Framing [in] comics and cartoons: essays on aesthetics, history, and mediality
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berlin
Ch.A. Bachmann Verlag
2021
|
| Ausgabe: | 1. Auflage |
| Schriftenreihe: | Bildnarrative
vol. 9 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 220 Seiten Illustrationen |
| ISBN: | 9783962340322 |
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Datensatz im Suchindex
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| adam_text | Table of Contents Johannes C. P. Schmid and Christian A. Bachmann Framing [in] Comics: A Preface 7 Christina Meyer »Enclosures for Looking«? Medial, Material, and Aesthetic Framesl Framings 13 Sebastian Bartosch How To Not Freeze the Frames of Mediality: Looking Back at Old Comic Books 37 Lukas R.A. Wilde Falling in Line: Framing 9/11 and the War on Terrort in Editorial Cartoons 61 Johannes C, P. Schmid Framing Documentary Comics: Considering Prologues 87 Astrid Böger »Things Are Different Now«: Re-Framing Australian Identity in Pat Grant s BLUE m Roger Sabin Framing pre-1914 British Comics 123 Christian A. Bachmann Panoptica! Spaces: Cross-sections in Nineteenth-Century Visual Satire and Early Comics 137 Jeff Thoss »Through the Proscenium Arch of the Comic Panel«: Intermedia! Frames in Bryan Talbot s Alice in Sunderland 165 Tobias Yu-Kiener Musée du Louvre: When the Picture Does Not Fit the Frame: Three Problems With the Graphic Novel Le Ciel au-dessus du Louvre 179 Monika Schmitz-Emans Museum Comics: Drawn Reflections on Images and Image-Spaces, Framings and Transgressions 201
Panels, grids, gutters, and pages—graphic narratives rests firmly on practices of setting apart and framing spaces. At the same time, frames—in the sense of cogni tive categories as well as semiotic and material manifes tations—form basic prerequisites of meaning-making. In contrast to virtually all other media in comics, frames represent not only general communicative aspects; they form its very basic grammar. The essays collected in this volume discuss some of these medial characteristics of comics and cartoons as materialized through their par ticular carrier media, and they investigate works that range from the inception of the form in the nineteenth century up until its most recent incarnations.
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| adam_txt |
Table of Contents Johannes C. P. Schmid and Christian A. Bachmann Framing [in] Comics: A Preface 7 Christina Meyer »Enclosures for Looking«? Medial, Material, and Aesthetic Framesl Framings 13 Sebastian Bartosch How To Not Freeze the Frames of Mediality: Looking Back at Old Comic Books 37 Lukas R.A. Wilde Falling in Line: Framing 9/11 and the War on Terrort in Editorial Cartoons 61 Johannes C, P. Schmid Framing Documentary Comics: Considering Prologues 87 Astrid Böger »Things Are Different Now«: Re-Framing Australian Identity in Pat Grant's BLUE m Roger Sabin Framing pre-1914 British Comics 123 Christian A. Bachmann Panoptica! Spaces: Cross-sections in Nineteenth-Century Visual Satire and Early Comics 137 Jeff Thoss »Through the Proscenium Arch of the Comic Panel«: Intermedia! Frames in Bryan Talbot's Alice in Sunderland 165 Tobias Yu-Kiener Musée du Louvre: When the Picture Does Not Fit the Frame: Three Problems With the Graphic Novel Le Ciel au-dessus du Louvre 179 Monika Schmitz-Emans Museum Comics: Drawn Reflections on Images and Image-Spaces, Framings and Transgressions 201
Panels, grids, gutters, and pages—graphic narratives rests firmly on practices of setting apart and framing spaces. At the same time, frames—in the sense of cogni tive categories as well as semiotic and material manifes tations—form basic prerequisites of meaning-making. In contrast to virtually all other media in comics, frames represent not only general communicative aspects; they form its very basic grammar. The essays collected in this volume discuss some of these medial characteristics of comics and cartoons as materialized through their par ticular carrier media, and they investigate works that range from the inception of the form in the nineteenth century up until its most recent incarnations. |
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| title | Framing [in] comics and cartoons essays on aesthetics, history, and mediality |
| title_alt | Framing in comics and cartoons |
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| title_full | Framing [in] comics and cartoons essays on aesthetics, history, and mediality edited by Johannes C.P. Schmid and Christian A. Bachmann |
| title_fullStr | Framing [in] comics and cartoons essays on aesthetics, history, and mediality edited by Johannes C.P. Schmid and Christian A. Bachmann |
| title_full_unstemmed | Framing [in] comics and cartoons essays on aesthetics, history, and mediality edited by Johannes C.P. Schmid and Christian A. Bachmann |
| title_short | Framing [in] comics and cartoons |
| title_sort | framing in comics and cartoons essays on aesthetics history and mediality |
| title_sub | essays on aesthetics, history, and mediality |
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