The empathic screen: cinema and neuroscience
Why do people go to the movies? What does it mean to watch a movie? To what extent is the perceived fictional nature of movies different from our daily perception of the real world? We live in a time where the power of images has strongly invaded our everyday life, and we need new instruments and me...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Weitere Verfasser: | , , |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
2020
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| Ausgabe: | First edition |
| Schlagworte: | |
| Zusammenfassung: | Why do people go to the movies? What does it mean to watch a movie? To what extent is the perceived fictional nature of movies different from our daily perception of the real world? We live in a time where the power of images has strongly invaded our everyday life, and we need new instruments and methods to better understand our relationship with the virtual worlds we inhabit every day. Taking cinema as the beginning of our relationship with the world of moving images, and cognitive neuroscience as a paradigm to understand how the images engage us, The Empathic Screen develops a new theory of film experience, exploring our brain-body interaction when engaging with and watching a film. In this book, film theory and neuroscience meet to shed new light on cinema masterpieces, such as The Shining, The Silence of the Lambs, and Toy Story, and explore the great directors from the classical period to the present. Taking a radical new approach to understanding the cinema, the book will be fascinating reading for cognitive scientists, neuroscientists, psychologists, philosophers, and film and media scholars |
| Beschreibung: | Originally published as "Lo Schermo Empatico : cinema e neuroscienze" by Raffaello Cortina editore, 2015 |
| Beschreibung: | xxiii, 238 Seiten Illustrationen |
| ISBN: | 9780198793533 |
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| 245 | 1 | 0 | |a The empathic screen |b cinema and neuroscience |c by Vittorio Gallese and Michele Guerra ; translated by Frances Anderson |
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| 505 | 8 | |a Machine generated contents note: 1.Embodied Simulation: A New Model of Perception -- 2.Stilted Movements and Improbable Stares -- 3.Camera Movements and Motor Cognition -- 4.Cut and Harmony -- 5.Face and Hands -- 6.New Mediation, New Films, New Experiments | |
| 520 | 3 | |a Why do people go to the movies? What does it mean to watch a movie? To what extent is the perceived fictional nature of movies different from our daily perception of the real world? We live in a time where the power of images has strongly invaded our everyday life, and we need new instruments and methods to better understand our relationship with the virtual worlds we inhabit every day. Taking cinema as the beginning of our relationship with the world of moving images, and cognitive neuroscience as a paradigm to understand how the images engage us, The Empathic Screen develops a new theory of film experience, exploring our brain-body interaction when engaging with and watching a film. In this book, film theory and neuroscience meet to shed new light on cinema masterpieces, such as The Shining, The Silence of the Lambs, and Toy Story, and explore the great directors from the classical period to the present. Taking a radical new approach to understanding the cinema, the book will be fascinating reading for cognitive scientists, neuroscientists, psychologists, philosophers, and film and media scholars | |
| 546 | |a Translated from Italian | ||
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Datensatz im Suchindex
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| author | Gallese, Vittorio 1959- Guerra, Michele 1982- |
| author2 | Anderson, Frances 1950- Guerra, Michele Gallese, Vittorio Guerra, Michele 1982- |
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| author_facet | Gallese, Vittorio 1959- Guerra, Michele 1982- Anderson, Frances 1950- Guerra, Michele Gallese, Vittorio Guerra, Michele 1982- |
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| contents | Machine generated contents note: 1.Embodied Simulation: A New Model of Perception -- 2.Stilted Movements and Improbable Stares -- 3.Camera Movements and Motor Cognition -- 4.Cut and Harmony -- 5.Face and Hands -- 6.New Mediation, New Films, New Experiments |
| ctrlnum | (OCoLC)1140103582 (DE-599)BVBBV047120906 |
| discipline | Allgemeines Philosophie |
| discipline_str_mv | Allgemeines Philosophie |
