Modernism and the idea of the crowd:
This book argues that modernists such as James Joyce and Virginia Woolf engaged creatively with modernity's expanding forms of collective experience and performative identities. Judith Paltin compares patterns of crowds in modernist Anglophone literature to historical arrangements and theories...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
2020
|
Schlagworte: | |
Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | This book argues that modernists such as James Joyce and Virginia Woolf engaged creatively with modernity's expanding forms of collective experience and performative identities. Judith Paltin compares patterns of crowds in modernist Anglophone literature to historical arrangements and theories of democratic assembly to argue that an abstract construction of the crowd engages with the transformation of popular subjectivity from a nineteenth-century liberal citizenry to the contemporary sense of a range of political multitudes struggling with intersectional conditions of oppression and precarity. Modernist works, many of which were composed during the ascendancy of fascism and other populist politics claiming to be based on the action of the crowd, frequently stage the crowd as a primal scene for violence; at the same time, they posit a counterforce in more agile collective gatherings which clarify the changing relations in literary modernity between subjects and power |
Beschreibung: | Introduction: Night terrors -- Compositions of the crowds of modernism -- Crowd involvements and attachments -- Crowds and transformation -- Crowds and agility -- Conclusion: Assembly and the agile becoming-subject. - Title from publisher's bibliographic system (viewed on 20 Nov 2020) |
Beschreibung: | 1 Online-Ressource (vii, 225 Seiten) |
ISBN: | 9781108907026 |
DOI: | 10.1017/9781108907026 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV047122080 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 210203s2020 |||| o||u| ||||||eng d | ||
020 | |a 9781108907026 |c Online |9 978-1-108-90702-6 | ||
024 | 7 | |a 10.1017/9781108907026 |2 doi | |
035 | |a (ZDB-20-CBO)CR9781108907026 | ||
035 | |a (OCoLC)1237594217 | ||
035 | |a (DE-599)BVBBV047122080 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-473 | ||
082 | 0 | |a 809/.93353 | |
084 | |a HM 1101 |0 (DE-625)50788: |2 rvk | ||
100 | 1 | |a Paltin, Judith |d 1959- |0 (DE-588)1226237762 |4 aut | |
245 | 1 | 0 | |a Modernism and the idea of the crowd |c Judith Paltin |
264 | 1 | |a Cambridge |b Cambridge University Press |c 2020 | |
300 | |a 1 Online-Ressource (vii, 225 Seiten) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a Introduction: Night terrors -- Compositions of the crowds of modernism -- Crowd involvements and attachments -- Crowds and transformation -- Crowds and agility -- Conclusion: Assembly and the agile becoming-subject. - Title from publisher's bibliographic system (viewed on 20 Nov 2020) | ||
520 | |a This book argues that modernists such as James Joyce and Virginia Woolf engaged creatively with modernity's expanding forms of collective experience and performative identities. Judith Paltin compares patterns of crowds in modernist Anglophone literature to historical arrangements and theories of democratic assembly to argue that an abstract construction of the crowd engages with the transformation of popular subjectivity from a nineteenth-century liberal citizenry to the contemporary sense of a range of political multitudes struggling with intersectional conditions of oppression and precarity. Modernist works, many of which were composed during the ascendancy of fascism and other populist politics claiming to be based on the action of the crowd, frequently stage the crowd as a primal scene for violence; at the same time, they posit a counterforce in more agile collective gatherings which clarify the changing relations in literary modernity between subjects and power | ||
650 | 4 | |a Crowds in literature | |
650 | 4 | |a English fiction / 20th century / History and criticism | |
650 | 4 | |a Modernism (Literature) | |
650 | 4 | |a Literature and society / Great Britain / History / 20th century | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-108-84223-5 |
856 | 4 | 0 | |u https://doi.org/10.1017/9781108907026 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-20-CBO | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-032528368 | ||
966 | e | |u https://doi.org/10.1017/9781108907026 |l BSB01 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1017/9781108907026 |l UBG01 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804182167226417152 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Paltin, Judith 1959- |
author_GND | (DE-588)1226237762 |
author_facet | Paltin, Judith 1959- |
author_role | aut |
author_sort | Paltin, Judith 1959- |
author_variant | j p jp |
building | Verbundindex |
bvnumber | BV047122080 |
classification_rvk | HM 1101 |
collection | ZDB-20-CBO |
ctrlnum | (ZDB-20-CBO)CR9781108907026 (OCoLC)1237594217 (DE-599)BVBBV047122080 |
dewey-full | 809/.93353 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 809 - History, description & criticism |
dewey-raw | 809/.93353 |
dewey-search | 809/.93353 |
dewey-sort | 3809 593353 |
dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
discipline | Anglistik / Amerikanistik Literaturwissenschaft |
discipline_str_mv | Anglistik / Amerikanistik Literaturwissenschaft |
