The people are not an image: vernacular video after the Arab Spring
The wave of uprisings and revolutions that swept the Middle East and North Africa between 2010 and 2012 were most vividly transmitted throughout the world not by television or even social media, but in short videos produced by the participants themselves and circulated anonymously on the internet. I...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Verso
2020
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | The wave of uprisings and revolutions that swept the Middle East and North Africa between 2010 and 2012 were most vividly transmitted throughout the world not by television or even social media, but in short videos produced by the participants themselves and circulated anonymously on the internet. In The People Are Not An Image, Snowdon explores this radical shift in revolutionary self-representation, showing that the political consequences of these videos cannot be located without reference to their aesthetic form. Looking at videos from Tunisia, Bahrain, Syria, Libya, and Egypt, Snowdon attends closely to the circumstances of both their production and circulation, drawing on a wide range of historical and theoretical material, to discover what they can tell us about the potential for revolution in our time and the possibilities of video as a genuinely decentralized and vernacular medium |
| Beschreibung: | 290 Seiten Illustrationen 24 cm |
| ISBN: | 9781788733168 1788733169 |
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Datensatz im Suchindex
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| adam_text |
Contents Introduction. Video as a Vernacular i Part I. The Body of the People i. A Happy Man (Tunis, January 14, zoii) Z5 z. Video as Performance 41 3. Seeing as the People (Diraz, February 14, zon) 55 4. What Day Is It? (Homs, December zz, zon) 75 5. The Death of Ali Talha (Tripoli, February Z5, zon) 97 Part П. Video as a Critical Utopia 6. The Filmmaker as Amanuensis (Cairo, January ay, zon) 1Z5 7. The Party of the Couch (Cairo, January 18, zon) 147 8. О Great Crowds, Join Us (Tripoli, February zoi i) 173 9. The Mulid and the Network 193 10. The Last Broadcast (Benghazi, March 19, zon ) Z15 Conclusion. This Is Just the Beginning xzj Acknowledgments Z37 List of Videos Referenced Z43 Notes Z47
HOW LIBERATION MOVEMENTS AND ONLINE VIDEO REMADE THE MOVING IMAGE The wave of uprisings and revolutions that swept the Middle East and North Africa between 2010 and 2012 were most vividly transmitted throughout the world not by television or even social media but in short videos produced by the participants themselves and circulated anonymously on the Internet. In The People Are Not an Image, acclaimed filmmaker Peter Snowdon explores this radical shift in revolutionary self-representation, showing that the political consequences of these videos cannot be understood without reference to their aesthetic form. Looking at videos from Tunisia, Bahrain, Syria, Libya, and Egypt, Snowdon attends closely to the circumstances of both their production and circulation, drawing on a wide range of historical and theoretical material, to discover what they can tell us about the potential for revolution in our time and the possibilities of video as a genuinely decentralized and vernacular medium. “The essays in The People Are Not an Image constitute a crucial and forward-looking work of cinematic exegesis . a key development in the history of collective image-making. ” —]. Hoberman, author օ/՜Маке My Day: Movie Culture in the Age of Reagan “A powerful and graceful book. " Laura U. Marks, author of Hanan al-Cinema: Affections for the Moving Image “A revelatory book, in dispensable for our understanding of what happened in the course of the Arab Revolutions when we were not paying proper attention. " Hamid Da bash і author q/'Thc Arab Spring: The Énd of Postcolonialism |
| adam_txt |
Contents Introduction. Video as a Vernacular i Part I. The Body of the People i. A Happy Man (Tunis, January 14, zoii) Z5 z. Video as Performance 41 3. Seeing as the People (Diraz, February 14, zon) 55 4. What Day Is It? (Homs, December zz, zon) 75 5. The Death of Ali Talha (Tripoli, February Z5, zon) 97 Part П. Video as a Critical Utopia 6. The Filmmaker as Amanuensis (Cairo, January ay, zon) 1Z5 7. The Party of the Couch (Cairo, January 18, zon) 147 8. О Great Crowds, Join Us (Tripoli, February zoi i) 173 9. The Mulid and the Network 193 10. The Last Broadcast (Benghazi, March 19, zon ) Z15 Conclusion. This Is Just the Beginning xzj Acknowledgments Z37 List of Videos Referenced Z43 Notes Z47
