Aesthetics of the commons:
"What do a feminist server, an art space located in a public park in North London, a 'pirate' library of high cultural value yet dubious legal status, and an art school that emphasizes collectivity have in common? They all demonstrate that art can play an important role in imagining a...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Zürich
Diaphanes
[2021]
|
| Schriftenreihe: | Institute for Contemporary Art Research series, Zurich University of the Arts
volume 24 |
| Schlagworte: | |
| Online-Zugang: | Volltext Inhaltstext Inhaltsverzeichnis |
| Zusammenfassung: | "What do a feminist server, an art space located in a public park in North London, a 'pirate' library of high cultural value yet dubious legal status, and an art school that emphasizes collectivity have in common? They all demonstrate that art can play an important role in imagining and producing a real quite different from what is currently hegemonic; that art has the possibility to not only envision or proclaim ideas in theory, but also to realize them materially. Aesthetics of the Commons examines a series of artistic and cultural projects-drawn from what can loosely be called the (post)digital-that take up this challenge in different ways. What unites them, however, is that they all have a 'double character.' They are art in the sense that they place themselves in relation to (Western) cultural and art systems, developing discursive and aesthetic positions, but, at the same time, they are 'operational' in that they create recursive environments and freely available resources whose uses exceed these systems. The first aspect raises questions about the kind of aesthetics that are being embodied, the second creates a relation to the larger concept of the 'commons.' In Aesthetics of the Commons, the commons are understood not as a fixed set of principles that need to be adhered to in order to fit a definition, but instead as a 'thinking tool'-in other words, the book's interest lies in what can be made visible by applying the framework of the commons as a heuristic device." |
| Beschreibung: | 275 Seiten 21 cm x 13.5 cm, 335 g |
| ISBN: | 9783035803457 3035803455 |
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| 520 | 3 | |a "What do a feminist server, an art space located in a public park in North London, a 'pirate' library of high cultural value yet dubious legal status, and an art school that emphasizes collectivity have in common? They all demonstrate that art can play an important role in imagining and producing a real quite different from what is currently hegemonic; that art has the possibility to not only envision or proclaim ideas in theory, but also to realize them materially. Aesthetics of the Commons examines a series of artistic and cultural projects-drawn from what can loosely be called the (post)digital-that take up this challenge in different ways. What unites them, however, is that they all have a 'double character.' They are art in the sense that they place themselves in relation to (Western) cultural and art systems, developing discursive and aesthetic positions, but, at the same time, they are 'operational' in that they create recursive environments and freely available resources whose uses exceed these systems. The first aspect raises questions about the kind of aesthetics that are being embodied, the second creates a relation to the larger concept of the 'commons.' In Aesthetics of the Commons, the commons are understood not as a fixed set of principles that need to be adhered to in order to fit a definition, but instead as a 'thinking tool'-in other words, the book's interest lies in what can be made visible by applying the framework of the commons as a heuristic device." | |
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Datensatz im Suchindex
| _version_ | 1804182178401091584 |
|---|---|
| adam_text | 7
9
11
41
63
81
101
125
153
181
CONTENTS
PREFACE
ACKNOWLEDGMENTS
INTRODUCTION
AGENCY
&
SUBJECTIVITY
OLGA
GORIUNOVA
UPLOADING
OUR
LIBRARIES:
THE
SUBJECTS
OF
ART
AND
KNOWLEDGE
COMMONS
JEREMY
GILBERT
THE
COMMONS,
THE
PUBLIC,
AND
THE
AESTHETICS
OF
SOLIDARITY
JUDITH
SIEGMUND
WHICH
*
AESTHETICS
OF
THE
COMMONS
*
?
CARE
&
INFRASTRUCTURE
DAPHNE
DRAGONA
COMMONING
THE
COMMONS:
REVISITING
THE
ROLE
OF
ART
IN
TIMES
OF
CRISIS
MAGDALENA
TYZLIK-CARVER
IN
SEARCH
OF
COMMON
FORMS
AND
CURATORIAL
EPISTEMOLOGIES.
ON
THE
EXHIBITION
OPEN
SCORES:
HOW
TO
PROGRAM
THE
COMMONS
GARY
HALL
POSTDIGITAL
POLITICS
AFFECT
&
ORGANIZATION
INES
KLEESATTEL
SITUATED
AESTHETICS
FOR
RELATIONAL
CRITIQUE.
