sound arrived |
| title_exact_search_txtP | The sound of change Robert Parrish is the complete movie man. As a child actor he tormented Chaplin in City Lights and tore up the town with our gang. At the age of 35 he turned director, making an impressive debut with Cry Danger (1951). The intervening years, however, were spent as a cutter. He was, indeed, one of the best film editors in the business, winning an Academy Award for Body and Soul (1947). Here he remembers hard times in the cutting room - when sound arrived |
| title_full | The sound of change Robert Parrish is the complete movie man. As a child actor he tormented Chaplin in City Lights and tore up the town with our gang. At the age of 35 he turned director, making an impressive debut with Cry Danger (1951). The intervening years, however, were spent as a cutter. He was, indeed, one of the best film editors in the business, winning an Academy Award for Body and Soul (1947). Here he remembers hard times in the cutting room - when sound arrived Robert Parrish |
| title_fullStr | The sound of change Robert Parrish is the complete movie man. As a child actor he tormented Chaplin in City Lights and tore up the town with our gang. At the age of 35 he turned director, making an impressive debut with Cry Danger (1951). The intervening years, however, were spent as a cutter. He was, indeed, one of the best film editors in the business, winning an Academy Award for Body and Soul (1947). Here he remembers hard times in the cutting room - when sound arrived Robert Parrish |
| title_full_unstemmed | The sound of change Robert Parrish is the complete movie man. As a child actor he tormented Chaplin in City Lights and tore up the town with our gang. At the age of 35 he turned director, making an impressive debut with Cry Danger (1951). The intervening years, however, were spent as a cutter. He was, indeed, one of the best film editors in the business, winning an Academy Award for Body and Soul (1947). Here he remembers hard times in the cutting room - when sound arrived Robert Parrish |
| title_short | The sound of change |
| title_sort | the sound of change robert parrish is the complete movie man as a child actor he tormented chaplin in city lights and tore up the town with our gang at the age of 35 he turned director making an impressive debut with cry danger 1951 the intervening years however were spent as a cutter he was indeed one of the best film editors in the business winning an academy award for body and soul 1947 here he remembers hard times in the cutting room when sound arrived |
| title_sub | Robert Parrish is the complete movie man. As a child actor he tormented Chaplin in City Lights and tore up the town with our gang. At the age of 35 he turned director, making an impressive debut with Cry Danger (1951). The intervening years, however, were spent as a cutter. He was, indeed, one of the best film editors in the business, winning an Academy Award for Body and Soul (1947). Here he remembers hard times in the cutting room - when sound arrived |
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