Sonic phantoms: composition with auditory phantasmatic presence
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2020
|
| Schriftenreihe: | Bloomsbury sound studies
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xx, 228 Seiten |
| ISBN: | 9781501347023 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV047132380 | ||
| 003 | DE-604 | ||
| 005 | 20210408 | ||
| 007 | t | ||
| 008 | 210209s2020 |||| 00||| eng d | ||
| 020 | |a 9781501347023 |c hbk. |9 978-1-5013-4702-3 | ||
| 035 | |a (OCoLC)1245341870 | ||
| 035 | |a (DE-599)BVBBV047132380 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 100 | 1 | |a Ellison, Barbara |d 1973- |e Verfasser |0 (DE-588)1160904294 |4 aut | |
| 245 | 1 | 0 | |a Sonic phantoms |b composition with auditory phantasmatic presence |
| 264 | 1 | |a New York ; London ; Oxford ; New Delhi ; Sydney |b Bloomsbury Academic |c 2020 | |
| 300 | |a xx, 228 Seiten | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Bloomsbury sound studies | |
| 650 | 0 | 7 | |a Elektronische Musik |0 (DE-588)4014355-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Sounddesign |0 (DE-588)7693207-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikalische Akustik |0 (DE-588)4123807-2 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Sound / Recording and reproducing | |
| 653 | 0 | |a Composition (Music) | |
| 653 | 0 | |a Auditory hallucinations | |
| 653 | 0 | |a Sound / Recording and reproducing | |
| 653 | 0 | |a Composition (Music) | |
| 653 | 0 | |a Auditory hallucinations | |
| 653 | 0 | |a Auditory perception | |
| 689 | 0 | 0 | |a Elektronische Musik |0 (DE-588)4014355-7 |D s |
| 689 | 0 | 1 | |a Sounddesign |0 (DE-588)7693207-2 |D s |
| 689 | 0 | 2 | |a Musikalische Akustik |0 (DE-588)4123807-2 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Lopez, Francisco |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, ebk |z 978-1-5013-4703-0 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, ePDF |z 978-1-5013-4704-7 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032538457&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |q BSB_NED_20210408 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032538457 | ||
| 942 | 1 | 1 | |c 780.1 |e 22/bsb |
| 942 | 1 | 1 | |c 780.051 |e 22/bsb |
| 942 | 1 | 1 | |c 780 |e 22/bsb |
| 942 | 1 | 1 | |c 780.2 |e 22/bsb |
Datensatz im Suchindex
| _version_ | 1804182184914845696 |
|---|---|
| adam_text | Contents List of Figures Preface Author’s Note Acknowledgments 1 Phantasmagenics 1.1 Sonic Phantoms as Emergent Presence 1.2 1.3 1.4 1.5 2 3 Presence by Apophenia Apophenia and Creativity Creativity with Ambiguity Ambiguity as Intentional Practice xiii xv xviii xix 3 3 11 22 31 38 Inducing the Phantasmatic 2.1 Compositional Phantasmatic Strategies and Techniques 45 45 2.1.1 Repetition 2.1.2 Persistence 2.1.3 Layering 2.1.4 Noise 2.1.5 Accentuation 2.2 Realms of Sonic Phantasmatic Experience 45 55 65 74 79 80 Phantasma Instrumentalis: The Realm of the Instrument Compositional Series: Harp Phantoms 3.1 Sonic Exploration of the Instrument 85 85 3.2 Instrument Preparation and Sonic Blotscapes 3.3 Ritualization in Performance 3.4 Structure and Possible Variations 3.5 Inherent Patterns 3.6 Auditory Streaming 3.7 Sonic Figure and Ground 3.8 Listening Modes and Perceptual Competition 3.9 Accentuation of Harp Sonic Phantoms 3.10 A Second Life of Harp Phantoms in the Studio 87 91 93 94 96 100 101 102 104
Contents xii 4 Phantasma Materialis: The Realm of the Object Compositional Series: Drawing Phantoms 107 4.1 Initial Material Explorations (for a Literal‘Phono-Graphic’ Performance) 107 5 4.2 The Drawing Room 109 4.3 Transcendent‘Boundary Loss’ 112 4.4 Automatic Drawing—Ghosts and Dissociation 113 4.5 Drawing Phantoms Performance 120 4.6 Expanding by Narrowing—Everyday andInduced Trance 123 4.7 Loop Multiplicity 130 4.8 Drawing Phantoms Séance 131 4.9 ‘EVP’ and ‘OVP’ 135 Phantasma Humana: The Realm of the Voice Compositional Series: Vocal Phantoms 6 7 147 5.1 Katajjaq 147 5.2 Vocal Phantoms #18 (for Live Voices) 151 5.3 Ancient and Recent Vocal Techniques of Illusion 153 5.4 CyberSongs—Text-to-Speech-to-Song Pieces 158 5.5 Micro-Temporal Mechanisms 162 5.6 Semantic Satiation and Semantization 167 Phantasma Naturalis: The Realm of Nature Compositional Series: Natural Phantoms 177 6.1 Listening and Recording 177 6.2 Natural Polyphony 182 6.2.1 Layering 183 6.2.2 Interlocking 184 6.2.3 Transitions 189 6.3 Natural Phantoms 191 6.4 Beyond Composition 192 Coda Otoacoustic Emissions: The Phantom Within 195 Bibliography 200 Index 213