ON
MESSY
ENTANGLEMENTS
FROM
MAINTENANCE
ART
TO
FEMINIST
SERVER
ART
199
SOPHIE
TOUPIN
THE
COMMONS,
SOCIOTECHNICAL
IMAGINARIES
AND
RESISTANCE
217
RAHEL
PUFFERT
WHAT
IS
*
IN
COMMON
*
HERE?
TRANSFORMED
RELATIONSHIPS
BETWEEN
ART
AND
EDUCATION
ON
THE
PATH
TO
(DIGITAL)
COMMONS
241
CHRISTOPH
BRUNNER
CONCATENATED
COMMONS
AND
OPERATIONAL
AESTHETICS
271
AUTHORS
AND
EDITORS
|
| adam_txt |
7
9
11
41
63
81
101
125
153
181
CONTENTS
PREFACE
ACKNOWLEDGMENTS
INTRODUCTION
AGENCY
&
SUBJECTIVITY
OLGA
GORIUNOVA
UPLOADING
OUR
LIBRARIES:
THE
SUBJECTS
OF
ART
AND
KNOWLEDGE
COMMONS
JEREMY
GILBERT
THE
COMMONS,
THE
PUBLIC,
AND
THE
AESTHETICS
OF
SOLIDARITY
JUDITH
SIEGMUND
WHICH
*
AESTHETICS
OF
THE
COMMONS
*
?
CARE
&
INFRASTRUCTURE
DAPHNE
DRAGONA
COMMONING
THE
COMMONS:
REVISITING
THE
ROLE
OF
ART
IN
TIMES
OF
CRISIS
MAGDALENA
TYZLIK-CARVER
IN
SEARCH
OF
COMMON
FORMS
AND
CURATORIAL
EPISTEMOLOGIES.
ON
THE
EXHIBITION
OPEN
SCORES:
HOW
TO
PROGRAM
THE
COMMONS
GARY
HALL
POSTDIGITAL
POLITICS
AFFECT
&
ORGANIZATION
INES
KLEESATTEL
SITUATED
AESTHETICS
FOR
RELATIONAL
CRITIQUE.
ON
MESSY
ENTANGLEMENTS
FROM
MAINTENANCE
ART
TO
FEMINIST
SERVER
ART
199
SOPHIE
TOUPIN
THE
COMMONS,
SOCIOTECHNICAL
IMAGINARIES
AND
RESISTANCE
217
RAHEL
PUFFERT
WHAT
IS
*
IN
COMMON
*
HERE?
TRANSFORMED
RELATIONSHIPS
BETWEEN
ART
AND
EDUCATION
ON
THE
PATH
TO
(DIGITAL)
COMMONS
241
CHRISTOPH
BRUNNER
CONCATENATED
COMMONS
AND
OPERATIONAL
AESTHETICS
271
AUTHORS
AND
EDITORS |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
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| author_GND | (DE-588)130324515 (DE-588)1078340021 (DE-588)1237329116 |
| author_facet | Sollfrank, Cornelia 1960- Stalder, Felix 1968- Niederberger, Shusha 1974- |
| building | Verbundindex |
| bvnumber | BV047128385 |
| classification_rvk | AP 14350 |
| collection | ebook |
| ctrlnum | (OCoLC)1237585342 (DE-599)DNB1221734466 |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| format | Book |
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| id | DE-604.BV047128385 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:31:33Z |
| indexdate | 2024-07-10T09:03:25Z |
| institution | BVB |
| institution_GND | (DE-588)1064211070 |
| isbn | 9783035803457 3035803455 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032534570 |
| oclc_num | 1237585342 |
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| physical | 275 Seiten 21 cm x 13.5 cm, 335 g |
| psigel | ebook |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Diaphanes |
| record_format | marc |
| series | Institute for Contemporary Art Research series, Zurich University of the Arts |
| series2 | Institute for Contemporary Art Research series, Zurich University of the Arts |
| spelling | Aesthetics of the commons edited by Cornelia Sollfrank, Felix Stalder, Shusha Niederberger Zürich Diaphanes [2021] 275 Seiten 21 cm x 13.5 cm, 335 g txt rdacontent n rdamedia nc rdacarrier Institute for Contemporary Art Research series, Zurich University of the Arts volume 24 "What do a feminist server, an art space located in a public park in North London, a 'pirate' library of high cultural value yet dubious legal status, and an art school that emphasizes collectivity have in common? They all demonstrate that art can play an important role in imagining and producing a real quite different from what is currently hegemonic; that art has the possibility to not only envision or proclaim ideas in theory, but also to realize them materially. Aesthetics of the Commons examines a series of artistic and cultural projects-drawn from what can loosely be called the (post)digital-that take up this challenge in different ways. What unites them, however, is that