Cold War II: Hollywood's renewed obsession with Russia
"Contributions by Thomas J. Cobb, Donna A. Gessell, Helena Goscilo, Cyndy Hendershot, Christian Jimenez, David LaRocca, Lori Maguire, Tatiana Prorokova-Konrad, Ian Scott, Vesta Silva, Lucian Tion, Dan Ward, and Jon Wiebel In recent years, Hollywood cinema has forwarded a growing number of image...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Jackson
University Press of Mississippi
[2020]
|
| Schlagworte: | |
| Zusammenfassung: | "Contributions by Thomas J. Cobb, Donna A. Gessell, Helena Goscilo, Cyndy Hendershot, Christian Jimenez, David LaRocca, Lori Maguire, Tatiana Prorokova-Konrad, Ian Scott, Vesta Silva, Lucian Tion, Dan Ward, and Jon Wiebel In recent years, Hollywood cinema has forwarded a growing number of images of the Cold War and entertained a return to memories of conflicts between the USSR and the US, Russians and Americans, and communism and capitalism. Cold War II: Hollywood's Renewed Obsession with Russia explores the reasons for this sudden renewed interest in the Cold War. Essayists examine such films as Guy Ritchie's The Man from U.N.C.L.E., Steven Spielberg's Bridge of Spies, Ethan Coen and Joel Coen's Hail, Caesar!, David Leitch's Atomic Blonde, Guillermo del Toro's The Shape of Water, Ryan Coogler's Black Panther, and Francis Lawrence's Red Sparrow, among others, as well as such television shows as Comrade Detective and The Americans. Contributors to this collection interrogate the revival of the Cold War movie genre from multiple angles and examine the issues of patriotism, national identity, otherness, gender, and corruption. They consider cinematic aesthetics and the ethics of these representations. They reveal how Cold War imagery shapes audiences' understanding of the period in general and of the relationship between the US and Russia in particular. The authors complicate traditional definitions of the Cold War film and invite readers to discover a new phase in the Cold War movie genre: Cold War II"-- |
| Beschreibung: | vi, 257 Seiten 24 cm |
| ISBN: | 9781496831101 9781496831095 |
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| 520 | 3 | |a "Contributions by Thomas J. Cobb, Donna A. Gessell, Helena Goscilo, Cyndy Hendershot, Christian Jimenez, David LaRocca, Lori Maguire, Tatiana Prorokova-Konrad, Ian Scott, Vesta Silva, Lucian Tion, Dan Ward, and Jon Wiebel In recent years, Hollywood cinema has forwarded a growing number of images of the Cold War and entertained a return to memories of conflicts between the USSR and the US, Russians and Americans, and communism and capitalism. Cold War II: Hollywood's Renewed Obsession with Russia explores the reasons for this sudden renewed interest in the Cold War. Essayists examine such films as Guy Ritchie's The Man from U.N.C.L.E., Steven Spielberg's Bridge of Spies, Ethan Coen and Joel Coen's Hail, Caesar!, David Leitch's Atomic Blonde, Guillermo del Toro's The Shape of Water, Ryan Coogler's Black Panther, and Francis Lawrence's Red Sparrow, among others, as well as such television shows as Comrade Detective and The Americans. Contributors to this collection interrogate the revival of the Cold War movie genre from multiple angles and examine the issues of patriotism, national identity, otherness, gender, and corruption. They consider cinematic aesthetics and the ethics of these representations. They reveal how Cold War imagery shapes audiences' understanding of the period in general and of the relationship between the US and Russia in particular. The authors complicate traditional definitions of the Cold War film and invite readers to discover a new phase in the Cold War movie genre: Cold War II"-- | |
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Datensatz im Suchindex
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| author_additional | Tatiana Prorkova-Konrad Vesta Silva and Jon Wiebel Helena Goscilo Lucian Tion Ian Scott Dan Ward Cyndy Hendershot Lori Maguire David LaRocca Christian Jimenez Thomas J. Cobb Donna A. Gessell |
| building | Verbundindex |
| bvnumber | BV047115847 |
| classification_rvk | AP 50300 |
