Pure filth: ethics, politics, and religion in early French farce
As Noah D. Guynn observes, early French farce has been summarily dismissed as pure filth for centuries. Renaissance humanists, classical moralists, and Enlightenment philosophes belittled it as an embarrassing reminder of the vulgarity of medieval popular culture. Modern literary critics and theater...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Philadelphia
University of Pennsylvania Press
2020
|
Schriftenreihe: | The Middle Ages Series
|
Schlagworte: | |
Zusammenfassung: | As Noah D. Guynn observes, early French farce has been summarily dismissed as pure filth for centuries. Renaissance humanists, classical moralists, and Enlightenment philosophes belittled it as an embarrassing reminder of the vulgarity of medieval popular culture. Modern literary critics and theater historians often view it as comedy's poor relation-trite, smutty pap that served to divert the masses and to inure them to lives of subservience. Yet, as Guynn demonstrates in his reexamination of the genre, the superficial crudeness and predictability of farce belie the complexities of its signifying and performance practices and the dynamic, contested nature of its field of reception. Pure Filth focuses on overlooked and occluded content in farce, arguing that apparently coarse jokes conceal finely drawn, and sometimes quite radical, perspectives on ethics, politics, and religion.Engaging with cultural history, political anthropology, and critical, feminist, and queer theory, Guynn shows that farce does not pander to the rabble in order to cultivate acquiescence or curb dissent. Rather, it uses the tools of comic theater-parody and satire, imitation and exaggeration, cross-dressing and masquerade-to address the urgent issues its spectators faced in their everyday lives: economic inequality and authoritarian rule, social justice and ethical renewal, sacramental devotion and sacerdotal corruption, and heterosocial relations and household politics. Achieving its subtlest effects by employing the lewdest forms of humor, farce reveals that aspirations to purity, whether ethical, political, or religious, are inevitably mired in the very filth they repudiate |
Beschreibung: | viii, 261 Seiten Illustrationen |
ISBN: | 9780812251685 |
Internformat
MARC
LEADER | 00000nam a2200000zc 4500 | ||
---|---|---|---|
001 | BV047130452 | ||
003 | DE-604 | ||
005 | 20210415 | ||
007 | t | ||
008 | 210208s2020 a||| |||| 00||| eng d | ||
020 | |a 9780812251685 |c hardback |9 978-0-8122-5168-5 | ||
035 | |a (OCoLC)1196247260 | ||
035 | |a (DE-599)BVBBV047130452 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 | ||
100 | 1 | |a Guynn, Noah D. |e Verfasser |0 (DE-588)138049785 |4 aut | |
245 | 1 | 0 | |a Pure filth |b ethics, politics, and religion in early French farce |c Noah D. Guynn |
264 | 1 | |a Philadelphia |b University of Pennsylvania Press |c 2020 | |
300 | |a viii, 261 Seiten |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 0 | |a The Middle Ages Series | |
520 | |a As Noah D. Guynn observes, early French farce has been summarily dismissed as pure filth for centuries. Renaissance humanists, classical moralists, and Enlightenment philosophes belittled it as an embarrassing reminder of the vulgarity of medieval popular culture. Modern literary critics and theater historians often view it as comedy's poor relation-trite, smutty pap that served to divert the masses and to inure them to lives of subservience. Yet, as Guynn demonstrates in his reexamination of the genre, the superficial crudeness and predictability of farce belie the complexities of its signifying and performance practices and the dynamic, contested nature of its field of reception. Pure Filth focuses on overlooked and occluded content in farce, arguing that apparently coarse jokes conceal finely drawn, and sometimes quite radical, perspectives on ethics, politics, and religion.Engaging with cultural history, political anthropology, and critical, feminist, and queer theory, Guynn shows that farce does not pander to the rabble in order to cultivate acquiescence or curb dissent. Rather, it uses the tools of comic theater-parody and satire, imitation and exaggeration, cross-dressing and masquerade-to address the urgent issues its spectators faced in their everyday lives: economic inequality and authoritarian rule, social justice and ethical renewal, sacramental devotion and sacerdotal corruption, and heterosocial relations and household politics. Achieving its subtlest effects by employing the lewdest forms of humor, farce reveals that aspirations to purity, whether ethical, political, or religious, are inevitably mired in the very filth they repudiate | ||
546 | |a In English | ||
648 | 7 | |a Geschichte 1450-1550 |2 gnd |9 rswk-swf | |
650 | 4 | |a Cultural Studies | |
650 | 4 | |a Literature | |
650 | 4 | |a Medieval and Renaissance Studies | |
650 | 7 | |a LITERARY CRITICISM / European / French |2 bisacsh | |
650 | 0 | 7 | |a Politik |g Motiv |0 (DE-588)4202544-8 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Philosophie |g Motiv |0 (DE-588)4467824-1 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Französisch |0 (DE-588)4113615-9 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Religion |g Motiv |0 (DE-588)4207560-9 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Farce |0 (DE-588)4153738-5 |2 gnd |9 rswk-swf |