they all have a 'double character.' They are art in the sense that they place themselves in relation to (Western) cultural and art systems, developing discursive and aesthetic positions, but, at the same time, they are 'operational' in that they create recursive environments and freely available resources whose uses exceed these systems. The first aspect raises questions about the kind of aesthetics that are being embodied, the second creates a relation to the larger concept of the 'commons.' In Aesthetics of the Commons, the commons are understood not as a fixed set of principles that need to be adhered to in order to fit a definition, but instead as a 'thinking tool'-in other words, the book's interest lies in what can be made visible by applying the framework of the commons as a heuristic device." Künste (DE-588)4033422-3 gnd rswk-swf Gesellschaft (DE-588)4020588-5 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf Ästhetik Commons Digitale Kultur Kunst (DE-588)4143413-4 Aufsatzsammlung gnd-content Kunst (DE-588)4114333-4 s Ästhetik (DE-588)4000626-8 s Gesellschaft (DE-588)4020588-5 s DE-604 Künste (DE-588)4033422-3 s Kultur (DE-588)4125698-0 s Sollfrank, Cornelia 1960- (DE-588)130324515 edt Stalder, Felix 1968- (DE-588)1078340021 edt Niederberger, Shusha 1974- (DE-588)1237329116 edt Diaphanes (DE-588)1064211070 pbl Erscheint auch als Online-Ausgabe, open access 978-3-0358-0391-4 Institute for Contemporary Art Research series, Zurich University of the Arts volume 24 (DE-604)BV042703794 24 https://www.diaphanes.net/titel/aesthetics-of-the-commons-6419 Verlag kostenfrei Volltext X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=0353a1b4099345c0bddc6c2742819a1d&prov=M&dok_var=1&dok_ext=htm Inhaltstext DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032534570&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p vlb 20201119 DE-101 https://d-nb.info/provenance/plan#vlb |
| spellingShingle | Aesthetics of the commons Institute for Contemporary Art Research series, Zurich University of the Arts Künste (DE-588)4033422-3 gnd Gesellschaft (DE-588)4020588-5 gnd Ästhetik (DE-588)4000626-8 gnd Kunst (DE-588)4114333-4 gnd Kultur (DE-588)4125698-0 gnd |
| subject_GND | (DE-588)4033422-3 (DE-588)4020588-5 (DE-588)4000626-8 (DE-588)4114333-4 (DE-588)4125698-0 (DE-588)4143413-4 |
| title | Aesthetics of the commons |
| title_auth | Aesthetics of the commons |
| title_exact_search | Aesthetics of the commons |
| title_exact_search_txtP | Aesthetics of the commons |
| title_full | Aesthetics of the commons edited by Cornelia Sollfrank, Felix Stalder, Shusha Niederberger |
| title_fullStr | Aesthetics of the commons edited by Cornelia Sollfrank, Felix Stalder, Shusha Niederberger |
| title_full_unstemmed | Aesthetics of the commons edited by Cornelia Sollfrank, Felix Stalder, Shusha Niederberger |
| title_short | Aesthetics of the commons |
| title_sort | aesthetics of the commons |
| topic | Künste (DE-588)4033422-3 gnd Gesellschaft (DE-588)4020588-5 gnd Ästhetik (DE-588)4000626-8 gnd Kunst (DE-588)4114333-4 gnd Kultur (DE-588)4125698-0 gnd |
| topic_facet | Künste Gesellschaft Ästhetik Kunst Kultur Aufsatzsammlung |
| url | https://www.diaphanes.net/titel/aesthetics-of-the-commons-6419 http://deposit.dnb.de/cgi-bin/dokserv?id=0353a1b4099345c0bddc6c2742819a1d&prov=M&dok_var=1&dok_ext=htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032534570&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV042703794 |
| work_keys_str_mv | AT sollfrankcornelia aestheticsofthecommons AT stalderfelix aestheticsofthecommons AT niederbergershusha aestheticsofthecommons AT diaphanes aestheticsofthecommons |