|
| adam_txt |
Contents List of Figures Preface Author’s Note Acknowledgments 1 Phantasmagenics 1.1 Sonic Phantoms as Emergent Presence 1.2 1.3 1.4 1.5 2 3 Presence by Apophenia Apophenia and Creativity Creativity with Ambiguity Ambiguity as Intentional Practice xiii xv xviii xix 3 3 11 22 31 38 Inducing the Phantasmatic 2.1 Compositional Phantasmatic Strategies and Techniques 45 45 2.1.1 Repetition 2.1.2 Persistence 2.1.3 Layering 2.1.4 Noise 2.1.5 Accentuation 2.2 Realms of Sonic Phantasmatic Experience 45 55 65 74 79 80 Phantasma Instrumentalis: The Realm of the Instrument Compositional Series: Harp Phantoms 3.1 Sonic Exploration of the Instrument 85 85 3.2 Instrument Preparation and Sonic Blotscapes 3.3 Ritualization in Performance 3.4 Structure and Possible Variations 3.5 Inherent Patterns 3.6 Auditory Streaming 3.7 Sonic Figure and Ground 3.8 Listening Modes and Perceptual Competition 3.9 Accentuation of Harp Sonic Phantoms 3.10 A Second Life of Harp Phantoms in the Studio 87 91 93 94 96 100 101 102 104
Contents xii 4 Phantasma Materialis: The Realm of the Object Compositional Series: Drawing Phantoms 107 4.1 Initial Material Explorations (for a Literal‘Phono-Graphic’ Performance) 107 5 4.2 The Drawing Room 109 4.3 Transcendent‘Boundary Loss’ 112 4.4 Automatic Drawing—Ghosts and Dissociation 113 4.5 Drawing Phantoms Performance 120 4.6 Expanding by Narrowing—Everyday andInduced Trance 123 4.7 Loop Multiplicity 130 4.8 Drawing Phantoms Séance 131 4.9 ‘EVP’ and ‘OVP’ 135 Phantasma Humana: The Realm of the Voice Compositional Series: Vocal Phantoms 6 7 147 5.1 Katajjaq 147 5.2 Vocal Phantoms #18 (for Live Voices) 151 5.3 Ancient and Recent Vocal Techniques of Illusion 153 5.4 CyberSongs—Text-to-Speech-to-Song Pieces 158 5.5 Micro-Temporal Mechanisms 162 5.6 Semantic Satiation and Semantization 167 Phantasma Naturalis: The Realm of Nature Compositional Series: Natural Phantoms 177 6.1 Listening and Recording 177 6.2 Natural Polyphony 182 6.2.1 Layering 183 6.2.2 Interlocking 184 6.2.3 Transitions 189 6.3 Natural Phantoms 191 6.4 Beyond Composition 192 Coda Otoacoustic Emissions: The Phantom Within 195 Bibliography 200 Index 213 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Ellison, Barbara 1973- |
| author2 | Lopez, Francisco |
| author2_role | edt |
| author2_variant | f l fl |
| author_GND | (DE-588)1160904294 |
| author_facet | Ellison, Barbara 1973- Lopez, Francisco |
| author_role | aut |
| author_sort | Ellison, Barbara 1973- |
| author_variant | b e be |
| building | Verbundindex |
| bvnumber | BV047132380 |
| ctrlnum | (OCoLC)1245341870 (DE-599)BVBBV047132380 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02169nam a2200553 c 4500</leader><controlfield tag="001">BV047132380</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20210408 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">210209s2020 |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501347023</subfield><subfield code="c">hbk.</subfield><subfield code="9">978-1-5013-4702-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1245341870</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047132380</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Ellison, Barbara</subfield><subfield code="d">1973-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1160904294</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Sonic phantoms</subfield><subfield code="b">composition with auditory phantasmatic presence</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York ; London ; Oxford ; New Delhi ; Sydney</subfield><subfield code="b">Bloomsbury Academic</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xx, 228 Seiten</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Bloomsbury sound studies</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Elektronische Musik</subfield><subfield code="0">(DE-588)4014355-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Sounddesign</subfield><subfield code="0">(DE-588)7693207-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikalische Akustik</subfield><subfield code="0">(DE-588)4123807-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Sound / Recording and