Dancehall: a reader on Jamaican music and culture
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Jamaica ; Barbados ; Trinidad and Tobago
The University of the West Indies Press
2020
|
| Schriftenreihe: | Sound culture series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xi, 493 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9789766407506 |
Internformat
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Datensatz im Suchindex
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Contents Acknowledgements and Permissions Introduction ix 1 SONJAH STANLEY NIAAH Part 1: Early Reflections 1 The Development of Jamaican Popular Music 9 GARTH WHITE շ Slackness Hiding from Culture: Erotic Play in the Dancehall 29 CAROLYN COOPER 3 Murderation: The Question of Violence in the Sound System Dance 63 NORMAN C.STOLZOFF 4 Gun Talk and Girls’ Talk: The DJ Clash 71 JOSEPH PEREIRA Part 2: Negotiation, Urban Space and Experience 5 Post-Nationalist Geographies: Rasta, Ragga and Reinventing Africa LOUIS CHUDE-SOKEI g An Archaeology of Dancehall: Garrison Life at Fort Rocky ZACHARY J.M. BEIER 7 Sampling City: Kingston in the Social Imaginary of Jamaican Popular Music 105 ANNA KASAFI PERKINS g Tommy Lee as “Uncle Demon”: Contemporary Cultural Hybridity in Jamaican Dancehall 122 ROBIN CLARKE 96 85
CONTENTS g Dancehall Political Patronage and Gun Violence: Political Affiliations and the Glorification of Gun Culture 139 DENNIS HOWARD Part 3: Engagement, Spectacle and the Language of Performance 10 Video Light: Dancehall and the Aesthetics of Spectacular Un-visibility in Jamaica 153 KRISTA THOMPSON 11 “Spar wid Me” and Other Stories of Civic Engagement in the Sound Clash Arena 173 JOSHUA CHAMBERLAIN 12 Death before Dishonour: Language and the Jamaican Sound System Clash 187 AUDENES. HENRY Part 4: Sexual Politics and Aesthetics 13 Out and Bad: Toward a Queer Performance Hermeneutic in Jamaican Dancehall 205 NADIA ELLIS 14 Fashion Ova Style: Dancehall’s Masculine Duality 223 DONNA HOPE 15 Ghetto Girls/Urban Music: Jamaican Ragga Music and Female Performance 238 TRACEY SKELTON lg “A Uman Wi Niem!” Sexual Desire and the Poetics of “Badness” in the Works of Lady Saw and Tanya Stephens 249 AGOSTINHO PINNOCK Part 5: Sound System, Riddim and Practice 17 A Caribbean Taste of Technology: Creolization and the Ways of Making of the Dancehall Sound System 269 JULIAN HENRIQUES
CONTENTS 18 The Riddim Method: Aesthetics, Practice and Ownership in Jamaican Dancehall 283 PETER MANUEL AND WAYNE MARSHALL 19 “‘Sleng Teng’ Dominate Bad, Bad”: Understanding Jamaica’s “Computerized” Riddim Craze 303 ER!N C. MacLEOD 20 Sleng Teng: Redefining Jamaica’s Digital Riddims 313 RAYHITCHINS Part 6: Ritual, Celebration, Space 21 Ritual and Community in Dancehall Performance 327 SONJAH STANLEY NIAAH 22 Egúngún in Disguise: The Jamaican Nine Night Ceremony 342 LENA DELGADO DE TORRES 23 Representations of “Obeah” and “Bad-Mind” in Contemporary Jamaican Dancehall 357 KATE LAWTON Part 7: Adornment, Embodiment and Style 24 Fabricating Identities: Survival and the Imagination in Jamaican Dancehall Culture 381 BIBI BAKARE-YUSUF 25 Dancehall Bodies: Performing In/Securities 398 "H" PATTEN 26 Born in Chanel, Christen in Gucci: The Rhetoric of Brand Names and Haute Couture in Jamaican Dancehall 406 ANDREA SHAWNEVINS Part 8: The Dancehall Transnation 27 Music and Orality: Authenticity in Japanese Sound System Culture MARVIN D. STERLING 423 и/
CONTENTS 28 Zimdancehall: Jamaican Music in a Transatlantic and African Perspective 435 ANDREA HOLLINGTON 29 Black Music, Popular Culture and Existential Capital: The Relationship between Appropriation and Originality 453 BRUNO BARBOZA MUNIZ 30 White Faces in Intimate Spaces: Jamaican Popular Music in Global Circulation 468 LARISA KINGSTON MANN Part 9: Tribute to Bogle 31 “Bogle ah di Order fi di Day”: Dance and Identity in Jamaican Dancehall 477 SONJAH STANLEY NIAAH Contributors 491 |