| contents | Cinematic reimagining of the Cold War in the 2010s The warm glow of Cold War nostalgia Big rewards for the small screen: The Man from U.N.C.L.E. during both Cold Wars The westernization of Stalin: late Hollywood readings of real-existing socialism The coldest city: Berlin and the remapping of Cold War movie aesthetics "Your body belongs to the state": the mobilization of the action heroine in service of the state in Red Sparrow and Atomic Blonde The Shape of Water and the Cold War revisited Laughing at the early Cold War: communism, the USSR, and the comedy of Hail, Caesar! and The Death of Stalin Of mothers and motherlands: figurations of parenting and patriotism in The Americans Conservative understanding and nationalist exclusion: moral equivalency as contested concept in Bridge of Spies and Tinker Tailor Soldier Spy Unacknowledged realignment: representations of US-Russian relations in recent American cinema Red Sparrow: Cold War redux and the treatment of corruption |
| ctrlnum | (OCoLC)1245337490 (DE-599)BVBBV047115847 |
| discipline | Allgemeines |
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| era | Geschichte 2010- gnd |
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| spelling | Cold War II Hollywood's renewed obsession with Russia edited by Tatiana Prorokova-Konrad Jackson University Press of Mississippi [2020] vi, 257 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier Cinematic reimagining of the Cold War in the 2010s Tatiana Prorkova-Konrad The warm glow of Cold War nostalgia Vesta Silva and Jon Wiebel Big rewards for the small screen: The Man from U.N.C.L.E. during both Cold Wars Helena Goscilo The westernization of Stalin: late Hollywood readings of real-existing socialism Lucian Tion The coldest city: Berlin and the remapping of Cold War movie aesthetics Ian Scott "Your body belongs to the state": the mobilization of the action heroine in service of the state in Red Sparrow and Atomic Blonde Dan Ward The Shape of Water and the Cold War revisited Cyndy Hendershot Laughing at the early Cold War: communism, the USSR, and the comedy of Hail, Caesar! and The Death of Stalin Lori Maguire Of mothers and motherlands: figurations of parenting and patriotism in The Americans David LaRocca Conservative understanding and nationalist exclusion: moral equivalency as contested concept in Bridge of Spies and Tinker Tailor Soldier Spy Christian Jimenez Unacknowledged realignment: representations of US-Russian relations in recent American cinema Thomas J. Cobb Red Sparrow: Cold War redux and the treatment of corruption Donna A. Gessell "Contributions by Thomas J. Cobb, Donna A. Gessell, Helena Goscilo, Cyndy Hendershot, Christian Jimenez, David LaRocca, Lori Maguire, Tatiana Prorokova-Konrad, Ian Scott, Vesta Silva, Lucian Tion, Dan Ward, and Jon Wiebel In recent years, Hollywood cinema has forwarded a growing number of images of the Cold War and entertained a return to memories of conflicts between the USSR and the US, Russians and Americans, and communism and capitalism. Cold War II: Hollywood's Renewed Obsession with Russia explores the reasons for this sudden renewed interest in the Cold War. Essayists examine such films as Guy Ritchie's The Man from U.N.C.L.E., Steven Spielberg's Bridge of Spies, Ethan Coen and Joel Coen's Hail, Caesar!, David Leitch's Atomic Blonde, Guillermo del Toro's The Shape of Water, Ryan Coogler's Black Panther, and Francis Lawrence's Red Sparrow, among others, as well as such television shows as Comrade Detective and The Americans. Contributors to this collection interrogate the revival of the Cold War movie genre from multiple angles and examine the issues of patriotism, national identity, otherness, gender, and corruption. They consider cinematic aesthetics and the ethics of these representations. They reveal how Cold War imagery shapes audiences' understanding of the period in general and of the relationship between the US and Russia in particular. The authors complicate traditional definitions of the Cold War film and invite readers to discover a new phase in the Cold War movie genre: Cold War II"-- Geschichte 2010- gnd rswk-swf Fernsehserie (DE-588)4154072-4 gnd rswk-swf Sowjetunion Motiv (DE-588)4122647-1 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Russland Motiv (DE-588)4130559-0 gnd rswk-swf Ost-West-Konflikt Motiv (DE-588)4489601-3 