689 | 0 | 0 | |a Französisch |0 (DE-588)4113615-9 |D s |
689 | 0 | 1 | |a Farce |0 (DE-588)4153738-5 |D s |
689 | 0 | 2 | |a Philosophie |g Motiv |0 (DE-588)4467824-1 |D s |
689 | 0 | 3 | |a Religion |g Motiv |0 (DE-588)4207560-9 |D s |
689 | 0 | 4 | |a Politik |g Motiv |0 (DE-588)4202544-8 |D s |
689 | 0 | 5 | |a Geschichte 1450-1550 |A z |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-0-8122-9649-5 |
999 | |a oai:aleph.bib-bvb.de:BVB01-032536582 |
Datensatz im Suchindex
_version_ | 1804182181825740800 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Guynn, Noah D. |
author_GND | (DE-588)138049785 |
author_facet | Guynn, Noah D. |
author_role | aut |
author_sort | Guynn, Noah D. |
author_variant | n d g nd ndg |
building | Verbundindex |
bvnumber | BV047130452 |
ctrlnum | (OCoLC)1196247260 (DE-599)BVBBV047130452 |
era | Geschichte 1450-1550 gnd |
era_facet | Geschichte 1450-1550 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03491nam a2200505zc 4500</leader><controlfield tag="001">BV047130452</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20210415 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">210208s2020 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780812251685</subfield><subfield code="c">hardback</subfield><subfield code="9">978-0-8122-5168-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1196247260</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047130452</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Guynn, Noah D.</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)138049785</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Pure filth</subfield><subfield code="b">ethics, politics, and religion in early French farce</subfield><subfield code="c">Noah D. Guynn</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Philadelphia</subfield><subfield code="b">University of Pennsylvania Press</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">viii, 261 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">The Middle Ages Series</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">As Noah D. Guynn observes, early French farce has been summarily dismissed as pure filth for centuries. Renaissance humanists, classical moralists, and Enlightenment philosophes belittled it as an embarrassing reminder of the vulgarity of medieval popular culture. Modern literary critics and theater historians often view it as comedy's poor relation-trite, smutty pap that served to divert the masses and to inure them to lives of subservience. Yet, as Guynn demonstrates in his reexamination of the genre, the superficial crudeness and predictability of farce belie the complexities of its signifying and performance practices and the dynamic, contested nature of its field of reception. Pure Filth focuses on overlooked and occluded content in farce, arguing that apparently coarse jokes conceal finely drawn, and sometimes quite radical, perspectives on ethics, politics, and religion.Engaging with cultural history, political anthropology, and critical, feminist, and queer theory, Guynn shows that farce does not pander to the rabble in order to cultivate acquiescence or curb dissent. Rather, it uses the tools of comic theater-parody and satire, imitation and exaggeration, cross-dressing and masquerade-to address the urgent issues its spectators faced in their everyday lives: economic inequality and authoritarian rule, social justice and ethical renewal, sacramental devotion and sacerdotal corruption, and heterosocial relations and household politics. Achieving its subtlest effects by employing the lewdest forms of humor, farce reveals that aspirations to purity, whether ethical, political, or religious, are inevitably mired in the very filth they repudiate</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1450-1550</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Cultural Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Literature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Medieval and Renaissance Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / European / French</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Politik</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4202544-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Philosophie</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4467824-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Französisch</subfield><subfield code="0">(DE-588)4113615-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Religion</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4207560-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Farce</subfield><subfield code="0">(DE-588)4153738-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Französisch</subfield><subfield code="0">(DE-588)4113615-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Farce</subfield><subfield code="0">(DE-588)4153738-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Philosophie</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4467824-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Religion</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4207560-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Politik</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4202544-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Geschichte 1450-1550</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-0-8122-9649-5</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032536582</subfield></datafield></record></collection> |
