Museums, history and the intimate experience of the Great War: love and sorrow
"The Great War of 1914-1918 was fought on the battlefield, on the sea and in the air, and in the heart. Museums Victoria's exhibition World War I: Love and Sorrow exposed not just the nature of that war, but its depth and duration in personal and familial lives. Hailed by eminent scholar J...
Gespeichert in:
Weitere Verfasser: | , , |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London, New York
Routledge, Taylor & Francis Group
2021
|
Schriftenreihe: | Routledge studies in First World War history
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "The Great War of 1914-1918 was fought on the battlefield, on the sea and in the air, and in the heart. Museums Victoria's exhibition World War I: Love and Sorrow exposed not just the nature of that war, but its depth and duration in personal and familial lives. Hailed by eminent scholar Jay Winter as "one of the best which the centenary of the Great War has occasioned", the exhibition delved into the war's continuing emotional claims on descendants and on those who encounter the war through museums today. Contributors to this volume, drawn largely from the exhibition's curators and advisory panel, grapple with the complexities of recovering and presenting difficult histories of the war. In eleven essays the book presents a new, more sensitive and nuanced narrative of the Great War, in which families and individuals take centre stage. Together they uncover private reckonings with the costs of that experience, not only in the years immediately after the war, but in the century since"-- |
Beschreibung: | xviii, 225 Seiten Illustrationen |
ISBN: | 9780367487546 |
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Datensatz im Suchindex
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adam_text | Contents List offigures List of contributors Acknowledgements Introduction: war, emotion and the museum vii xiii xvii 1 JOY DAMOUSI, DEBORAH TOUT-SMITH AND BART ZIINO PARTI Emotions in conflict: on the battlefield and at home 1 Emotions and memory in the soundscapes of World War I 7 9 JOY DAMOUSI 2 Pompey Elliott, Australia’s emotional general 28 ROSS McMULLIN 3 For the duration: surviving World War I at home 48 BART ZIINO PART II Bearing the wounds of war 4 A familiar face: wartime facial wounds and William Kearsey 65 67 KERRY NEALE 5 War disability and the centenary of family caregiving MARINA LARSSON 88
vi Contents PARTIU Emotions in histories of World War I 6 Searching for Hector Thomson: telling difficult family war histories 97 99 ALISTAIR THOMSON 7 “Gonzo” historians and the emotional turn in Australian military history 123 PETER STANLEY 8 Distance, intimacy and identification: reflections on writing a history of trauma 136 TRACEY LOUGHRAN PART IV World War I in the museum: Love and Sorrow at Museums Victoria 151 9 After one hundred years: exhibiting World War I 153 DEBORAH TOUT-SMITH 10 “Sticky” objects, faces and voices in the museum: Love and Sorrow’s use of affective interpretation strategies to challenge masculinist commemorations of World War I 171 ANDREA WITCOMB 11 “The stories are like magnets”: Love and Sorrow and the engagement of on-line learning 190 BRUCE SCATES AND MARGARET HARRIS Index 217
|
adam_txt |
Contents List offigures List of contributors Acknowledgements Introduction: war, emotion and the museum vii xiii xvii 1 JOY DAMOUSI, DEBORAH TOUT-SMITH AND BART ZIINO PARTI Emotions in conflict: on the battlefield and at home 1 Emotions and memory in the soundscapes of World War I 7 9 JOY DAMOUSI 2 Pompey Elliott, Australia’s emotional general 28 ROSS McMULLIN 3 For the duration: surviving World War I at home 48 BART ZIINO PART II Bearing the wounds of war 4 A familiar face: wartime facial wounds and William Kearsey 65 67 KERRY NEALE 5 War disability and the centenary of family caregiving MARINA LARSSON 88
vi Contents PARTIU Emotions in histories of World War I 6 Searching for Hector Thomson: telling difficult family war histories 97 99 ALISTAIR THOMSON 7 “Gonzo” historians and the emotional turn in Australian military history 123 PETER STANLEY 8 Distance, intimacy and identification: reflections on writing a history of trauma 136 TRACEY LOUGHRAN PART IV World War I in the museum: Love and Sorrow at Museums Victoria 151 9 After one hundred years: exhibiting World War I 153 DEBORAH TOUT-SMITH 10 “Sticky” objects, faces and voices in the museum: Love and Sorrow’s use of affective interpretation strategies to challenge masculinist commemorations of World War I 171 ANDREA WITCOMB 11 “The stories are like magnets”: Love and Sorrow and the engagement of on-line learning 190 BRUCE SCATES AND MARGARET HARRIS Index 217 |
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building | Verbundindex |
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classification_rvk | NP 5200 |
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discipline_str_mv | Geschichte |
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title | Museums, history and the intimate experience of the Great War love and sorrow |
title_auth | Museums, history and the intimate experience of the Great War love and sorrow |
title_exact_search | Museums, history and the intimate experience of the Great War love and sorrow |
title_exact_search_txtP | Museums, history and the intimate experience of the Great War love and sorrow |
title_full | Museums, history and the intimate experience of the Great War love and sorrow edited by Joy Damousi, Deborah Tout-Smith, and Bart Ziino |
title_fullStr | Museums, history and the intimate experience of the Great War love and sorrow edited by Joy Damousi, Deborah Tout-Smith, and Bart Ziino |
title_full_unstemmed | Museums, history and the intimate experience of the Great War love and sorrow edited by Joy Damousi, Deborah Tout-Smith, and Bart Ziino |
title_short | Museums, history and the intimate experience of the Great War |
title_sort | museums history and the intimate experience of the great war love and sorrow |
title_sub | love and sorrow |
topic | Erster Weltkrieg (DE-588)4079163-4 gnd Kollektives Gedächtnis (DE-588)4200793-8 gnd |
topic_facet | Erster Weltkrieg Kollektives Gedächtnis Australien Aufsatzsammlung |
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