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Cold War in motion pictures Russia / In motion pictures Soviet Union / In motion pictures Cold War (1945-1989) in motion pictures Motion pictures Russia Soviet Union (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Fernsehserie (DE-588)4154072-4 s Ost-West-Konflikt Motiv (DE-588)4489601-3 s Sowjetunion Motiv (DE-588)4122647-1 s Russland Motiv (DE-588)4130559-0 s Geschichte 2010- z DE-604 Konrad, Tatiana 1991- Sonstige (DE-588)1168662990 oth Erscheint auch als Online-Ausgabe, epub single 978-1-4968-3111-8 Erscheint auch als Online-Ausgabe, pdf single 978-1-4968-3113-2 Erscheint auch als Online-Ausgabe, pdf institutional 978-1-4968-3114-9 |
| spellingShingle | Cold War II Hollywood's renewed obsession with Russia Cinematic reimagining of the Cold War in the 2010s The warm glow of Cold War nostalgia Big rewards for the small screen: The Man from U.N.C.L.E. during both Cold Wars The westernization of Stalin: late Hollywood readings of real-existing socialism The coldest city: Berlin and the remapping of Cold War movie aesthetics "Your body belongs to the state": the mobilization of the action heroine in service of the state in Red Sparrow and Atomic Blonde The Shape of Water and the Cold War revisited Laughing at the early Cold War: communism, the USSR, and the comedy of Hail, Caesar! and The Death of Stalin Of mothers and motherlands: figurations of parenting and patriotism in The Americans Conservative understanding and nationalist exclusion: moral equivalency as contested concept in Bridge of Spies and Tinker Tailor Soldier Spy Unacknowledged realignment: representations of US-Russian relations in recent American cinema Red Sparrow: Cold War redux and the treatment of corruption Fernsehserie (DE-588)4154072-4 gnd Sowjetunion Motiv (DE-588)4122647-1 gnd Film (DE-588)4017102-4 gnd Russland Motiv (DE-588)4130559-0 gnd Ost-West-Konflikt Motiv (DE-588)4489601-3 gnd |
| subject_GND | (DE-588)4154072-4 (DE-588)4122647-1 (DE-588)4017102-4 (DE-588)4130559-0 (DE-588)4489601-3 (DE-588)4078704-7 (DE-588)4143413-4 |
| title | Cold War II Hollywood's renewed obsession with Russia |
| title_alt | Cinematic reimagining of the Cold War in the 2010s The warm glow of Cold War nostalgia Big rewards for the small screen: The Man from U.N.C.L.E. during both Cold Wars The westernization of Stalin: late Hollywood readings of real-existing socialism The coldest city: Berlin and the remapping of Cold War movie aesthetics "Your body belongs to the state": the mobilization of the action heroine in service of the state in Red Sparrow and Atomic Blonde The Shape of Water and the Cold War revisited Laughing at the early Cold War: communism, the USSR, and the comedy of Hail, Caesar! and The Death of Stalin Of mothers and motherlands: figurations of parenting and patriotism in The Americans Conservative understanding and nationalist exclusion: moral equivalency as contested concept in Bridge of Spies and Tinker Tailor Soldier Spy Unacknowledged realignment: representations of US-Russian relations in recent American cinema Red Sparrow: Cold War redux and the treatment of corruption |
| title_auth | Cold War II Hollywood's renewed obsession with Russia |
| title_exact_search | Cold War II Hollywood's renewed obsession with Russia |
| title_exact_search_txtP | Cold War II Hollywood's renewed obsession with Russia |
| title_full | Cold War II Hollywood's renewed obsession with Russia edited by Tatiana Prorokova-Konrad |
| title_fullStr | Cold War II Hollywood's renewed obsession with Russia edited by Tatiana Prorokova-Konrad |
| title_full_unstemmed | Cold War II Hollywood's renewed obsession with Russia edited by Tatiana Prorokova-Konrad |
| title_short | Cold War II |
| title_sort | cold war ii hollywood s renewed obsession with russia |
| title_sub | Hollywood's renewed obsession with Russia |
| topic | Fernsehserie (DE-588)4154072-4 gnd Sowjetunion Motiv (DE-588)4122647-1 gnd Film (DE-588)4017102-4 gnd Russland Motiv (DE-588)4130559-0 gnd Ost-West-Konflikt Motiv (DE-588)4489601-3 gnd |
| topic_facet | Fernsehserie Sowjetunion Motiv Film Russland Motiv Ost-West-Konflikt Motiv USA Aufsatzsammlung |
| work_keys_str_mv | AT konradtatiana coldwariihollywoodsrenewedobsessionwithrussia |