| edition | First edition |
| format | Book |
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| id | DE-604.BV047120906 |
| illustrated | Illustrated |
| index_date | 2024-07-03T16:29:21Z |
| indexdate | 2024-07-10T09:03:12Z |
| institution | BVB |
| isbn | 9780198793533 |
| language | English |
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| oclc_num | 1140103582 |
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| physical | xxiii, 238 Seiten Illustrationen |
| psigel | BSB_NED_20210331 |
| publishDate | 2020 |
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| publisher | Oxford University Press |
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| spelling | Gallese, Vittorio 1959- Verfasser (DE-588)1066584915 aut Schermo Empatico The empathic screen cinema and neuroscience by Vittorio Gallese and Michele Guerra ; translated by Frances Anderson First edition Oxford Oxford University Press 2020 xxiii, 238 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier Originally published as "Lo Schermo Empatico : cinema e neuroscienze" by Raffaello Cortina editore, 2015 Machine generated contents note: 1.Embodied Simulation: A New Model of Perception -- 2.Stilted Movements and Improbable Stares -- 3.Camera Movements and Motor Cognition -- 4.Cut and Harmony -- 5.Face and Hands -- 6.New Mediation, New Films, New Experiments Why do people go to the movies? What does it mean to watch a movie? To what extent is the perceived fictional nature of movies different from our daily perception of the real world? We live in a time where the power of images has strongly invaded our everyday life, and we need new instruments and methods to better understand our relationship with the virtual worlds we inhabit every day. Taking cinema as the beginning of our relationship with the world of moving images, and cognitive neuroscience as a paradigm to understand how the images engage us, The Empathic Screen develops a new theory of film experience, exploring our brain-body interaction when engaging with and watching a film. In this book, film theory and neuroscience meet to shed new light on cinema masterpieces, such as The Shining, The Silence of the Lambs, and Toy Story, and explore the great directors from the classical period to the present. Taking a radical new approach to understanding the cinema, the book will be fascinating reading for cognitive scientists, neuroscientists, psychologists, philosophers, and film and media scholars Translated from Italian Zuschauer (DE-588)4127324-2 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Neurowissenschaften (DE-588)7555119-6 gnd rswk-swf Neurosciences and motion pictures Empathy Film (DE-588)4017102-4 s Zuschauer (DE-588)4127324-2 s Neurowissenschaften (DE-588)7555119-6 s DE-604 Guerra, Michele 1982- Verfasser (DE-588)134079353 aut Anderson, Frances 1950- (DE-588)1218478810 trl Guerra, Michele Essays Selections Gallese, Vittorio Essays Selections Guerra, Michele 1982- Essays Selections |
| spellingShingle | Gallese, Vittorio 1959- Guerra, Michele 1982- The empathic screen cinema and neuroscience Machine generated contents note: 1.Embodied Simulation: A New Model of Perception -- 2.Stilted Movements and Improbable Stares -- 3.Camera Movements and Motor Cognition -- 4.Cut and Harmony -- 5.Face and Hands -- 6.New Mediation, New Films, New Experiments Zuschauer (DE-588)4127324-2 gnd Film (DE-588)4017102-4 gnd Neurowissenschaften (DE-588)7555119-6 gnd |
| subject_GND | (DE-588)4127324-2 (DE-588)4017102-4 (DE-588)7555119-6 |
| title | The empathic screen cinema and neuroscience |
| title_alt | Schermo Empatico Essays |
| title_auth | The empathic screen cinema and neuroscience |
| title_exact_search | The empathic screen cinema and neuroscience |
| title_exact_search_txtP | The empathic screen cinema and neuroscience |
| title_full | The empathic screen cinema and neuroscience by Vittorio Gallese and Michele Guerra ; translated by Frances Anderson |
| title_fullStr | The empathic screen cinema and neuroscience by Vittorio Gallese and Michele Guerra ; translated by Frances Anderson |
| title_full_unstemmed | The empathic screen cinema and neuroscience by Vittorio Gallese and Michele Guerra ; translated by Frances Anderson |
| title_short | The empathic screen |
| title_sort | the empathic screen cinema and neuroscience |
| title_sub | cinema and neuroscience |
| topic | Zuschauer (DE-588)4127324-2 gnd Film (DE-588)4017102-4 gnd Neurowissenschaften (DE-588)7555119-6 gnd |
| topic_facet | Zuschauer Film Neurowissenschaften |
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