| adam_txt |
Contents Acknowledgements and Permissions Introduction ix 1 SONJAH STANLEY NIAAH Part 1: Early Reflections 1 The Development of Jamaican Popular Music 9 GARTH WHITE շ Slackness Hiding from Culture: Erotic Play in the Dancehall 29 CAROLYN COOPER 3 Murderation: The Question of Violence in the Sound System Dance 63 NORMAN C.STOLZOFF 4 Gun Talk and Girls’ Talk: The DJ Clash 71 JOSEPH PEREIRA Part 2: Negotiation, Urban Space and Experience 5 Post-Nationalist Geographies: Rasta, Ragga and Reinventing Africa LOUIS CHUDE-SOKEI g An Archaeology of Dancehall: Garrison Life at Fort Rocky ZACHARY J.M. BEIER 7 Sampling City: Kingston in the Social Imaginary of Jamaican Popular Music 105 ANNA KASAFI PERKINS g Tommy Lee as “Uncle Demon”: Contemporary Cultural Hybridity in Jamaican Dancehall 122 ROBIN CLARKE 96 85
CONTENTS g Dancehall Political Patronage and Gun Violence: Political Affiliations and the Glorification of Gun Culture 139 DENNIS HOWARD Part 3: Engagement, Spectacle and the Language of Performance 10 Video Light: Dancehall and the Aesthetics of Spectacular Un-visibility in Jamaica 153 KRISTA THOMPSON 11 “Spar wid Me” and Other Stories of Civic Engagement in the Sound Clash Arena 173 JOSHUA CHAMBERLAIN 12 Death before Dishonour: Language and the Jamaican Sound System Clash 187 AUDENES. HENRY Part 4: Sexual Politics and Aesthetics 13 Out and Bad: Toward a Queer Performance Hermeneutic in Jamaican Dancehall 205 NADIA ELLIS 14 Fashion Ova Style: Dancehall’s Masculine Duality 223 DONNA HOPE 15 Ghetto Girls/Urban Music: Jamaican Ragga Music and Female Performance 238 TRACEY SKELTON lg “A Uman Wi Niem!” Sexual Desire and the Poetics of “Badness” in the Works of Lady Saw and Tanya Stephens 249 AGOSTINHO PINNOCK Part 5: Sound System, Riddim and Practice 17 A Caribbean Taste of Technology: Creolization and the Ways of Making of the Dancehall Sound System 269 JULIAN HENRIQUES
CONTENTS 18 The Riddim Method: Aesthetics, Practice and Ownership in Jamaican Dancehall 283 PETER MANUEL AND WAYNE MARSHALL 19 “‘Sleng Teng’ Dominate Bad, Bad”: Understanding Jamaica’s “Computerized” Riddim Craze 303 ER!N C. MacLEOD 20 Sleng Teng: Redefining Jamaica’s Digital Riddims 313 RAYHITCHINS Part 6: Ritual, Celebration, Space 21 Ritual and Community in Dancehall Performance 327 SONJAH STANLEY NIAAH 22 Egúngún in Disguise: The Jamaican Nine Night Ceremony 342 LENA DELGADO DE TORRES 23 Representations of “Obeah” and “Bad-Mind” in Contemporary Jamaican Dancehall 357 KATE LAWTON Part 7: Adornment, Embodiment and Style 24 Fabricating Identities: Survival and the Imagination in Jamaican Dancehall Culture 381 BIBI BAKARE-YUSUF 25 Dancehall Bodies: Performing In/Securities 398 "H" PATTEN 26 Born in Chanel, Christen in Gucci: The Rhetoric of Brand Names and Haute Couture in Jamaican Dancehall 406 ANDREA SHAWNEVINS Part 8: The Dancehall Transnation 27 Music and Orality: Authenticity in Japanese Sound System Culture MARVIN D. STERLING 423 и/
CONTENTS 28 Zimdancehall: Jamaican Music in a Transatlantic and African Perspective 435 ANDREA HOLLINGTON 29 Black Music, Popular Culture and Existential Capital: The Relationship between Appropriation and Originality 453 BRUNO BARBOZA MUNIZ 30 White Faces in Intimate Spaces: Jamaican Popular Music in Global Circulation 468 LARISA KINGSTON MANN Part 9: Tribute to Bogle 31 “Bogle ah di Order fi di Day”: Dance and Identity in Jamaican Dancehall 477 SONJAH STANLEY NIAAH Contributors 491 |
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