Memory and intermediality in artists' moving image:
This book addresses the preoccupation with memory in contemporary artists' moving image installations. It situates artists' moving image in relation to the transformations of digitalization as hybrid intermedial combinations of analogue film, video and digital video emerge from mid 1990s o...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cham, Switzerland
palgrave macmillan
[2021]
|
| Schriftenreihe: | Experimental film and artists' moving image
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| Schlagworte: | |
| Zusammenfassung: | This book addresses the preoccupation with memory in contemporary artists' moving image installations. It situates artists' moving image in relation to the transformations of digitalization as hybrid intermedial combinations of analogue film, video and digital video emerge from mid 1990s onwards. While film has always been closely associated with the process of memory, this book investigates new models of memory in artists' remediation of film with video and other intermedial aesthetics. Beginning with a chapter on the theorization of memory and the moving image and the diverse genealogies of artists' film and video, the following chapters identify five different mnemonic modes in artists' moving image: critical nostalgia, database narrative, the 'echo-chamber', documentary fiction and mediatized memories. Stan Douglas, Steve McQueen, Runa Islam, Mark Leckey and Elizabeth Price are of a generation that has lived through the transition from analogue to digital. Their emphasis on the nuances of intermediality indicates the extent to which we remember through media |
| Beschreibung: | x, 250 Seiten Illustrationen |
| ISBN: | 9783030473952 |
Internformat
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Datensatz im Suchindex
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| author | Durcan, Sarah |
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| building | Verbundindex |
| bvnumber | BV047117871 |
| ctrlnum | (OCoLC)1249684170 (DE-599)BVBBV047117871 |
| dewey-full | 791.4361 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4361 |
| dewey-search | 791.4361 |
| dewey-sort | 3791.4361 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| era | Geschichte 1990-2021 gnd |
| era_facet | Geschichte 1990-2021 |
| format | Book |
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| index_date | 2024-07-03T16:28:12Z |
| indexdate | 2024-07-10T09:03:07Z |
| institution | BVB |
| isbn | 9783030473952 |
| language | English |
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| physical | x, 250 Seiten Illustrationen |
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| series2 | Experimental film and artists' moving image |
| spelling | Durcan, Sarah Verfasser aut Memory and intermediality in artists' moving image Sarah Durcan Cham, Switzerland palgrave macmillan [2021] © 2021 x, 250 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Experimental film and artists' moving image This book addresses the preoccupation with memory in contemporary artists' moving image installations. It situates artists' moving image in relation to the transformations of digitalization as hybrid intermedial combinations of analogue film, video and digital video emerge from mid 1990s onwards. While film has always been closely associated with the process of memory, this book investigates new models of memory in artists' remediation of film with video and other intermedial aesthetics. Beginning with a chapter on the theorization of memory and the moving image and the diverse genealogies of artists' film and video, the following chapters identify five different mnemonic modes in artists' moving image: critical nostalgia, database narrative, the 'echo-chamber', documentary fiction and mediatized memories. Stan Douglas, Steve McQueen, Runa Islam, Mark Leckey and Elizabeth Price are of a generation that has lived through the transition from analogue to digital. Their emphasis on the nuances of intermediality indicates the extent to which we remember through media Geschichte 1990-2021 gnd rswk-swf Experimental films Historiography Gedächtnis (DE-588)4019614-8 gnd rswk-swf Digitalisierung (DE-588)4123065-6 gnd rswk-swf Installation Kunst (DE-588)4131808-0 gnd rswk-swf Intermedialität (DE-588)4605581-2 gnd rswk-swf Installation Kunst (DE-588)4131808-0 s Digitalisierung (DE-588)4123065-6 s Intermedialität (DE-588)4605581-2 s Gedächtnis (DE-588)4019614-8 s Geschichte 1990-2021 z DE-604 Erscheint auch als Online-Ausgabe 978-3-030-47396-9 |
| spellingShingle | Durcan, Sarah Memory and intermediality in artists' moving image Experimental films Historiography Gedächtnis (DE-588)4019614-8 gnd Digitalisierung (DE-588)4123065-6 gnd Installation Kunst (DE-588)4131808-0 gnd Intermedialität (DE-588)4605581-2 gnd |
| subject_GND | (DE-588)4019614-8 (DE-588)4123065-6 (DE-588)4131808-0 (DE-588)4605581-2 |
| title | Memory and intermediality in artists' moving image |
| title_auth | Memory and intermediality in artists' moving image |
| title_exact_search | Memory and intermediality in artists' moving image |
| title_exact_search_txtP | Memory and intermediality in artists' moving image |
| title_full | Memory and intermediality in artists' moving image Sarah Durcan |
| title_fullStr | Memory and intermediality in artists' moving image Sarah Durcan |
| title_full_unstemmed | Memory and intermediality in artists' moving image Sarah Durcan |
| title_short | Memory and intermediality in artists' moving image |
| title_sort | memory and intermediality in artists moving image |
| topic | Experimental films Historiography Gedächtnis (DE-588)4019614-8 gnd Digitalisierung (DE-588)4123065-6 gnd Installation Kunst (DE-588)4131808-0 gnd Intermedialität (DE-588)4605581-2 gnd |
| topic_facet | Experimental films Historiography Gedächtnis Digitalisierung Installation Kunst Intermedialität |
| work_keys_str_mv | AT durcansarah memoryandintermedialityinartistsmovingimage |