doi_str_mv | 10.1017/9781108907026 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02871nmm a2200433zc 4500</leader><controlfield tag="001">BV047122080</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">210203s2020 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781108907026</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-108-90702-6</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/9781108907026</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781108907026</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1237594217</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047122080</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">809/.93353</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HM 1101</subfield><subfield code="0">(DE-625)50788:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Paltin, Judith</subfield><subfield code="d">1959-</subfield><subfield code="0">(DE-588)1226237762</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Modernism and the idea of the crowd</subfield><subfield code="c">Judith Paltin</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (vii, 225 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Introduction: Night terrors -- Compositions of the crowds of modernism -- Crowd involvements and attachments -- Crowds and transformation -- Crowds and agility -- Conclusion: Assembly and the agile becoming-subject. - Title from publisher's bibliographic system (viewed on 20 Nov 2020)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This book argues that modernists such as James Joyce and Virginia Woolf engaged creatively with modernity's expanding forms of collective experience and performative identities. Judith Paltin compares patterns of crowds in modernist Anglophone literature to historical arrangements and theories of democratic assembly to argue that an abstract construction of the crowd engages with the transformation of popular subjectivity from a nineteenth-century liberal citizenry to the contemporary sense of a range of political multitudes struggling with intersectional conditions of oppression and precarity. Modernist works, many of which were composed during the ascendancy of fascism and other populist politics claiming to be based on the action of the crowd, frequently stage the crowd as a primal scene for violence; at the same time, they posit a counterforce in more agile collective gatherings which clarify the changing relations in literary modernity between subjects and power</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Crowds in literature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English fiction / 20th century / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Modernism (Literature)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Literature and society / Great Britain / History / 20th century</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-108-84223-5</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/9781108907026</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032528368</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781108907026</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781108907026</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV047122080 |
illustrated | Not Illustrated |
index_date | 2024-07-03T16:29:44Z |
indexdate | 2024-07-10T09:03:14Z |
institution | BVB |
isbn | 9781108907026 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032528368 |
oclc_num | 1237594217 |
open_access_boolean | |
owner | DE-12 DE-473 DE-BY-UBG |
owner_facet | DE-12 DE-473 DE-BY-UBG |
physical | 1 Online-Ressource (vii, 225 Seiten) |
psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | Cambridge University Press |
record_format | marc |
spelling | Paltin, Judith 1959- (DE-588)1226237762 aut Modernism and the idea of the crowd Judith Paltin Cambridge Cambridge University Press 2020 1 Online-Ressource (vii, 225 Seiten) txt rdacontent c rdamedia cr rdacarrier Introduction: Night terrors -- Compositions of the crowds of modernism -- Crowd involvements and attachments -- Crowds and transformation -- Crowds and agility -- Conclusion: Assembly and the agile becoming-subject. - Title from publisher's bibliographic system (viewed on 20 Nov 2020) This book argues that modernists such as James Joyce and Virginia Woolf engaged creatively with modernity's expanding forms of collective experience and performative identities. Judith Paltin compares patterns of crowds in modernist Anglophone literature to historical arrangements and theories of democratic assembly to argue that an abstract construction of the crowd engages with the transformation of popular subjectivity from a nineteenth-century liberal citizenry to the contemporary sense of a range of political multitudes struggling with intersectional conditions of oppression and precarity. Modernist works, many of which were composed during the ascendancy of fascism and other populist politics claiming to be based on the action of the crowd, frequently stage the crowd as a primal scene for violence; at the same time, they posit a counterforce in more agile collective gatherings which clarify the changing relations in literary modernity between subjects and power Crowds in literature English fiction / 20th century / History and criticism Modernism (Literature) Literature and society / Great Britain / History / 20th century Erscheint auch als Druck-Ausgabe 978-1-108-84223-5 https://doi.org/10.1017/9781108907026 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Paltin, Judith 1959- Modernism and the idea of the crowd Crowds in literature English fiction / 20th century / History and criticism Modernism (Literature) Literature and society / Great Britain / History / 20th century |
title | Modernism and the idea of the crowd |
title_auth | Modernism and the idea of the crowd |
title_exact_search | Modernism and the idea of the crowd |
title_exact_search_txtP | Modernism and the idea of the crowd |
title_full | Modernism and the idea of the crowd Judith Paltin |
title_fullStr | Modernism and the idea of the crowd Judith Paltin |
title_full_unstemmed | Modernism and the idea of the crowd Judith Paltin |
title_short | Modernism and the idea of the crowd |
title_sort | modernism and the idea of the crowd |
topic | Crowds in literature English fiction / 20th century / History and criticism Modernism (Literature) Literature and society / Great Britain / History / 20th century |
topic_facet | Crowds in literature English fiction / 20th century / History and criticism Modernism (Literature) Literature and society / Great Britain / History / 20th century |
url | https://doi.org/10.1017/9781108907026 |
work_keys_str_mv | AT paltinjudith modernismandtheideaofthecrowd |