reproducing</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Composition (Music)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Auditory hallucinations</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Sound / Recording and reproducing</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Composition (Music)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Auditory hallucinations</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Auditory perception</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Elektronische Musik</subfield><subfield code="0">(DE-588)4014355-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Sounddesign</subfield><subfield code="0">(DE-588)7693207-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Musikalische Akustik</subfield><subfield code="0">(DE-588)4123807-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Lopez, Francisco</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, ebk</subfield><subfield code="z">978-1-5013-4703-0</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, ePDF</subfield><subfield code="z">978-1-5013-4704-7</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032538457&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20210408</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032538457</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.1</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.051</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield></datafield></record></collection> |
| id | DE-604.BV047132380 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:32:52Z |
| indexdate | 2024-07-10T09:03:31Z |
| institution | BVB |
| isbn | 9781501347023 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032538457 |
| oclc_num | 1245341870 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xx, 228 Seiten |
| psigel | BSB_NED_20210408 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Bloomsbury Academic |
| record_format | marc |
| series2 | Bloomsbury sound studies |
| spelling | Ellison, Barbara 1973- Verfasser (DE-588)1160904294 aut Sonic phantoms composition with auditory phantasmatic presence New York ; London ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2020 xx, 228 Seiten txt rdacontent n rdamedia nc rdacarrier Bloomsbury sound studies Elektronische Musik (DE-588)4014355-7 gnd rswk-swf Sounddesign (DE-588)7693207-2 gnd rswk-swf Musikalische Akustik (DE-588)4123807-2 gnd rswk-swf Sound / Recording and reproducing Composition (Music) Auditory hallucinations Auditory perception Elektronische Musik (DE-588)4014355-7 s Sounddesign (DE-588)7693207-2 s Musikalische Akustik (DE-588)4123807-2 s DE-604 Lopez, Francisco edt Erscheint auch als Online-Ausgabe, ebk 978-1-5013-4703-0 Erscheint auch als Online-Ausgabe, ePDF 978-1-5013-4704-7 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032538457&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Ellison, Barbara 1973- Sonic phantoms composition with auditory phantasmatic presence Elektronische Musik (DE-588)4014355-7 gnd Sounddesign (DE-588)7693207-2 gnd Musikalische Akustik (DE-588)4123807-2 gnd |
| subject_GND | (DE-588)4014355-7 (DE-588)7693207-2 (DE-588)4123807-2 |
| title | Sonic phantoms composition with auditory phantasmatic presence |
| title_auth | Sonic phantoms composition with auditory phantasmatic presence |
| title_exact_search | Sonic phantoms composition with auditory phantasmatic presence |
| title_exact_search_txtP | Sonic phantoms composition with auditory phantasmatic presence |
| title_full | Sonic phantoms composition with auditory phantasmatic presence |
| title_fullStr | Sonic phantoms composition with auditory phantasmatic presence |
| title_full_unstemmed | Sonic phantoms composition with auditory phantasmatic presence |
| title_short | Sonic phantoms |
| title_sort | sonic phantoms composition with auditory phantasmatic presence |
| title_sub | composition with auditory phantasmatic presence |
| topic | Elektronische Musik (DE-588)4014355-7 gnd Sounddesign (DE-588)7693207-2 gnd Musikalische Akustik (DE-588)4123807-2 gnd |
| topic_facet | Elektronische Musik Sounddesign Musikalische Akustik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032538457&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT ellisonbarbara sonicphantomscompositionwithauditoryphantasmaticpresence AT lopezfrancisco sonicphantomscompositionwithauditoryphantasmaticpresence |