id | DE-604.BV047130452 |
illustrated | Illustrated |
index_date | 2024-07-03T16:32:09Z |
indexdate | 2024-07-10T09:03:28Z |
institution | BVB |
isbn | 9780812251685 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032536582 |
oclc_num | 1196247260 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | viii, 261 Seiten Illustrationen |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | University of Pennsylvania Press |
record_format | marc |
series2 | The Middle Ages Series |
spelling | Guynn, Noah D. Verfasser (DE-588)138049785 aut Pure filth ethics, politics, and religion in early French farce Noah D. Guynn Philadelphia University of Pennsylvania Press 2020 viii, 261 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier The Middle Ages Series As Noah D. Guynn observes, early French farce has been summarily dismissed as pure filth for centuries. Renaissance humanists, classical moralists, and Enlightenment philosophes belittled it as an embarrassing reminder of the vulgarity of medieval popular culture. Modern literary critics and theater historians often view it as comedy's poor relation-trite, smutty pap that served to divert the masses and to inure them to lives of subservience. Yet, as Guynn demonstrates in his reexamination of the genre, the superficial crudeness and predictability of farce belie the complexities of its signifying and performance practices and the dynamic, contested nature of its field of reception. Pure Filth focuses on overlooked and occluded content in farce, arguing that apparently coarse jokes conceal finely drawn, and sometimes quite radical, perspectives on ethics, politics, and religion.Engaging with cultural history, political anthropology, and critical, feminist, and queer theory, Guynn shows that farce does not pander to the rabble in order to cultivate acquiescence or curb dissent. Rather, it uses the tools of comic theater-parody and satire, imitation and exaggeration, cross-dressing and masquerade-to address the urgent issues its spectators faced in their everyday lives: economic inequality and authoritarian rule, social justice and ethical renewal, sacramental devotion and sacerdotal corruption, and heterosocial relations and household politics. Achieving its subtlest effects by employing the lewdest forms of humor, farce reveals that aspirations to purity, whether ethical, political, or religious, are inevitably mired in the very filth they repudiate In English Geschichte 1450-1550 gnd rswk-swf Cultural Studies Literature Medieval and Renaissance Studies LITERARY CRITICISM / European / French bisacsh Politik Motiv (DE-588)4202544-8 gnd rswk-swf Philosophie Motiv (DE-588)4467824-1 gnd rswk-swf Französisch (DE-588)4113615-9 gnd rswk-swf Religion Motiv (DE-588)4207560-9 gnd rswk-swf Farce (DE-588)4153738-5 gnd rswk-swf Französisch (DE-588)4113615-9 s Farce (DE-588)4153738-5 s Philosophie Motiv (DE-588)4467824-1 s Religion Motiv (DE-588)4207560-9 s Politik Motiv (DE-588)4202544-8 s Geschichte 1450-1550 z DE-604 Erscheint auch als Online-Ausgabe 978-0-8122-9649-5 |
spellingShingle | Guynn, Noah D. Pure filth ethics, politics, and religion in early French farce Cultural Studies Literature Medieval and Renaissance Studies LITERARY CRITICISM / European / French bisacsh Politik Motiv (DE-588)4202544-8 gnd Philosophie Motiv (DE-588)4467824-1 gnd Französisch (DE-588)4113615-9 gnd Religion Motiv (DE-588)4207560-9 gnd Farce (DE-588)4153738-5 gnd |
subject_GND | (DE-588)4202544-8 (DE-588)4467824-1 (DE-588)4113615-9 (DE-588)4207560-9 (DE-588)4153738-5 |
title | Pure filth ethics, politics, and religion in early French farce |
title_auth | Pure filth ethics, politics, and religion in early French farce |
title_exact_search | Pure filth ethics, politics, and religion in early French farce |
title_exact_search_txtP | Pure filth ethics, politics, and religion in early French farce |
title_full | Pure filth ethics, politics, and religion in early French farce Noah D. Guynn |
title_fullStr | Pure filth ethics, politics, and religion in early French farce Noah D. Guynn |
title_full_unstemmed | Pure filth ethics, politics, and religion in early French farce Noah D. Guynn |
title_short | Pure filth |
title_sort | pure filth ethics politics and religion in early french farce |
title_sub | ethics, politics, and religion in early French farce |
topic | Cultural Studies Literature Medieval and Renaissance Studies LITERARY CRITICISM / European / French bisacsh Politik Motiv (DE-588)4202544-8 gnd Philosophie Motiv (DE-588)4467824-1 gnd Französisch (DE-588)4113615-9 gnd Religion Motiv (DE-588)4207560-9 gnd Farce (DE-588)4153738-5 gnd |
topic_facet | Cultural Studies Literature Medieval and Renaissance Studies LITERARY CRITICISM / European / French Politik Motiv Philosophie Motiv Französisch Religion Motiv Farce |
work_keys_str_mv | AT guynnnoahd purefilthethicspoliticsandreligioninearlyfrenchfarce |