HOW LIBERATION MOVEMENTS AND ONLINE VIDEO REMADE THE MOVING IMAGE The wave of uprisings and revolutions that swept the Middle East and North Africa between 2010 and 2012 were most vividly transmitted throughout the world not by television or even social media but in short videos produced by the participants themselves and circulated anonymously on the Internet. In The People Are Not an Image, acclaimed filmmaker Peter Snowdon explores this radical shift in revolutionary self-representation, showing that the political consequences of these videos cannot be understood without reference to their aesthetic form. Looking at videos from Tunisia, Bahrain, Syria, Libya, and Egypt, Snowdon attends closely to the circumstances of both their production and circulation, drawing on a wide range of historical and theoretical material, to discover what they can tell us about the potential for revolution in our time and the possibilities of video as a genuinely decentralized and vernacular medium. “The essays in The People Are Not an Image constitute a crucial and forward-looking work of cinematic exegesis . a key development in the history of collective image-making. ” —]. Hoberman, author օ/՜Маке My Day: Movie Culture in the Age of Reagan “A powerful and graceful book. " Laura U. Marks, author of Hanan al-Cinema: Affections for the Moving Image “A revelatory book, in dispensable for our understanding of what happened in the course of the Arab Revolutions when we were not paying proper attention. " Hamid Da bash і author q/'Thc Arab Spring: The Énd of Postcolonialism |
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| spelling | Snowdon, Peter 1978- Verfasser (DE-588)1083009052 aut The people are not an image vernacular video after the Arab Spring Peter Snowdon London ; New York Verso 2020 290 Seiten Illustrationen 24 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier The wave of uprisings and revolutions that swept the Middle East and North Africa between 2010 and 2012 were most vividly transmitted throughout the world not by television or even social media, but in short videos produced by the participants themselves and circulated anonymously on the internet. In The People Are Not An Image, Snowdon explores this radical shift in revolutionary self-representation, showing that the political consequences of these videos cannot be located without reference to their aesthetic form. Looking at videos from Tunisia, Bahrain, Syria, Libya, and Egypt, Snowdon attends closely to the circumstances of both their production and circulation, drawing on a wide range of historical and theoretical material, to discover what they can tell us about the potential for revolution in our time and the possibilities of video as a genuinely decentralized and vernacular medium Internet (DE-588)4308416-3 gnd rswk-swf Protestbewegung (DE-588)4226404-2 gnd rswk-swf Video (DE-588)4078895-7 gnd rswk-swf Arabischer Frühling (DE-588)102321377X gnd rswk-swf Arab Spring, 2010- / Influence Internet videos / Social aspects Protest movements in mass media Internet videos / Production and direction Influence (Literary, artistic, etc.) History Since 2010 Arabischer Frühling (DE-588)102321377X s Protestbewegung (DE-588)4226404-2 s Internet (DE-588)4308416-3 s Video (DE-588)4078895-7 s DE-604 Erscheint auch als Online-Ausgabe, UK EBK 978-1-78873-318-2 Erscheint auch als Online-Ausgabe, US EBK 978-1-78873-319-9 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032524056&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032524056&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | The people are not an image vernacular video after the Arab Spring |
| title_auth | The people are not an image vernacular video after the Arab Spring |
| title_exact_search | The people are not an image vernacular video after the Arab Spring |
| title_exact_search_txtP | The people are not an image vernacular video after the Arab Spring |
| title_full | The people are not an image vernacular video after the Arab Spring Peter Snowdon |
| title_fullStr | The people are not an image vernacular video after the Arab Spring Peter Snowdon |
| title_full_unstemmed | The people are not an image vernacular video after the Arab Spring Peter Snowdon |
| title_short | The people are not an image |
| title_sort | the people are not an image vernacular video after the arab spring |
| title_sub | vernacular video after the Arab Spring |
| topic | Internet (DE-588)4308416-3 gnd Protestbewegung (DE-588)4226404-2 gnd Video (DE-588)4078895-7 gnd Arabischer Frühling (DE-588)102321377X gnd |
| topic_facet | Internet Protestbewegung Video Arabischer Frühling |
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